Joe Chambers (born June 25, 1942)[1] is an American jazz drummer, pianist, vibraphonist and composer. In the 1960s and 1970s, Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea and played on several iconic Blue Note albums of the 1960s.[2] During this period, his compositions were featured on albums by Freddie Hubbard and Bobby Hutcherson.[2] Chambers has released sixteen albums as a bandleader and was a founding member of Max Roach's M'Boom percussion ensemble.[3]
Joe Chambers was born in Stoneacre, Virginia in 1942.[10] However, Chambers was mostly raised in Chester, Pennsylvania.[9] He attended the Philadelphia Conservatory for one year before moving to Washington, DC.[11] The first instrument he played was the piano before he moved on to playing the vibraphone and drums.[12] He was inspired by various jazz drummers, such as Max Roach, Philly Joe Jones, and Elvin Jones.[13]
Chambers lived in Washington from 1960 to 1963. Chambers’ earliest gigs were recorded during the time of his eighteenth year when he toured with Bobby Lewis and the JFK Quintet.[9] Chambers was mainly working at the Bohemian Caverns in Washington, D.C., where he spent six nights a week playing gigs.[9]
Music career
Chambers was recognized by Freddie Hubbard, who encouraged him to move to New York City in 1963, where he played with various artists such as Eric Dolphy, Freddie Hubbard, Jimmy Giuffre, and Andrew Hill.[14] Drummer Tony Williams set Chambers up with a recording of “Mirrors,” where he gained exposure and joined Blue Note.[13] His debut recording with Blue Note was on Freddie Hubbard's album Breaking Point, which also included his composition Mirrors. He soon joined Blue Note as the house percussionist and drummer.[13] In 1964, Chambers gigged at Minton’s Playhouse alongside Blue Mitchell and Chick Corea.[13]
In 1970, he joined Max Roach’s percussion ensemble M’Boom.[10] The group often practiced at Warren Smith’s Studio on West 21st Street, where Chambers first learned the vibraphone.[12] He played alongside Sonny Rollins, Tommy Flanagan, Charles Mingus, and Art Farmer. Chambers created the Super Jazz Trio with Flanagan and bassist Reggie Workman.[13] Chambers debut recoding as a band leader came in 1974 with The Almoravid.[10][9] In the late 1970s, he helped lead a band alongside Larry Young, an organist. In the early 1980s, Chambers collaborated with artists such as Chet Baker and Ray Mantilla.
Chamber was hired as instructor in 1990 at the New School of Jazz and Contemporary Music in NYC. He later taught at the University of North Carolina, Wilmington.[10] He currently does not teach and is focusing on his career in jazz. In 2021 he returned to Blue Note and released his album, Samba de Maracatu.[10] He released Dance Kobina in 2023.[10]
Achievements and legacy
During his time at the University of North Carolina, Wilmington, Chambers was titled the first Thomas S. Kenan Distinguished Professor of Jazz in 2008.[9] In 1994, the Nas song NY State of Mind sampled a piano loop from Mind Rain on Chambers's 1978 album Double Exposure.[15]
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