| Contours | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 1967 [1] | |||
| Recorded | May 21, 1965 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Avant-garde jazz | |||
| Length | 40:08 | |||
| Label | Blue Note BST 84206 | |||
| Producer | Alfred Lion | |||
| Sam Rivers chronology | ||||
| ||||
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. [2] The CD reissue contains an alternate take as a bonus track.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [3] |
| The Encyclopedia of Popular Music |  [4] |
| The Penguin Guide to Jazz Recordings | [5] |
| The Rolling Stone Jazz Record Guide | [6] |
| Tom Hull – on the Web | B+ [7] |
The Allmusic review by Stephen Thomas Erlewine awarded the album 5 stars and stated "On Contours, his second Blue Note album, tenor saxophonist Sam Rivers fully embraced the avant-garde, but presented his music in a way that wouldn't be upsetting or confusing to hard bop loyalists... Rarely is Contours anything less than enthralling, and it remains one of the high watermarks of the mid-'60s avant-garde movement". [3]
All compositions by Sam Rivers.
A Love Supreme is an album by American jazz saxophonist John Coltrane. He recorded it in one session on December 9, 1964 at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones.
At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records. It also debuted Coleman’s usage of the trumpet and violin, instruments in which he took three years teaching himself to play after leaving Atlantic.
Black Fire is a studio album by American jazz pianist and composer Andrew Hill, released on Blue Note Records in 1964. It was Hill's debut for the label. Initially, drummer Philly Joe Jones was scheduled to play on the album, but was replaced by Roy Haynes after scheduling issues. The rest of the band consists of tenor saxophonist Joe Henderson and bassist Richard Davis. The Allmusic review by Stephen Thomas Erlewine calls the album "an impressive statement of purpose that retains much of its power decades after its initial release... a modern jazz classic."
My Point of View is the second album by pianist Herbie Hancock. It was released in 1963 on Blue Note Records as BLP 4126 and BST 84126. Musicians featured are trumpeter Donald Byrd, trombonist Grachan Moncur III, tenor saxophonist Hank Mobley, guitarist Grant Green, bassist Chuck Israels and drummer Tony Williams.
Conference of the Birds is a studio album by jazz bassist Dave Holland, recorded in 1972 and released in 1973. It is his fourth project on ECM Records, and his first as a leader. It is credited on the cover to the “David Holland Quartet”. In reference to the album title, the liner notes describe how birds would congregate each morning outside Holland's London apartment and join with one another in song. It features Holland on acoustic double bass, along with tenor saxophonist Sam Rivers, alto saxophonist Anthony Braxton and percussionist Barry Altschul. Braxton and Rivers also play flutes and clarinets throughout the album.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
True Blue is a jazz album by tenor saxophonist Tina Brooks recorded on June 25, 1960, and released on the Blue Note label. In the hard-bop idiom, it was Brooks' only performance as leader to be released during his lifetime, and features performances by Brooks, Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor.
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
J. R. Monterose is the debut album by American saxophonist J. R. Monterose recorded in 1956 and released on the Blue Note label.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
Accent on the Blues is an album by American organist John Patton recorded in 1969 and released on the Blue Note label.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Fuchsia Swing Song is the debut album by American saxophonist Sam Rivers recorded in 1964 and released on the Blue Note label. The album was reissued on CD in 1995, and again in 2003 as part of the "Connoisseur Series" including four alternate takes as bonus tracks.
Dimensions & Extensions is an album by American saxophonist Sam Rivers recorded in 1967 but not released on the Blue Note label until 1986 with the original catalogue number and the intended cover artwork. It was originally scheduled for issue in 1967, but held back from release until 1975, when the tracks appeared as part of the double LP set, Involution, which combined them with tracks recorded under Andrew Hill's leadership that would eventually see release as Change.
Blowing in from Chicago is an album by American jazz saxophonists Clifford Jordan and John Gilmore featuring performances recorded in 1957 and released on the Blue Note label. The CD reissue added a bonus track from the same session.
The In Between is an album by American jazz saxophonist Booker Ervin recorded in 1968 and released on the Blue Note label.
Dave Holland / Sam Rivers is an album by American jazz saxophonist Sam Rivers and English double-bassist Dave Holland featuring performances recorded in 1976 and released on the Improvising Artists label.
The King! is an album by jazz saxophonist Illinois Jacquet which was recorded in 1968 and released on the Prestige label.