The Quota | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | April 14 & 20, 1961 New York City | |||
Genre | Jazz | |||
Length | 38:20 | |||
Label | Riverside RLP 372 | |||
Producer | Orrin Keepnews | |||
Jimmy Heath chronology | ||||
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The Quota is the third album by saxophonist Jimmy Heath featuring performances recorded in 1961 originally released on the Riverside label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The Penguin Guide to Jazz Recordings | [4] |
The contemporaneous DownBeat reviewer, Leonard Feather, concluded: "All in all, a session that didn't aim too high and managed to hit the target." [3] Stephen Cook of AllMusic says, "Jimmy Heath's considerable talents are very evident on this fine hard bop title... The Quota's strong material, tight arrangements, and thoughtful solos help make this Heath title one of the better hard bop releases available and a must for any jazz collection". [2]
All compositions by Jimmy Heath except as indicated
The Sidewinder is a 1964 album by the jazz trumpeter Lee Morgan, recorded at the Van Gelder Studio in Englewood Cliffs, New Jersey, U.S. It was released on the Blue Note label as BLP 4157 (mono) and BST 84157 (stereo).
Miles Davis Volume 2 is the fifth studio album by musician Miles Davis. It refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.
Miles Davis Volume 1 refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 as BLP 1501 on the Blue Note Records label.
Know What I Mean? is a 1962 album by jazz musician Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
Hub Cap is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1961 as BLP 4073 and BST 84073. It features performances by Hubbard, Julian Priester, Jimmy Heath, Cedar Walton, Larry Ridley and Philly Joe Jones.
The Cannonball Adderley Quintet at the Lighthouse is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Showboat is an album by American jazz trumpeter Kenny Dorham featuring performances of tunes from the Jerome Kern-Oscar Hammerstein II musical Show Boat recorded in 1960 and released on the Time label.
A Sure Thing is an album by American trumpeter Blue Mitchell with orchestra recorded in 1962 and released on the Riverside label.
Down Home is the third album by the double bass player and cellist Sam Jones, recorded in 1962 and released on the Riverside label.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Swamp Seed is the fifth album by the saxophonist Jimmy Heath of performances recorded in 1963, originally released on the Riverside label.
On the Trail is the sixth album by saxophonist Jimmy Heath featuring performances recorded in 1964 originally released on the Riverside label.
Circle Waltz is the second album by pianist Don Friedman which was recorded in 1962 and released on the Riverside label.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
Homecoming! is an album by jazz pianist Elmo Hope recorded in 1961 for the Riverside label.
It's All Right! is an album by the saxophonist Teddy Edwards which was recorded in 1967 and released on the Prestige label.
Merry Olde Soul is an album by vibraphonist/pianist Victor Feldman recorded in early 1961 and originally released on the Riverside label.
Gemini is an album by American jazz guitarist and flutist Les Spann released in 1961. It is Spann's only studio album as a leader, recorded when he was playing as a sideman with Dizzy Gillespie's quintet and Quincy Jones' big band. The title of the album corresponds to Spann's zodiac sign, born on May 23, 1932. For this work Spann led a quintet formed by Julius Watkins, Tommy Flanagan (piano), Sam Jones and two drummers sharing the two recording dates, Albert "Tootie" Heath and Louis Hayes.