New Jazz Conceptions is the debut album by jazz musician Bill Evans, released in 1957 on Riverside Records.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
On Green Dolphin Street is an album by jazz pianist Bill Evans, recorded with bassist Paul Chambers and drummer Philly Joe Jones in early 1959, shortly before the Kind of Blue sessions in which both Evans and Chambers participated, but not released until 1975 as part of the double LP Peace Piece and Other Pieces. In 1995, it was issued on CD by Milestone Records under the current title, which comes from the jazz standard "On Green Dolphin Street" by Bronislaw Kaper, which Evans had first recorded the previous year with Miles Davis.
Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. All the pieces are solo with piano overdubs, a method Evans used on his earlier release Conversations with Myself. This time, however, he employed only two piano tracks instead of three. The album was nominated for a Grammy. It was reissued on CD by Verve in 1999.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until January 1980. It was his final album for Fantasy Records, making the title quite appropriate.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written, arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Alone (Again) is a solo piano album by American jazz pianist Bill Evans, recorded in December 1975. A follow-up to his earlier solo album Alone, it was released in 1977 on Fantasy Records and reissued on CD in 1994 by Original Jazz Classics. At the time it was recorded, Evans had been playing an increasing number of solo dates and was inspired after hearing Marian McPartland play solo in Monterey. Evans's manager Helen Keane commented:
As much as Bill enjoyed playing alone at home, and although by this time he regularly included a solo section in his concert program, he found recording in this context very difficult. It was probably the only area he felt insecure about musically, and the fact that he'd gotten a Grammy for Alone didn't seem to help.
Portrait of Wes is an album by the American jazz guitarist Wes Montgomery, released in 1966.
Loose Blues is an album by jazz pianist Bill Evans released on the Milestone label, featuring performances by Evans with Zoot Sims, Jim Hall, Ron Carter, and Philly Joe Jones, recorded in 1962.
True Blue is a jazz album by tenor saxophonist Tina Brooks recorded on June 25, 1960, and released on the Blue Note label. In the hard-bop idiom, it was Brooks' only performance as leader to be released during his lifetime, and features performances by Brooks, Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and released on the Atlantic label.
The Quota is the third album by saxophonist Jimmy Heath featuring performances recorded in 1961 originally released on the Riverside label.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
Generation is an album by saxophonist Dexter Gordon which was recorded in 1972 and released on the Prestige label.
Leroy Walks Again!! is the second album by American jazz bassist Leroy Vinnegar recorded in 1962 and 1963 and released on the Contemporary label.
