Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader, released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett and pianist Bill Evans.
Undercurrent is a 1962 album by jazz pianist Bill Evans and jazz guitarist Jim Hall. The two artists collaborated again in 1966 on the album Intermodulation.
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962.
The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961 have been released in their entirety. It also marks the first US release of the first take of "Gloria's Step," which is incomplete due to a power failure.
Empathy is a 1962 album by jazz musicians Bill Evans and Shelly Manne. It was recorded and released by Verve Records, the label Evans joined a year after the recording session. The album came about when Manne and Evans were sharing a bill at New York's Village Vanguard nightclub, and Verve producer Creed Taylor proposed a studio collaboration for the two bandleaders. Riverside Records, Evans' label during 1962, allowed Evans to participate, and the trio was completed by Manne's bass player of the time, Monty Budwig. The album features some classic jazz standards and two songs by Irving Berlin from the 1962 musical Mr. President. The sculpture on the album cover was by Sheldon Machlin.
Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. All the pieces are solo with piano overdubs, a method Evans used on his earlier release Conversations with Myself. This time, however, he employed only two piano tracks instead of three. The album was nominated for a Grammy. It was reissued on CD by Verve in 1999.
Alone is a solo piano album by jazz musician Bill Evans, recorded in the fall of 1968 for Verve Records, featuring a particularly notable 14+-minute performance of the jazz standard "Never Let Me Go." Evans contributed notes to the album, including the following statement:
Perhaps the hours of greatest pleasure in my life have come about as a result of the capacity of the piano to be in itself a complete expressive musical medium. In retrospect, I think that these countless hours of aloneness with music unified the directive energy of my life. At those times when I have achieved this sense of oneness while playing alone, the many technical or analytic aspects of the music happened of themselves with positive rightness which always served to remind me that to understand music most profoundly one only has to be listening well. Perhaps it is a peculiarity of mine that despite the fact that I am a professional performer, it is true that I have always preferred playing without an audience. This has nothing to do with my desire to communicate or not, but rather I think just a problem of personal self-consciousness which had to be conquered through discipline and concentration. Yet, to know one is truly alone with one’s instrument and music has always been an attractive and conducive situation for me to find my best playing level. Therefore, what I desired to present in a solo piano recording was especially this unique feeling.
Trio '65 is a studio album by American jazz pianist Bill Evans and his Trio, released in 1965.
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971. It was recorded with his regular bassist Eddie Gómez and drummer Marty Morell and with an orchestra arranged and conducted by Michael Leonard. This was the first album on which Evans played a Fender Rhodes electric piano.
Waltz for Debby is a 1964 album in English and Swedish by the trio of American jazz pianist Bill Evans and the Swedish singer Monica Zetterlund. Evans met her on a tour of Sweden and was "bowled over" by her EP recording of "Waltz for Debby" with a Swedish text titled "Monica Vals." Evans's manager, Helen Keane, set up a recording session for them at the end of the Swedish tour.
Stan Getz & Bill Evans is an album by jazz saxophonist Stan Getz and pianist Bill Evans recorded in 1964 for the Verve label, but not released until 1973.
You're Gonna Hear From Me is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Jazzhus Montmartre in Copenhagen in 1969 but not released until 1988 on the Milestone label. The same concert also produced the album Jazzhouse.
Since We Met is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell, recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1976. Additional recordings from Evans's 1974 Village Vanguard performances were also issued on the album Re: Person I Knew, released posthumously in 1981. Since We Met was digitally remastered and reissued as a CD in 1991 on Original Jazz Classics.
Getting Sentimental is a live album by jazz pianist Bill Evans with Michael Moore and Philly Joe Jones recorded at the Village Vanguard in 1978 but not released until 2003 on the Milestone label.
The Last Waltz: The Final Recordings is an 8-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded during a nine night residency at Keystone Korner in San Francisco in 1980 and released on the Milestone label in 2000. Additional recordings from this concert series were released as Consecration: The Final Recordings Part 2 released in 2002.
Turn Out the Stars: The Final Village Vanguard Recordings is a six-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded over four nights at the Village Vanguard in New York City in 1980 and released on CD on the Warner Bros. label in 1996. A concurrent LP release was made on Mosaic.
Gerry Mulligan and the Concert Jazz Band at the Village Vanguard is a live album by jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Village Vanguard in late 1960 which were released on the Verve label.
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