DeJohnette was born in Chicago, Illinois, to Jack DeJohnette (1911–2011) and Eva Jeanette DeJohnette (née Wood, 1918–1984).[4] Although of predominantly African-American heritage, he has stated that he has some Native American ancestry, specifically Seminole and Crow.[5] He began his musical career as a pianist, studying from age four with Antoinette Rich, the leader of an all-female symphony orchestra in Chicago, and first playing professionally at the age of 14.[6] When Jack was 13, he switched to drums and was taught drumming techniques from a local jazz drummer, Bobby Miller Jr, who lived in the same neighborhood.[4][7] DeJohnette credits his uncle, Roy Wood Sr. (1915–1995), a Chicago disc jockey and vice president/co-founder of the National Black Network of Black Broadcasters, as his inspiration to play music.[8]
In 1966 DeJohnette moved to New York City, where he became a member of the Charles Lloyd Quartet.[4] A band that recognized the potential influence of rock and roll on jazz, Lloyd's group was where DeJohnette first encountered pianist Keith Jarrett, who would work extensively with him throughout his career.[11] However, DeJohnette left the group in early 1968, citing Lloyd's deteriorating, "flat" playing as his main reason for leaving.[12] While Lloyd's band was where he received international recognition for the first time,[8] it was not the only group DeJohnette played with during his early years in New York, as he also worked with groups including Jackie McLean, Abbey Lincoln, Betty Carter, and Bill Evans.[4] DeJohnette joined Evans' trio in 1968, the same year the group headlined the Montreux Jazz Festival and produced the album Bill Evans at the Montreux Jazz Festival. In November 1968, he worked briefly with Stan Getz and his quartet, which led to his first recordings with Miles Davis.[10]
The Miles Davis years
In 1969, DeJohnette left the Evans trio and replaced Tony Williams in Miles Davis's live band. Davis had seen DeJohnette play many times, one of which was during a stint with Evans at Ronnie Scott's Jazz Club in London in 1968, where he also first heard bassist Dave Holland.[13] Davis recognized DeJohnette's ability to combine the driving grooves associated with rock and roll with improvisational aspects associated with jazz.[14]
DeJohnette was the primary drummer on Bitches Brew. DeJohnette and the other musicians saw the Bitches Brew sessions as unstructured and fragmentary, but also innovative: "As the music was being played, as it was developing, Miles would get new ideas ... He'd do a take, and stop, and then get an idea from what had just gone on before, and elaborate on it ... The recording of Bitches Brew was a stream of creative musical energy. One thing was flowing into the next, and we were stopping and starting all the time."[15] While he was not the only drummer involved in the project, as Davis had also enlisted Billy Cobham, Don Alias, and Lenny White, DeJohnette was considered the leader of the rhythm section within the group.[16] He played on the live albums that would follow the release of Bitches Brew, taken from concerts at the Fillmore East in New York and Fillmore West in San Francisco. These ventures were undertaken at the behest of Clive Davis, then president of Columbia Records.[17]
DeJohnette continued to work with Davis for the next three years, which led to collaborations with other Davis band members John McLaughlin, Chick Corea, and Holland; he also drew Keith Jarrett into the band.[8] DeJohnette contributed to such Davis albums as Live-Evil (1971), Jack Johnson (1971), and On the Corner (1972), along with sessions later released on the 1981 compilation album Directions.[18] He left the Davis group in mid-1971, although he returned for several concerts through the rest of that year.[10]
Solo and bandleader in the 1970s and '80s
DeJohnette's first record, The DeJohnette Complex, was released in 1968; on the album, he played melodica as well as drums, often allowing his mentor, Roy Haynes, to sit behind the set. He also recorded, in the early 1970s, the albums Have You Heard, Sorcery, and Cosmic Chicken.[8] He released these first four albums on either the Milestone or Prestige labels,[8] and then switched to ECM for his next endeavors; ECM gave him a "fertile platform" for his "atmospheric drumming and challenging compositions."[19] He was also featured on First Light, an album by trumpeter Freddie Hubbard, released by CTI in 1971.
The musical freedom he had while recording for ECM offered DeJohnette many dates as a sideman and opportunities to start his own groups.[19] He first formed the group Compost in 1972, but this was a short-lived endeavor, and DeJohnette cited the music as far too experimental to achieve commercial success. During this period, DeJohnette continued his career as a sideman as well, rejoining Stan Getz's quartet from 1973 to October 1974, and also enticing Dave Holland to join Getz's rhythm section.[10] This stint briefly preceded the formation of the Gateway Trio, a group that DeJohnette helped form but did not lead. This group came directly out of DeJohnette's time with Getz, as Holland joined him in this group along with guitarist John Abercrombie, both of whom would become associated with DeJohnette throughout his career.[8] His next group effort was Directions, a group formed in 1976 featuring saxophonist Alex Foster, bassist Mike Richmond, and Abercrombie, showing the links between the members of the Gateway trio. This was another short-lived group, yet it led directly to the formation of DeJohnette's next group, New Directions, which featured Abercrombie again on guitar along with Lester Bowie on trumpet and Eddie Gómez on bass. This group coexisted with another DeJohnette group, Special Edition, which was the first DeJohnette-led group to receive critical acclaim.[10] This group also helped the careers of many lesser-known young horn players, as it had a rotating front line that included David Murray, Arthur Blythe, Chico Freeman, and John Purcell, among others.[10]
During this period, especially with Special Edition, DeJohnette offered "the necessary gravity to keep the horns in a tight orbit" in his compositions while also treating his listeners to "the expanded vocabulary of the avant-garde plus the discipline of traditional jazz compositions."[20] DeJohnette's work with Special Edition has been interrupted regularly by other projects, the most significant of which are his recordings in 1983 and tours from 1985 as a member of Keith Jarrett's trio, which was totally devoted to playing jazz standards.[10] The trio included his long-time compatriot Jarrett and bassist Gary Peacock, and all three have been members of the group for over 25 years.[8]
DeJohnette continued to work with Special Edition into the 1990s, but did not limit himself to that. In 1990 he toured in a quartet consisting of himself, Herbie Hancock, Pat Metheny, and his long-time collaborator Holland,[10] and released Parallel Realities with this group the same year.[8] In 1992 he released a major collaborative record, Music for the Fifth World, which was inspired by studies with a Native American elder and brought him together musically with players like Vernon Reid and John Scofield.[8] He had also, during the 1980s, resumed playing piano, which led to his 1994 tour as an unaccompanied pianist. He also began working again with Abercrombie and Holland, reviving the Gateway trio.[10] In 1990, DeJohnette was awarded an Honorary Doctorate of Music from Berklee College of Music.
In 2004, he was nominated for a Grammy award for his work on Keith Jarrett's live album The Out-of-Towners, and continued to work with that group into 2005.[8] In the next few years, DeJohnette would begin and lead three new projects, the first of which was the Latin Project consisting of percussionists Giovanni Hidalgo and Luisito Quintero, reedman Don Byron, pianist Edsel Gomez, and bassist Jerome Harris.[21] The other two new projects were the Jack DeJohnette Quartet, featuring Harris again alongside Danilo Perez and John Patitucci, and the Trio Beyond, a tribute to DeJohnette's friend Tony Williams and his trio Lifetime (consisting of Williams, Larry Young and John McLaughlin), featuring John Scofield and Larry Goldings.[22] DeJohnette also founded his own label, Golden Beams Productions, in 2005. That same year, he released Music in the Key of Om on his new label, an electronic album which he created for relaxing and meditative purposes on which he played synthesizer and resonating bells, which was nominated for a Grammy in the Best New Age Album category.[22]
DeJohnette continued to make albums as a leader and sideman throughout this period as well, one of which was The Elephant Sleeps But Still Remembers, a collaboration that documents the first meeting of DeJohnette and guitarist Bill Frisell in 2001 and led to another tour, with Frisell and Jerome Harris.[22] The next year Trio Beyond released Saudades, a live recording of a concert commemorating Tony Williams in London in 2004. In 2008, DeJohnette toured with Bobby McFerrin, Chick Corea, and the Jarrett trio, and the next year won the Grammy Award for Best New Age Album with Peace Time.[22] In 2010, he founded the Jack DeJohnette Group, featuring Rudresh Mahanthappa on alto saxophone, David Fiuczynski on double-neck guitar, George Colligan on keyboards and piano, and long-time associate Jerome Harris on electric and acoustic bass guitars.[23]
His drumming style has been called unique; one critic writes that he is not merely a drummer but a "percussionist, colourist and epigrammatic commentator mediating the shifting ensemble densities" and that "his drumming is always part of the music's internal construction."[27] In a 2004 interview, Modern Drummer magazine called DeJohnette's drumming "beyond technique."[19]
DeJohnette calls himself an "abstract thinker" when it comes to soloing, saying that he puts "more weight on the abstract than, 'What were you thinking in bar 33?' I don't like to think that way. I can do it, but I like to be more in the flow."[19] In terms of what he feels when he plays, DeJohnette said that when he plays, he goes "into an altered state, a different headspace. I plug into my higher self, into the cosmic library of ideas."[19] He has remarked that he has to play with a lot of restraint when playing in Keith Jarrett's trio, in order "to play with the subtlety that the music requires."[19]
Whilst DeJohnette is most famous and mostly active as a drummer, he is also a schooled pianist. He began studying piano at age four and later took piano lessons at the Chicago Conservatory of Music[28] and played both as a pianist and as a drummer in his early career. Later on, he would return to the piano, releasing solo piano albums in 1985 and 2016 and touring as an unaccompanied pianist in 1994. He has also played piano, organ and synthesizer keyboard instruments on albums on which he plays as a drummer, e.g. on Pictures (1977) or on New Directions In Europe (live in concert in 1979, released 1980).
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Gary George Peacock was an American jazz double bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as avant garde saxophonist Albert Ayler, pianists Bill Evans, Paul Bley and Marilyn Crispell, and as a part of Keith Jarrett’s “Standards Trio” with drummer Jack DeJohnette. The trio existed for over thirty years, and recorded over twenty albums together. DeJohnette once stated that he admired Peacock's "sound, choice of notes, and, above all, the buoyancy of his playing." Marilyn Crispell called Peacock a "sensitive musician with a great harmonic sense."
Miroslav Ladislav Vitouš is a Czech jazz bassist. He is known as a founding member of the ensemble Weather Report, and for working as a bandleader and alongside Chick Corea, Jack DeJohnette and others.
David Holland is an English double bassist, bass guitarist, cellist, composer and bandleader who has been performing and recording for five decades. He has lived in the United States since the early 1970s.
Homecoming is the third album by jazz trio Gateway, consisting of guitarist John Abercrombie, bassist Dave Holland and drummer Jack DeJohnette, recorded in December 1994 and released on ECM—the trio's first release since Gateway 2 (1978).
Marc Alan Johnson is an American jazz bass player, composer and band leader. Johnson was born in Nebraska and grew up in Texas. He is married to the Brazilian jazz pianist and singer Eliane Elias.
John Douglas Surman is an English jazz saxophone, clarinet, and synthesizer player, and composer of free jazz and modal jazz, often using themes from folk music. He has composed and performed music for dance performances and film soundtracks.
John Laird Abercrombie was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
Changes is an album by American jazz pianist Keith Jarrett recorded over two days in January 1983 and released on ECM September the following year. The trio features rhythm section Gary Peacock and Jack DeJohnette, the second release by the long-standing "Standards Trio", the first three of which—Standards, Vol. 1 (1983), Changes and Standards, Vol. 2 (1985)—were all recorded concurrently.
Ruta and Daitya is jazz album by pianist Keith Jarrett and drummer Jack DeJohnette recorded in May 1971 and released on ECM in 1973—one of Jarrett's rare performances on electric keyboard.
Gateway 2 is the second album by Gateway, recorded in July 1977 and released on ECM the following year. The trio comprises guitarist John Abercrombie, bassist Dave Holland and drummer Jack DeJohnette.
In the Moment is the fourth and final album by jazz trio Gateway, consisting of guitarist John Abercrombie, bassist Dave Holland and drummer Jack DeJohnette, recorded in December 1994 and released on ECM in 1996.
Yesterdays is a live jazz album by Keith Jarrett, Gary Peacock, and Jack DeJohnette recorded in concert on April 30, 2001 at the Metropolitan Festival Hall in Tokyo and also at the sound-check recording of April 24, 2001 at the Orchard Hall in Tokyo that would give way to Always Let Me Go. It was released by ECM Records in 2009.
Bye Bye Blackbird is a studio album by the Keith Jarrett Trio recorded on October 12, 1991 in tribute to Miles Davis, who had died two weeks earlier, and released on ECM in April 1993—the first and last studio recording by Jarrett's "Standards Trio", featuring rhythm section Gary Peacock and Jack DeJohnette since their 1983 debut.
Still Live is a live double album by the Keith Jarrett Trio recorded on July 13, 1986, at the Philharmonic Hall in Munich, Germany, and released on ECM in March 1988. Jarrett's Standards trio features rhythm section Gary Peacock and Jack DeJohnette.
Up for It is a live album by Keith Jarrett's "Standards Trio," featuring Gary Peacock and Jack DeJohnette. It was recorded at the Jazz à Juan festival in Juan-les-Pins, France, on July 16, 2002 and released by ECM Records in May of the following year to commemorate the trio's 20th anniversary.
Tales of Another is an album by American bassist Gary Peacock, recorded on February 2, 1977, and released on ECM later that year. The trio features pianist Keith Jarrett and drummer Jack DeJohnette—the first recording by the group later known as Jarrett's Standards Trio.
Somewhere is a live album by Keith Jarrett's "Standards Trio," recorded in Switzerland on July 11, 2009 and released on ECM in May 2013.
After the Fall is a live double album by American jazz pianist Keith Jarrett. Recorded at the New Jersey Performing Arts Center on November 14, 1998, it was released archivally by ECM Records 20 years later. Jarrett's trio features bassist Gary Peacock and drummer Jack DeJohnette.
Standards, Vol. 2 is an album by American jazz pianist Keith Jarrett recorded over two days in January 1983 and released on ECM in April 1985 on vinyl and CD—the successor to Standards, Vol. 1 and Changes, recorded concurrently. The trio features rhythm section Gary Peacock and Jack DeJohnette the third release by the long-standing "Standards Trio".
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