Loose Blues | ||||
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Studio album by | ||||
Released | 1983 | |||
Recorded | August 21–22, 1962 | |||
Studio | Nola Penthouse Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 45:46 | |||
Label | Milestone MCD-9200-2 | |||
Producer | Orrin Keepnews | |||
Bill Evans chronology | ||||
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Loose Blues (released as Unknown Session in Japan) is an album by jazz pianist Bill Evans released on the Milestone label, featuring performances by Evans with Zoot Sims, Jim Hall, Ron Carter, and Philly Joe Jones, recorded in 1962. [1]
Loose Blues was recorded for the Riverside label, but eventually dropped mostly because of Riverside's forthcoming bankruptcy and the pressures of Verve producer Creed Taylor – who wanted Evans on his Verve label. [2] So the project was shelved, and the recordings were released posthumously in 1982 as part of The "Interplay" Sessions, after having been rediscovered in the Fantasy Records vaults. This was, in fact, believed to be a lost album since producer Orrin Keepnews could not find the master reels of the session dates, except for a take of "Loose Bloose". However, after a thorough research, he did succeed in finding the reels "stored in poorly marked tape boxes". [2] The material was then assembled by Keepnews and Ed Michel. "Fudgesickle Built for Four" was named by Evans himself (reflecting his love of puns) and was a reference to "a bicycle built for two", a line from the popular song "Daisy Bell". Keepnews, recalling the sessions, stated that "My Bells", which is characterized by difficult tempo changes, took 25 takes to be recorded properly. [2] Evans would only revisit "Time Remembered", "My Bells" and "Funkallero" for later recordings.
The recordings were released as their own standalone album – Unknown Session – by Riverside in Japan, 1983. They were later reissued in the west by Milestone under the title Loose Blues.
The Allmusic review by Scott Yanow states: "Due to some difficulties during the recording process (none of the sidemen were familiar with the often complex numbers), the results were originally shelved and lost for a couple of decades. This CD reissue shows that the music was actually much better than originally thought..., It is a pity that Evans and Sims (a logical combination) never did record together again." [3]
Review scores | |
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Source | Rating |
Allmusic | [3] |
All compositions by Bill Evans
Tracks 1-4 and 7 recorded on August 21, 1962; tracks 5, 6, 8 recorded on August 22, 1962.
John Haley "Zoot" Sims was an American jazz saxophonist, playing mainly tenor but also alto saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.
New Jazz Conceptions is the debut album by jazz musician Bill Evans, released in 1957 on Riverside Records.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
Milestone Records is an American jazz record company and label founded in 1966 by Orrin Keepnews and Dick Katz in New York City. The company was bought by Fantasy Records in 1972. Since then, it has produced LP reissues as well as new recordings. Sonny Rollins and McCoy Tyner are among the musicians who recorded for the label.
Riverside Records was an American jazz record company and label. Founded by Orrin Keepnews and Bill Grauer, Jr, under his firm Bill Grauer Productions in 1953, the label played an important role in the jazz record industry for a decade. Riverside headquarters were located in New York City, at 553 West 51st Street.
Orrin Keepnews was an American jazz writer and record producer known for founding Riverside Records and Milestone Records, for freelance work, and for his work at other labels.
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Interplay is a 1963 album by jazz musician Bill Evans. It was recorded in July 1962 in New York City for Riverside Records. The Interplay Sessions is a 1982 Milestone album that includes the entirety of this album, and tracks recorded for Riverside on August 21 and 22 of the same year with a different lineup . The Interplay Sessions peaked at number 26 on the Billboard Jazz Albums charts in 1983. The CD reissue Interplay adds another take of "I'll Never Smile Again" as a bonus track. At the Grammy Awards of 1984, Orrin Keepnews won the Grammy Award for Best Album Notes for the reissue.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written, arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
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Re: Person I Knew is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Village Vanguard in New York City in 1974 and released on the Fantasy label in 1981. Additional recordings from Evans' 1974 Village Vanguard performances were also issued on the album Since We Met (1974). The name of the album is an anagram on the name of Orrin Keepnews, who produced for Evans while he was signed with Riverside Records, and who was one of his earliest champions.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
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