Undercurrent | ||||
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Studio album by Bill Evans and Jim Hall | ||||
Released | August 18, 1962 [1] | |||
Recorded | April 24 & May 14, 1962 | |||
Studio | Sound Makers, New York City | |||
Genre | Jazz | |||
Length | 30:12original LP 52:21 CD reissue | |||
Label | United Artists UAJS 15003 | |||
Producer | Alan Douglas | |||
Bill Evans chronology | ||||
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Bill Evans and Jim Hall chronology | ||||
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Alternative cover | ||||
Undercurrent is a 1962 jazz album by pianist Bill Evans and guitarist Jim Hall. The two artists collaborated again in 1966 on the album Intermodulation .
Reeling from the death of Scott LaFaro in early July 1961,Evans did not record or even play the piano for several months. [2] When he did start recording again in October,it was as a sideman in projects with Mark Murphy,Herbie Mann,Dave Pike,and Tadd Dameron. [3] Only with this album,recorded in the spring of 1962,did he emerge again as a leader.
His collaborator,Hall,recalled: [4]
The circle that George Russell would have over to his place included Jimmy Giuffre,Bob Brookmeyer,Gil Evans,Zoot Sims,Bill and others. It didn't seem strange to me to do records together. Somebody always had a record date. I mean,that is what we did. It was very exciting in those sessions. We weren't thinking about "jazz history."
Later in 1962,Evans and Hall would record together with larger ensembles on the albums Interplay , Loose Blues (which was released only after Evans's death),and The Gary McFarland Orchestra .
The album opens with a cover of a favorite jazz vehicle,"My Funny Valentine" by Richard Rodgers,which as Keith Shadwick notes is "normally performed by jazz musicians as a moody ballad" but here is "the single up-tempo romp on the album";it was also actually "the last-recorded piece on the date." [5] The program includes other jazz standards along with John Lewis's "Skating in Central Park" from his jazz soundtrack for the film Odds Against Tomorrow ,on which both Evans and Hall had played. No Evans originals are included on the album,but the duo performs Hall's "Romain," which had previously been recorded by Lewis's Modern Jazz Quartet for the album Pyramid .
Evans biographer Peter Pettinger notes,"There is a hazard attached to combining piano and guitar,both essentially chordal instruments. Although jazz musicians use alternative chords with ease,the simultaneous choice of two valid but different chords may well not work. Evans and Hall had the intelligence and mutual awareness to escape this snare. And to avoid textural overcrowding,both were conscious of the value of space,every note being made to count in their joint tapestry." [6]
The front cover image for Undercurrent is Toni Frissell's photograph "Weeki Wachee Spring,Florida," which Shadwick describes as "stunning." [7] The album was originally released on United Artists,then reissued by Solid State in 1968. Later,the album was reissued on the Blue Note label;both Blue Note and United Artists Records have been part of the same catalog for many decades. The original LP and the first CD reissue in 1988 featured a cropped,blue-tinted version,overlaid with the title and the Blue Note logo in white;but for the 2002 24-bit remastered CD reissue,the image was restored to its original black-and-white coloration and size,without lettering. The CD reissues also include four bonus tracks,including alternate takes of "My Funny Valentine" and "Romain."
Review scores | |
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Source | Rating |
DownBeat | [8] (Original Lp release) |
AllMusic | [9] |
All About Jazz | [10] |
The Penguin Guide to Jazz Recordings | [11] |
In his November 26,1962,review for DownBeat magazine jazz critic Pete Welding states,"This collaboration between Evans and Hall has resulted in some of the most beautiful,thoroughly ingratiating music it has been my pleasure to hear."
AllMusic critic Scott Yanow notes,"Both Evans and Hall had introspective and harmonically advanced styles along with roots in hard-swinging bebop. There is more variety than expected on the fine set with some cookers,ballads,waltzes,and even some hints at classical music. Recommended." [12]
Pettinger comments,"One of the mysteries of music that defies analysis is the ability of two musicians to play especially well together,to feel and instinctively adapt to what the other is doing. [This album] exemplified the secret. In this sublime meeting,the artists shared a common ground of musical values,Hall confessing to having long been influenced by Evans. Both,too,had a strong feeling for chamber music." [13]
Shadwick adds,"Each musician's special skills at improvisatory counterpoint and sensitive accompaniment are prominent throughout this mostly ruminative date. Their equal but differing abilities in caressing a melodic line through gradations of touch and tiny rhythmic displacements keep the listener fascinated at each new unfolding of a song's deeper levels of meaning." He also singled out the performance of "Dream Gypsy" as "one of the most poignant and evocative of the set." [14]
Original LP
Bonus tracks on 2002 Blue Note CD reissue:
Recorded on April 24 (#2,7,8) and May 14 (all others),1962.
William John Evans was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony,block chords,innovative chord voicings,and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
Portrait in Jazz is the fifth studio album by American jazz pianist Bill Evans as a leader,released in 1960. It is the first of only two studio albums to be recorded with his famous trio featuring bassist Scott LaFaro and drummer Paul Motian.
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans,recorded in two sessions during September 1956 for Riverside Records.
Conversations with Myself is a 1963 album by American jazz pianist Bill Evans recorded for Verve Records.
The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett and pianist Bill Evans.
Intermodulation is a 1966 jazz album by pianist Bill Evans and guitarist Jim Hall.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley,accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
Moon Beams is a 1962 album by jazz musician Bill Evans and the first trio album he recorded after the death of bassist Scott LaFaro. It introduces two important Evans originals,"Re:Person I Knew",and "Very Early," which Evans had actually composed as an undergraduate. The originals serve as bookends to an album otherwise consisting of standards from the 1930s and 1940s.
You Must Believe in Spring is an album by American jazz pianist Bill Evans,recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981,shortly after Evans's death in September 1980.
Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. All the pieces are solo with piano overdubs,a method Evans used on his earlier release Conversations with Myself. This time,however,he employed only two piano tracks instead of three. The album was nominated for a Grammy. It was reissued on CD by Verve in 1999.
Alone is a solo piano album by jazz musician Bill Evans,recorded in the fall of 1968 for Verve Records,featuring a particularly notable 14+-minute performance of the jazz standard "Never Let Me Go". Evans contributed notes to the album,including the following statement:
Perhaps the hours of greatest pleasure in my life have come about as a result of the capacity of the piano to be in itself a complete expressive musical medium. In retrospect,I think that these countless hours of aloneness with music unified the directive energy of my life. At those times when I have achieved this sense of oneness while playing alone,the many technical or analytic aspects of the music happened of themselves with positive rightness which always served to remind me that to understand music most profoundly one only has to be listening well. Perhaps it is a peculiarity of mine that despite the fact that I am a professional performer,it is true that I have always preferred playing without an audience. This has nothing to do with my desire to communicate or not,but rather I think just a problem of personal self-consciousness which had to be conquered through discipline and concentration. Yet,to know one is truly alone with one’s instrument and music has always been an attractive and conducive situation for me to find my best playing level. Therefore,what I desired to present in a solo piano recording was especially this unique feeling.
I Will Say Goodbye is an album by American jazz pianist Bill Evans,recorded in 1977 but not released until January 1980. It was his final album for Fantasy Records,making the title quite appropriate.
Bill Evans Trio with Symphony Orchestra is an album by American jazz pianist Bill Evans and his trio,released in 1966,featuring jazz arrangements of works by classical composers Granados,J.S. Bach,Scriabin,Fauré,and Chopin. The trio is accompanied by an orchestra consisting of strings and woodwinds arranged and conducted by Claus Ogerman. Originals by both Evans and Ogerman are also included.
Bill Evans at Town Hall is a live album from 1966 by American jazz pianist Bill Evans and his trio. It is his only commercial trio recording featuring drummer Arnold Wise,and it was the last recorded appearance of bassist Chuck Israels as a regular member of the trio.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio,for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone,guitarist Kenny Burrell,Ray Brown on bass,and Philly Joe Jones on drums.
Alone (Again) is a solo piano album by American jazz pianist Bill Evans,recorded in December 1975. A follow-up to his earlier solo album Alone,it was released in 1977 on Fantasy Records and reissued on CD in 1994 by Original Jazz Classics. At the time it was recorded,Evans had been playing an increasing number of solo dates and was inspired after hearing Marian McPartland play solo in Monterey. Evans's manager Helen Keane commented:
As much as Bill enjoyed playing alone at home,and although by this time he regularly included a solo section in his concert program,he found recording in this context very difficult. It was probably the only area he felt insecure about musically,and the fact that he'd gotten a Grammy for Alone didn't seem to help.
Intuition is a jazz album by pianist Bill Evans and bassist Eddie Gómez released by Fantasy Records in 1975.
The Gary McFarland Orchestra is an album by composer,conductor,and vibraphonist Gary McFarland with an orchestra featuring guest soloist jazz pianist Bill Evans recorded in early 1963 for Verve.
Time Remembered is a modal jazz standard composed by jazz pianist Bill Evans.