William McKinley "Red" Garland Jr. was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano.
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Together Again is a 1977 studio album by singer Tony Bennett and jazz pianist Bill Evans. It was originally issued on Bennett's own Improv Records label, which went out of business later that year, but was subsequently reissued on Concord.
Brian Kellock is a Scottish jazz pianist.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
You Must Believe in Spring is an album by American jazz pianist Bill Evans, recorded by him with bassist Eddie Gómez and drummer Eliot Zigmund in August 1977 and released in February 1981, shortly after Evans's death in September 1980.
The Quintessence is an album by Quincy Jones and his orchestra. It was released in 1962 and was his only album for Impulse! One critic called it "the sound of the modern, progressive big band at its pinnacle."
On Green Dolphin Street is an album by jazz pianist Bill Evans, recorded with bassist Paul Chambers and drummer Philly Joe Jones in early 1959, shortly before the Kind of Blue sessions in which both Evans and Chambers participated, but not released until 1975 as part of the double LP Peace Piece and Other Pieces. In 1995, it was issued on CD by Milestone Records under the current title, which comes from the jazz standard "On Green Dolphin Street" by Bronislaw Kaper, which Evans had first recorded the previous year with Miles Davis.
The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon.
Affinity is an album by American jazz pianist Bill Evans released in 1979, featuring Belgian harmonica player Toots Thielemans. Bill Evans plays a Rhodes piano on many of the tracks. It is the recording debut for bassist Marc Johnson.
I Will Say Goodbye is an album by American jazz pianist Bill Evans, recorded in 1977 but not released until January 1980. It was his final album for Fantasy Records, making the title quite appropriate.
Crosscurrents is an album by American jazz pianist Bill Evans, recorded in early 1977 and released in 1978 on Fantasy as F 9568. Along with Evans' trio of Eddie Gómez and Eliot Zigmund, Lee Konitz and Warne Marsh guest on alto and tenor saxophone respectively.
James Williams was an American jazz pianist.
Sonny Clark Quintets is an album by jazz pianist Sonny Clark, recorded for the Blue Note label, featuring performances by Clark with two different studio quintets. The first session, from late 1957, featured Clifford Jordan, Kenny Burrell, Paul Chambers, and Pete LaRoca, and produced three tracks. The LP's remaining two tracks were recorded a few weeks later with group including Art Farmer, Jackie McLean, Chambers, and Philly Joe Jones. The three pieces recorded with Burrell and Jordan were originally scheduled to be released on album given the catalog number "BLP 1592". Blue Note decided not to complete the album begun with Jordan and Burrell, and the tracks remained unreleased during Clark's lifetime. In 1976, Blue Note combined these three tracks with two outtakes recorded in early 1958 as part of the session for the Cool Struttin' LP. The resulting LP was released in Japan as Sonny Clark Quintets. The same five pieces were subsequently re-released on a 1983 Japanese LP titled Cool Struttin' Volume 2. Sonny Clark Quintets has been reissued numerous times on compact disc.
Detroit–New York Junction is an album by American jazz trumpeter Thad Jones recorded on March 13, 1956 and released on Blue Note.
Chambers' Music is the debut album by jazz bassist Paul Chambers. It was released in September 1956 on the Jazz West label. It features Chambers with his Miles Davis bandmates, tenor saxophonist John Coltrane and drummer Philly Joe Jones, along with pianist Kenny Drew, and baritone saxophonist Pepper Adams and trombonist Curtis Fuller on three tracks.
Ellington Is Forever Volume Two is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1977 it was rereleased on CD in 1994.
After Hours is an album by the Prestige All Stars nominally led by trumpeter Thad Jones recorded in 1957 and released on the Prestige label. The album was also re-released as Steamin' by Frank Wess and Kenny Burrell in 1963.
Ph.D. is an album by Art Farmer recorded in New York in 1989 and originally released on the Contemporary label.
A Little Juicy is an album by saxophonist Billy Mitchell, released in 1964 on Smash Records.
