Nirvana | ||||
---|---|---|---|---|
Studio album by | ||||
Released | Early October 1964 [1] | |||
Recorded | December 8, 1961 & May 4, 1962 | |||
Studio | Atlantic, New York City | |||
Genre | Jazz | |||
Length | 33:12 | |||
Label | Atlantic SD 1426 | |||
Producer | Nesuhi Ertegun | |||
Herbie Mann chronology | ||||
| ||||
Bill Evans chronology | ||||
|
Nirvana is an album by jazz flautist Herbie Mann with Bill Evans's Trio featuring Chuck Israels and Paul Motian, released in 1964 on the Atlantic label and featuring performances recorded in 1961 and 1962. [2]
The Allmusic review by Ken Dryden states "Mann, who has changed his style numerous times throughout his long career, is heard exclusively in a straight-ahead and bop context on this pair of studio dates. Evans, who studied flute through his college years, rarely recorded with a flutist... though he was fond of the instrument... fans of either Herbie Mann or Bill Evans will want to acquire this enjoyable set." [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans, recorded in two sessions during September 1956 for Riverside Records.
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962.
David Samuel Pike was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records.
Moon Beams is a 1962 album by jazz musician Bill Evans and the first trio album he recorded after the death of bassist Scott LaFaro. It introduces two important Evans originals, "Re: Person I Knew", and "Very Early," which Evans had actually composed as an undergraduate. The originals serve as bookends to an album otherwise consisting of standards from the 1930s and 1940s.
Wendell Marshall was an American jazz double-bassist.
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams.
At Shelly's Manne-Hole is a live album by American jazz pianist Bill Evans, released in 1963 as his last recording for the Riverside label. The trio featured Chuck Israels, who followed Scott LaFaro on bass in autumn 1961, and Larry Bunker on drums, who just joined the reformed trio, after Paul Motian had left. An additional eight performances recorded during the trio's May, 1963 engagement at Shelly's Manne-Hole were released on the album Time Remembered.
The Jazz Workshop is the debut album by jazz composer George Russell, featuring his "Smalltet", which included Art Farmer, Hal McKusick, Barry Galbraith, and Bill Evans.
"Waltz for Debby" is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956). Lyrics were added about six years later by Evans's friend Gene Lees. "Debby" in the composition's title refers to Evans's then 3-year-old niece, Debby Evans, whom he often took to the beach.
Chet is an album by jazz trumpeter Chet Baker first released in 1959. The record is sometimes subtitled The Lyrical Trumpet of Chet Baker. Chet features performances by Baker with alto flautist Herbie Mann, baritone saxophonist Pepper Adams, pianist Bill Evans, guitarist Kenny Burrell, bassist Paul Chambers, and either Connie Kay or Philly Joe Jones playing drums. It was recorded in December 1958 and January 1959 and released on the Riverside label.
This is a Herbie Mann discography. Mann spent his early years recording for a number of jazz oriented record labels, and signed with Atlantic Records in 1961. He recorded with them through the 1960s and 1970s, including their subsidiary Cotillion Records, where he ran his own imprint, Embryo Records, in the 1970s, for his records as well as other musicians. Mann also ran two independent record labels, Herbie Mann Music in the 1980s, and during the 1990s, Kokopelli Records. Minor reissues are not noted.
Today! is an album by jazz flautist Herbie Mann released on the Atlantic label featuring performances recorded in 1966.
Sultry Serenade is an album by American jazz flautist Herbie Mann featuring tracks recorded in 1957 for the Riverside label.
Great Ideas of Western Mann is an album by American jazz flautist/clarinetist Herbie Mann's Californians featuring tracks recorded in 1957 for the Riverside label.
Flute Soufflé is an album by jazz flautists Herbie Mann and Bobby Jaspar featuring tracks recorded in 1957 for the Prestige label.
Flute Flight is an album by American and Belgian jazz flautists Herbie Mann and Bobby Jaspar featuring tracks recorded in 1957 for the Prestige label.
Chet Baker Plays the Best of Lerner and Loewe is an album by trumpeter Chet Baker featuring show tunes by Lerner and Loewe which was recorded in 1959 and released on the Riverside label.
Stone Flute is an album by flautist Herbie Mann recorded in 1969 and becoming the first release on Mann's Embryo label.
Latin Fever is an album by American jazz flautist Herbie Mann recorded for the Atlantic label and released in 1964. The album features tracks from the 1962 sessions that produced Do the Bossa Nova with Herbie Mann with more recent recordings.