Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence in the mid-to late 1990s with the subgenre neo-soul, which added modern production elements and influence from hip-hop.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Lady Soul is the twelfth studio album by American singer Aretha Franklin released in early 1968 by Atlantic Records. The album stayed at number 1 for 16 weeks on Billboard's R&B album chart, and it hit number 2 on the pop album chart during a year-long run.
Herbert Jay Solomon, known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet, but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a Billboard No. 1 dance hit for three weeks in 1975.
Warren Harding "Sonny" Sharrock was an American jazz guitarist. His first wife was singer, Linda Sharrock, with whom he recorded and performed.
Lincoln Wayne "Chips" Moman was an American record producer, guitarist, and songwriter. He is known for working in R&B, pop music and country music, operating American Sound Studios and producing hit albums like Elvis Presley's 1969 From Elvis in Memphis and the 1985 debut album for The Highwaymen. Moman won a Grammy Award for co-writing "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song", a 1975 hit for B.J. Thomas.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released in March 1969 in the United States by Atlantic Records, and Philips Records distributed the record outside the U.S. Springfield worked on the album with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists the Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
David Porter is an American record producer, songwriter, singer, entrepreneur and philanthropist.
From Elvis in Memphis is the 10th studio album by American rock and roll singer Elvis Presley. It was released by RCA Records on June 2, 1969. It was recorded at American Sound Studio in Memphis in January and February 1969 under the direction of producer Chips Moman and backed by its house band, informally known as the Memphis Boys. Following the success of Presley's TV special Elvis and its soundtrack, the album marked Presley's return to non-soundtrack albums after the completion of his film contract with Metro-Goldwyn-Mayer.
"I'm in Love" is a song written by Bobby Womack. It was first recorded by Wilson Pickett in 1967, which gave him a top-ten R&B hit on Billboard's chart in 1968, peaking at number 4 as well as peaking at number 45 on the Billboard Hot 100.
"I Never Loved a Man (The Way I Love You)" is a 1967 single released by American soul singer Aretha Franklin. Released on Atlantic Records as the first big hit of her career and the lead single from her tenth studio album of the same name, it became a defining song for Franklin, peaking at number one on the rhythm and blues charts and number nine on the pop charts. The B-side was "Do Right Woman, Do Right Man". Before this Franklin had placed only two Top 40 singles on the pop chart during her modest tenure with Columbia Records.
Suspicious Minds: The Memphis 1969 Anthology is a two-disc compilation of Elvis Presley's studio recordings at American Sound Studio during the winter of 1969, released in 1999, RCA 67677-2. This set features all of the master recordings made by Presley that would eventually feature on multiple singles as well as the albums From Elvis in Memphis and the studio disk of From Memphis to Vegas/From Vegas to Memphis. Original recordings produced by Chips Moman and Felton Jarvis.
"Hold On, I'm Comin'" is a 1966 single recorded by soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
This is an Atlantic Records Discography, albums released on the Atlantic Records label from its founding up until 1982, ordered by catalog number. Two of the major series of LP recordings were the "1200" and "8000" series, started by Nesuhi Ertegun. The "1200" series was reserved for jazz albums. The "8000" and subsequent series, started shortly after the 1200 in 1956, featured Atlantic's R&B and pop albums; when the "1200" series was discontinued in the 1970s, the jazz albums were mixed with the R&B and pop albums in their respective series. This list includes albums using Atlantic's numbering system that were released under their numerous subsidiary labels. There is a section containing albums related to the label as well.
Thomas Clark Cogbill was an American bassist, guitarist and record producer known for his work in R&B, soul and country music.
The American Sound Studio was a recording studio located in Memphis, Tennessee which operated from 1964 to 1972. Founded by Chips Moman, the studio at 827 Thomas Street came to be known as American North, and the studio at 2272 Deadrick Street came to be known as American East or the Annex.
Memphis Two-Step is a 1971 album by jazz flutist Herbie Mann. It was released on Mann's Embryo Records label, and distributed by Cotillion Records, a division of Atlantic Records.
Muscle Shoals Nitty Gritty is a 1970 album by jazz flutist Herbie Mann. It was released on Mann's Embryo Records label, and distributed by Cotillion Records, a division of Atlantic Records.
Herbie Mann at the Village Gate is a 1961 live album by jazz flutist Herbie Mann which was his third album for Atlantic Records, the main label for much of his career. The album was recorded at legendary club The Village Gate.
Hold On, I'm Comin' is a live album by flautist Herbie Mann recorded in 1973 at the New York Jazz Festival, with one track from the Montreux Jazz Festival, and released on the Atlantic label.
