Julia Ward Howe was an American author and poet, known for writing the "Battle Hymn of the Republic" and the original 1870 pacifist Mother's Day Proclamation. She was also an advocate for abolitionism and a social activist, particularly for women's suffrage.
"John Brown's Body" is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The song arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune.
"The Battle Hymn of the Republic, Updated" (otherwise known as "The Battle Hymn of the Republic (Brought Down to Date)") was written in 1900 by Mark Twain, as a parody of American imperialism, in the wake of the Philippine–American War. It is written in the same tune and cadence as the original "Battle Hymn of the Republic" by Julia Ward Howe. The poem remained unpublished in Twain's lifetime and did not appear in print until 1958.
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems. The carol, based on Luke 2:14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata Festgesang.
"Christ the Lord Is Risen Today" is a Christian hymn associated with Easter. Most of the stanzas were written by Charles Wesley, and the hymn appeared under the title "Hymn for Easter Day" in Hymns and Sacred Poems by Charles and John Wesley in 1739. The hymn eventually became well known for the "Alleluia" sung as a melisma after each line, which was added by an unknown author, probably to fit the commonly used hymn tune, "Easter Hymn". It remains a traditional processional hymn on Easter Sunday.
"Marching Through Georgia" is a marching song written by Henry Clay Work at the end of the American Civil War in 1865. The title and lyrics of the song refer to U.S. Army major general William T. Sherman's "March to the Sea" to capture the Confederate city of Savannah, Georgia in late 1864.
Charles Cardwell McCabe, also known as "Bishop" C. C. McCabe and Chaplain C. C. McCabe, was an American who distinguished himself as a Methodist pastor, an Army chaplain during the American Civil War, a Church executive chiefly in the field of fundraising, as chancellor of American University, and as a bishop of the Methodist Episcopal Church (M.E.), elected in 1896. McCabe was credited by Julia Ward Howe as having popularized her famous piece "The Battle Hymn of the Republic" after his imprisonment by the Confederates in Libby Prison during the Civil War.
William Steffe, born in South Carolina, United States, was a Philadelphia bookkeeper and insurance agent. He is credited with collecting and editing the musical tune for a camp-meeting song with the traditional "Glory Hallelujah" refrain, in about 1856. It opened with "Say, brothers, will you meet us / on Canaan's happy shore?" The tune became widely known.
"Glory Glory" is a terrace chant sung in association football in the United Kingdom and in other sport. It uses a popular camp meeting hymn tune of unknown origin that is famously associated with the marching song "John Brown's Body", with the chorus "Glory, Glory, Hallelujah" – the chant replaces "Hallelujah" with the name of the favoured team. The chant's popularity has caused several clubs to release their version as an official team song.
"Blood on the Risers" is an American paratrooper song from World War II.
"Michael, Row the Boat Ashore" is a traditional African-American spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
"Come Thou Fount of Every Blessing" is a Christian hymn written by the pastor and hymnodist Robert Robinson, who penned the words in the year 1758 at the age of 22.
William Weston Patton, was an abolitionist, academic administrator, and scholar. He served as the fifth president of Howard University, and one of the contributors to the words of "John Brown's Body". He was the son of Rev. William Patton and the grandson of Anglo-Irish Congregationalist immigrant and Revolutionary War soldier Major Robert Patton.
A war song is a musical composition that relates to war, or a society's attitudes towards war. They may be pro-war, anti-war, or simply a description of everyday life during war times.
"Marching Song of the First Arkansas Colored Regiment" is one of the few Civil War-era songs inspired by the lyrical structure of "The Battle Hymn of the Republic" and the tune of "John Brown's Body" that is still performed and recorded today. The "Marching Song" has been described as "a powerful early statement of black pride, militancy, and desire for full equality, revealing the aspirations of black soldiers for Reconstruction as well as anticipating the spirit of the civil rights movement of the 1960s." The song's lyrics are attributed to the regiment's white officer, Captain Lindley Miller. An almost identical song, "The Valiant Soldiers," is attributed to Sojourner Truth in post-Civil War editions of her Narrative. Recent scholarship supports Miller as the original author, or at least compiler, of the song.
Thine Be the Glory, Risen Conquering Son, also titled Thine Is the Glory, is a Christian hymn for Easter, written by the Swiss Protestant minister, Edmond Budry (1854–1932), and set to the tune of the chorus "See, the Conqu'ring hero comes" from the third section of Handel's oratorio Judas Maccabaeus. The hymn is sometimes sung at weddings or funerals.
During the American Civil War, music played a prominent role on both sides of the conflict, Union and Confederate. On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed not only as a recreational activity but as a release from the inevitable tensions that come with fighting in a war. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle.
The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala. Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years. Authorized by the Commandant of the Marine Corps in 1929, it is the oldest official song in the United States Armed Forces. The "Marines' Hymn" is typically sung at the position of attention as a gesture of respect, akin to a national anthem. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies.
Thomas Brigham Bishop is best known as an American composer of popular music. Various disputed claims have been made by Bishop and others that he authored, or at least contributed to the authorship of, a number of popular 19th-century songs, including John Brown's Body, When Johnny Comes Marching Home, and Shoo Fly, Don't Bother Me. Bishop later had an infamous career as a bucket shop proprietor, among other schemes.
"A di mi yere yu friyari" is a very popular birthday song in Suriname. The lyrics are in the Surinamese language Sranan Tongo. The song consists of only two verses of which either the first or both can be sung. Kids like to shout "hachoo" after the first verse just because it rhymes.
