Warm and Willing | ||||
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Studio album by | ||||
Released | 1962 | |||
Recorded | 1962 | |||
Genre |
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Length | 40:24 | |||
Label | Columbia | |||
Producer | Robert Mersey [2] | |||
Andy Williams chronology | ||||
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Warm and Willing is the tenth studio album by American pop singer Andy Williams and was released in 1962 by Columbia Records. Allmusic's William Ruhlmann explained that Williams and producer Robert Mersey "followed the Sinatra concept-album formula of creating a consistent mood, in this case a romantic one, and picking material mostly from the Great American Songbook of compositions written for Broadway musicals in the 1920s and 1930s by the likes of George and Ira Gershwin, then giving them slow, string-filled arrangements over which Williams could croon in his breathy, intimate tenor voice." [1]
The album made its first appearance on Billboard magazine's Top LP's chart in the issue dated October 20 of that year and remained on the album chart for 44 weeks, peaking at number 16. [3] it also debuted on the Cashbox albums chart in the issue dated October 20, of that year, and remained on the chart for 57 weeks, peaking at number 19 [4]
The single from the album, "Stranger on the Shore," made its debut on the Billboard Hot 100 chart four months prior, reaching number 38 during its seven-week stay. [5] It performed even better on the magazine's Easy Listening chart, peaking at number 9. [6]
The album was released on compact disc by Sony Music Distribution on December 28, 1999, as tracks 1 through 12 on a pairing of two albums on one CD with tracks 13 through 24 consisting of Williams's Columbia album from May 1966, The Shadow of Your Smile . [7] It was released as one of two albums on one CD by Collectables Records on February 5, 2002, along with Williams's 1966 Columbia compilation album Andy Williams' Newest Hits . [8] Warm and Willing was included in a 2002 box set entitled Classic Album Collection, Vol. 2, which contained 15 of his studio albums and two compilations. [9]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
New Record Mirror | ![]() ![]() ![]() ![]() ![]() |
Ruhlmann thought the album "indicated that a singer who had flirted with many styles over the previous half-dozen years had settled down to something very familiar. His treatment of these standards was not definitive, by any means, but it was certainly effective, and Williams benefited from his association with such material." [1]
Billboard was effusive in its praise. "This is one of the best albums Williams has done on his new label." [12] They also wrote, "Helped muchly by the tender orchestral backing of the Bob Mersey crew, Williams turns in strong readings of each song." [12]
Variety wrote that Williams' "vocal stylings are quite pleasing and are especially stuited to this song bag of romantic ballads". [13]
Jimmy Watson of New Record Mirror described the album as "an outstanding disc". [11]
From the liner notes for the original album: [2]
Andy Williams' Greatest Hits is a compilation album by American pop singer Andy Williams that was released in early 1970 by Columbia Records. It was not, however, as its title might suggest, strictly a hit singles compilation, although some of his biggest songs since joining Columbia were included. A couple of selections were never released as singles by Williams, and his signature song, "Moon River", was released in the 7-inch single format but only for jukeboxes. His six Cadence singles that made the Top 10 on Billboard magazine's Hot 100 are passed over for the inclusion of his number 11 hit from that label, "The Hawaiian Wedding Song", and 17 of his Columbia recordings that made the Hot 100 up until 1970 are left out here in favor of "Charade", which spent its one week on the chart at number 100.
Danny Boy and Other Songs I Love to Sing is the eighth studio album by American pop singer Andy Williams. It was released in early 1962 by Columbia Records. This was his first project after leaving Cadence Records, where his albums each had a specific theme. Additionally, it was his first in a series of LPs that covered songs established on stage, screen, and other hits from the pop chart and the Great American Songbook. This trend would not be interrupted until his 1966 album, The Shadow of Your Smile, hinted at a shift toward contemporary material with its inclusion of songs first recorded by the Beatles.
The Wonderful World of Andy Williams is the thirteenth studio album by American pop singer Andy Williams and was released by Columbia Records to coincide with the December 31, 1963, broadcast of The Andy Williams Show. Various tracks were recorded with members of his family, including The Williams Brothers, who joined him for a remake of his first top 10 hit, "Canadian Sunset", from 1956.
The Academy Award-Winning "Call Me Irresponsible" and Other Hit Songs from the Movies is the fourteenth studio album by American pop singer Andy Williams and was released in the spring of 1964 by Columbia Records. Williams had already had great success with his albums named after Henry Mancini's Oscar winners from 1961 and 1962, "Moon River" and "Days of Wine and Roses", and was asked to sing Mancini and Johnny Mercer's title song collaboration from the 1963 film Charade at the Academy Awards on April 13, 1964, after it was nominated for Best Original Song, but the winner that year was the other song that Williams performed at the ceremony, "Call Me Irresponsible".
The Great Songs from "My Fair Lady" and Other Broadway Hits is the fifteenth studio album by American pop singer Andy Williams and was released in September 1964 by Columbia Records, one month before the premiere of the film version of My Fair Lady starring Audrey Hepburn.
Andy Williams' Dear Heart is the sixteenth studio album by American pop singer Andy Williams and was released in the spring of 1965 by Columbia Records and was the last of his Columbia releases that remained exclusively within the realm of traditional pop. After covering two Beatles hits on his next non-holiday studio album, The Shadow of Your Smile, he would try out samba music on In the Arms of Love, aim for a much younger crowd with "Music to Watch Girls By" on Born Free, and focus more on contemporary material on subsequent albums.
The Shadow of Your Smile is the eighteenth studio album by American pop singer Andy Williams, released in April 1966 by Columbia Records. The album includes covers of "Michelle" and "Yesterday", the same pair of Beatles ballads that labelmate Johnny Mathis recorded for his 1966 album of the same name. For Williams these selections initiated a trend away from the traditional pop formula that his album output at Columbia up until this point had adhered to.
In the Arms of Love is the nineteenth studio album by American pop singer Andy Williams and was released on December 19, 1966, by Columbia Records and was the last of twelve consecutive Williams studio LPs produced by Robert Mersey.
The Andy Williams Show is the twenty-sixth studio album by American pop singer Andy Williams, released in the fall of 1970 by Columbia Records. In his review on AllMusic, William Ruhlmann writes that "The Andy Williams Show LP was not a soundtrack recording from the TV series, and it was not really a live album, although it gets categorized as such. What appears to be the case is that Columbia Records took a group of Williams' studio recordings, most of them made during the summer of 1970 and consisting of his versions of recent soft rock hits, and added a lot of canned applause along with some of the kind of musical interludes used to usher numbers on and off on the show, including bits of its "Moon River" theme music at the start and the finish."
Love, Andy is the twenty-first studio album by American pop singer Andy Williams, released on October 16, 1967, by Columbia Records to coincide with the NBC special of the same name, which aired on November 6. The LP had a mix of covers of old and recent hits that included two songs from the 1940s that also had chart success in 1966 via Chris Montez: "The More I See You" and "There Will Never Be Another You".
Happy Heart is the twenty-third studio album by American pop singer Andy Williams, released in the spring of 1969 by Columbia Records and continued the trend of his recent albums in relying exclusively on contemporary material. This project eschewed offerings from Broadway and Hollywood that had been predominant on his LPs with Columbia.
Get Together with Andy Williams is the twenty-fourth studio album by American pop singer Andy Williams which was released on October 6, 1969, by Columbia Records and contained covers of recent hits. The one new song was "You Are", which was written by Mac Davis.
The Andy Williams Show is the twenty-sixth studio album by American pop singer Andy Williams, released in the fall of 1970 by Columbia Records. In his review on AllMusic, William Ruhlmann writes that "The Andy Williams Show LP was not a soundtrack recording from the TV series, and it was not really a live album, although it gets categorized as such. What appears to be the case is that Columbia Records took a group of Williams' studio recordings, most of them made during the summer of 1970 and consisting of his versions of recent soft rock hits, and added a lot of canned applause along with some of the kind of musical interludes used to usher numbers on and off on the show, including bits of its "Moon River" theme music at the start and the finish."
You've Got a Friend is the twenty-eighth studio album by American pop singer Andy Williams, released in August 1971 by Columbia Records. The album bears a striking resemblance to the Johnny Mathis album You've Got a Friend released that same month. Besides sharing their name, the two albums are both made up of covers of easy listening hits of the time, with 11 songs each, and the two albums have seven songs in common that are positioned in a similar order.
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
The Way We Were is the thirty-second studio album by American pop singer Andy Williams, released in the spring of 1974 by Columbia Records and was a return to singing songs that his audience was already familiar with after Solitaire, his previous LP that was less reliant on covers of recent pop hits, did not perform well.
Andy Williams' Best is a compilation album by American pop singer Andy Williams that was released late in 1961 by Cadence Records. This second album to compile the singer's material features 10 songs that made the Billboard Hot 100 along with two of their corresponding B-sides.
Andy Williams' Newest Hits is a compilation album by American pop singer Andy Williams that was released early in 1966 by Columbia Records and was the first LP to compile the singer's Columbia material. Seven of the 12 tracks had reached the charts in Billboard magazine, and another had been released as a single in the UK. Three album cuts were also included along with a recent B-side.
The Andy Williams Sound of Music is a double compilation album by American pop singer Andy Williams that was released early in 1969 by Columbia Records. Although seven of the 21 tracks date back to his years with Cadence Records, where he racked up a half a dozen top 10 pop hits, the selections here are more in the vein of Standards or Easy Listening fare, as exemplified by the two charting singles included -- "On the Street Where You Live" and "Quiet Nights of Quiet Stars (Corcovado)".
Andy Williams' Greatest Hits Vol. 2 is a compilation album by American pop singer Andy Williams that was released in June 1973 by Columbia Records. This collection follows in the footsteps of its predecessor, Andy Williams' Greatest Hits, in that it is not limited to his biggest and most recent hit singles, although his final two US Top 40 entries were included. It also has an album track not released as a single, a couple of hits from his time with Cadence Records, two other singles that could have been included on the first volume, and two Easy Listening chart entries that never made the Billboard Hot 100.