Lonely Street is the fifth studio album by American pop singer Andy Williams, released in late 1959 through Cadence Records. This, his fifth LP of new material for the label, is described by William Ruhlmann on AllMusic.com as "an album full of songs of lost love and loneliness that found Williams using more of the Mel Tormé-like foggy lower register of his voice." The liner notes on the back of the album jacket read, "The selections in Lonely Street, Andy confides, are those for which he feels a special affection. Every vocalist has a few personal favorites... and it is quite clear to the listener that this collection presents songs which Andy Williams believes, feels -- and loves."
Andy Williams Sings Rodgers and Hammerstein is the second studio album by American pop singer Andy Williams and was orchestrated and conducted by Alvy West. It was released in February 1958 by Cadence Records and focuses upon songs composed by Richard Rodgers with lyrics by Oscar Hammerstein II.
Danny Boy and Other Songs I Love to Sing is the eighth studio album by American pop singer Andy Williams and was released early in 1962 by Columbia Records. This was his first project after leaving Cadence Records, where his albums each had a specific theme, and his first in a series of LPs that covered songs established on stage and screen and other hits from the pop chart and the Great American Songbook. This trend would not be interrupted until his 1966 album The Shadow of Your Smile hinted at a shift toward contemporary material with its inclusion of songs first recorded by the Beatles.
Moon River and Other Great Movie Themes is the ninth studio album by American pop singer Andy Williams and was released on March 26, 1962 by Columbia Records and covered film songs that were mostly from the previous decade.
The Wonderful World of Andy Williams is the thirteenth studio album by American pop singer Andy Williams and was released by Columbia Records to coincide with the December 31, 1963, broadcast of The Andy Williams Show. Various tracks were recorded with members of his family, including The Williams Brothers, who joined him for a remake of his first top 10 hit, "Canadian Sunset", from 1956.
The Academy Award-Winning "Call Me Irresponsible" and Other Hit Songs from the Movies is the fourteenth studio album by American pop singer Andy Williams and was released in the spring of 1964 by Columbia Records. Williams had already had great success with his albums named after Henry Mancini's Oscar winners from 1961 and 1962, "Moon River" and "Days of Wine and Roses", and was asked to sing Mancini and Johnny Mercer's title song collaboration from the 1963 film Charade at the Academy Awards on April 13, 1964, after it was nominated for Best Original Song, but the winner that year was the other song that Williams performed at the ceremony, "Call Me Irresponsible".
The Great Songs from "My Fair Lady" and Other Broadway Hits is the fifteenth studio album by American pop singer Andy Williams and was released in September 1964 by Columbia Records, one month before the premiere of the film version of My Fair Lady starring Audrey Hepburn.
The Shadow of Your Smile is the eighteenth studio album by American pop singer Andy Williams and was released in April 1966 by Columbia Records and included covers of "Michelle" and "Yesterday", the same pair of Beatles ballads that labelmate Johnny Mathis recorded for his 1966 album of the same name. For Williams these selections initiated a trend away from the traditional pop formula that his album output at Columbia up until this point had adhered to.
Love, Andy is the twenty-first studio album by American pop singer Andy Williams, released on October 16, 1967, by Columbia Records to coincide with the NBC special of the same name, which aired on November 6. The LP had a mix of covers of old and recent hits that included two songs from the 1940s that also had chart success in 1966 via Chris Montez: "The More I See You" and "There Will Never Be Another You".
Honey is the twenty-second studio album by American pop singer Andy Williams, released in the spring of 1968 by Columbia Records. In reviewing the LP William Ruhlmann of Allmusic traced the progression of the Williams formula, noting that "he had been drawing on the recent hit parade for some of his material for years. But Honey marked his complete crossover to such an approach. Where earlier Williams albums had been a canny mix of movie songs, standards, pop hits, and foreign -- especially French -- material, ten of Honey's 11 tracks were songs that had been Top 40 hits in the last two years."
You Lay So Easy on My Mind is the thirty-fourth studio album by American pop singer Andy Williams, released in November 1974 by Columbia Records. The idea for this LP was mentioned in an interview with Williams in the November 3, 1973, issue of Billboard magazine that emphasized his desire to move away from recording albums of Easy Listening covers of hits by other artists, noting that he was "planning an album to be cut in Nashville with Columbia's high-flying country-pop producer, Billy Sherrill." The article coincided with the release of his first attempt to shift directions, Solitaire, which performed poorly. A return to the Easy Listening hits formula, The Way We Were, followed in the spring of 1974 but failed to even chart, so this next attempt to eschew soft rock songs leaned heavily on Country hits.
Andy is the thirty-sixth studio album by American pop singer Andy Williams, released in the fall of 1976 by Columbia Records. Williams is not as focused on covering pop hits and standards on this album and instead relies mainly on original or lesser-known songs. In the liner notes for the album's 2002 CD release, writer Richard M. Erickson explains that the album "was recorded at six different studios to accommodate Andy's touring schedule. One recording session was at a portable studio set up at a Marriott hotel."
Under Paris Skies is the seventh studio album by American pop singer Andy Williams and was released in the fall of 1960 by Cadence Records. This, his final LP for the label, is a collection of songs that Joseph Laredo describes in the liner notes of the CD release by Varèse Sarabande as "a delightful program of twelve compositions, selected by Williams, that proved an engaging mixture of genuine French popular songs and American-penned emulations."
The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".
Two Time Winners is the third studio album by American pop singer Andy Williams and was released in the spring of 1959 by Cadence Records. This, his third LP for the label, is composed of songs that had been successful on two previous occasions or in two different ways.
To You Sweetheart, Aloha is the fourth studio album by American pop singer Andy Williams and was released late in the summer of 1959 by Cadence Records. This, his fourth LP for the label, has a Hawaiian theme that coincides with the admission of the 50th of the United States.
Andy Williams is a compilation album by American pop singer Andy Williams that was released early in 1958 by Cadence Records. This first album to compile the singer's material features his first six songs to make the Billboard Hot 100 along with their corresponding B-sides.
Andy Williams' Best is a compilation album by American pop singer Andy Williams that was released late in 1961 by Cadence Records. This second album to compile the singer's material features 10 songs that made the Billboard Hot 100 along with two of their corresponding B-sides.
Million Seller Songs is a compilation album by American pop singer Andy Williams that was released in the fall of 1962 by Cadence Records. This third album to compile the singer's material features some of the most successful songs Williams had recorded to date.
Andy Williams' Newest Hits is a compilation album by American pop singer Andy Williams that was released early in 1966 by Columbia Records and was the first LP to compile the singer's Columbia material. Seven of the 12 tracks had reached the charts in Billboard magazine, and another had been released as a single in the UK. Three album cuts were also included along with a recent B-side.
