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| "How Long Has This Been Going On?" | |
|---|---|
| Song | |
| Written | George and Ira Gershwin |
| Published | 1928 |
| Composer(s) | George Gershwin |
| Lyricist(s) | Ira Gershwin |
"How Long Has This Been Going On?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, for the musical Funny Face in 1927. [1]
According to Ira Gershwin in his book Lyrics on Several Occasions, after the premiere of Funny Face in Philadelphia he received a call from the then professional manager of Shapiro, Bernstein and Co. asking him to remove the song because “It doesn't mean anything” and because “Well, we've bought a song with the same title and we're about to publish it. Yours doesn't get you anywhere, so how about taking it out of the show?” Eventually the song was deleted as Ira Gershwin indicates, “Well, he had his wish. A couple of weeks later on the road (either in Atlantic City or Washington) "How Long..." was out, replaced by " He Loves and She Loves "”. [2]
Replaced by "He Loves and She Loves" in Funny Face, it was eventually introduced in the musical Rosalie (1928) by Bobbe Arnst as Mary O'Brien. [3] The lyrics used as first released by Gershwin started with the introductory verse: "As a tot, when I trotted in little velvet panties, / I was kissed by my sisters, my cousins, and my aunties. / Sad to tell, it was hell, an inferno worse than Dante's." In the subsequent version of the lyrics as performed by Ella Fitzgerald ten years later, the lyrics of this introductory verse were changed to the melancholy reflections of a worker in evening "bazaars" reflecting on the differences between kisses for money and romantic kisses from someone with emotional ties, which had previously eluded her. She reflects with "salty tears" about the differences between the two types of kisses. [4]
The introductory verse as performed by Fitzgerald was:
'Neath the stars, at bazaars
Often I've had to caress men
Five or ten, dollars then, I'd collect from all those yes-men
Don't be sad, I must add, that they meant no more than chess-men
Darling, can't you see?
'Twas for charity?
Though these lips have made slips, it was never really serious
Who'd have thought, I'd be brought to a state that's so delirious? [5]
In the original Gershwin version of the song, somewhat more upbeat, it is sung by a young woman comparing kisses among family members and friends at holidays, to how different they turn out to be when experienced while expressing romantic affections; she is surprised to find that romantic kisses are very different. The two verses describe her previous negative experiences of kissing: first the childhood attentions of older female relatives, and second while working in a kissing booth. The two choruses describe the excitement of then experiencing a first romantic kiss, and regret at not having experienced it before: "I could cry salty tears; where have I been all these years? / Little wow, tell me now, how long has this been going on?" [6]
Bing Crosby recorded the song in 1955 [7] for use on his radio show and it was subsequently included in the box set The Bing Crosby CBS Radio Recordings (1954-56) issued by Mosaic Records (catalog MD7-245) in 2009. [8]
Doris Fisher was an American singer and songwriter, collaborating both as lyricist and composer. She co-wrote many popular songs in the 1940s, including "Whispering Grass", "You Always Hurt the One You Love", "Into Each Life Some Rain Must Fall", "That Ole Devil Called Love", and "Put the Blame on Mame." Her songs were recorded by the Ink Spots, Louis Prima, Billie Holiday, Bing Crosby, the Andrews Sisters, Pearl Bailey, the Mills Brothers and Ella Fitzgerald amongst others.
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Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
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