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Ella Swings Gently with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, with an orchestra arranged and conducted by Nelson Riddle. This album is one of a pair, the other being Ella Swings Brightly with Nelson, that were released in 1962.
Ella Fitzgerald Sings Sweet Songs for Swingers is a 1959 album by the American jazz singer Ella Fitzgerald, recorded with a studio Orchestra arranged and conducted by Frank DeVol.
Ella and Oscar is a 1975 album by Ella Fitzgerald, accompanied by pianist Oscar Peterson and, for the second half of the album, double bassist Ray Brown.
Take Love Easy is an album by the jazz singer Ella Fitzgerald with guitarist Joe Pass, released in 1974.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
Ella Fitzgerald Sings the Harold Arlen Song Book is a 1961 album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Billy May. This album marked the only time that Fitzgerald worked with May.
"Oh, Lady Be Good!" is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.
"Someone to Watch Over Me" is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical Oh, Kay! (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The musical ran for more than 200 performances in New York and then saw equivalent acclaim in London in 1927, all with the song as its centerpiece. Lawrence released the song as a medium-tempo single which rose to #2 on the charts in 1927.
"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.
"Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. The sheet music has the tempo marking of "Brightly". The song was ranked No. 34 on AFI's 100 Years...100 Songs.
"Fascinating Rhythm" is a popular song written by George Gershwin in 1924 with lyrics by Ira Gershwin.
"The Lorelei" is a song composed by George Gershwin, with lyrics by Ira Gershwin; it was written for their musical Pardon My English (1933).
"A Foggy Day" is a popular song composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled "A Foggy Day " in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title.
The commercial recording by Astaire for Brunswick was very popular in 1937.
"My One and Only" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1927 musical Funny Face where it was introduced by Fred Astaire, Betty Compton and Gertrude McDonald. It was originally titled "(What Am I Gonna Do) If You Turn Me Down?"
"(I've Got) Beginner's Luck" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance, it was introduced by Fred Astaire. It is a brief comic tap solo with cane where Astaire's rehearsing to a record of the number is cut short when the record gets stuck. Astaire's commercial recording for Brunswick was very popular in 1937.
"Boy Wanted" is a 1921 song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced in the musical A Dangerous Maid (1921). Philip Furia in his 1997 book Ira Gershwin: The Art of the Lyricist describes "Boy Wanted" as featuring "by far the most ambitious lyric" in A Dangerous Maid and likens the song to a 'catalog gue song' reminiscent of the work of Gilbert and Sullivan.
"Isn't It a Pity?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the unsuccessful 1933 musical Pardon My English. It was introduced by George Givot and Josephine Huston.
"Love Walked In" is a song composed by George Gershwin, with lyrics by Ira Gershwin. The tune was composed in 1930, but the lyric was not written until 1937, for the movie musical The Goldwyn Follies (1938), where it was sung by Kenny Baker. Hit versions include Sammy Kaye (1938), The Hilltoppers (1953), Ella Fitzgerald (1959), The Flamingos (1959) and Dinah Washington (1960). Artie Shaw recorded the song in the early 1940s.
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (With You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the revue Ziegfeld Follies of 1936, where it was performed by Bob Hope and Eve Arden.
"Of Thee I Sing" is a 1931 song composed by George Gershwin, with lyrics by Ira Gershwin.
References
- ↑ Pollack, Howard (2007-01-15). George Gershwin: His Life and Work. University of California Press. pp. 543–547. ISBN 978-0-520-93314-9.
- ↑ Furia, Philip (1997-07-24). Ira Gershwin: The Art of the Lyricist. Oxford University Press. p. 97. ISBN 978-0-19-535394-5.
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