 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
"Tra-la-la" is a song composed by George and Ira Gershwin for the 1922 Broadway show For Goodness' Sake. [1] However, it was never performed in the show. It was later performed in the 1951 American film An American in Paris by Gene Kelly and Oscar Levant. In An American in Paris, it was listed as Tra-la-la (This Time It's Really Love).
An American in Paris is a jazz-influenced symphonic poem for orchestra by American composer George Gershwin first performed in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital during the Années folles.
George Gershwin was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions Rhapsody in Blue (1924) and An American in Paris (1928), the songs "Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera Porgy and Bess (1935), which included the hit "Summertime".
Ira Gershwin was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", "The Man I Love", and "Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess.
The 19th Annual Grammy Awards were held on February 19, 1977, and were broadcast live on American television (CBS). It was the seventh and final year Andy Williams hosted the telecast. The ceremony recognized accomplishments by musicians from the year 1976.
Porgy and Bess is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel Porgy.
Alice Joséphine Pons, known professionally as Lily Pons, was a French-American operatic lyric coloratura soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer, she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in Lakmé and Lucia di Lammermoor. In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960.
Vernon Duke was a Russian-born American composer and songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), "April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the Ziegfeld Follies of 1934, also with Harburg. He wrote the words and music for "Autumn in New York" (1934) for the revue Thumbs Up! In his book, American Popular Song, The Great Innovators 1900-1950, composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn.
Katharine Faulkner "Kay" Swift was an American composer of popular and classical music, the first woman to score a hit musical completely. Written in 1930, the Broadway musical Fine and Dandy includes some of her best known songs; the song “Fine and Dandy” has become a jazz standard. "Can't We Be Friends?" (1929) was her biggest hit song.
An American in Paris is a 1951 American musical romantic comedy film inspired by the 1928 jazz-influenced symphonic poem An American in Paris by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Johnny Green, and Saul Chaplin, the music directors.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology ".
Blue Monday was the original name of a one-act "jazz opera" by George Gershwin, renamed 135th Street during a later production. The English libretto was written by Buddy DeSylva. Though a short piece, with a running time of between twenty and thirty minutes, Blue Monday is often considered the blueprint to many of Gershwin's later works, and is often considered to be the "first piece of symphonic jazz" in that it was the first significant attempt to fuse forms of classical music such as opera with American popular music, with the opera largely influenced by Jazz and the African-American culture of Harlem.
Rosalie is a musical with music by George Gershwin and Sigmund Romberg, lyrics by Ira Gershwin and P.G. Wodehouse, and book by William Anthony McGuire and Guy Bolton. The story tells of a princess from a faraway land who comes to the United States of America and falls in love with a West Point Lieutenant.
"'S Wonderful" is a 1927 popular song composed by George Gershwin, with lyrics written by Ira Gershwin. It was introduced in the Broadway musical Funny Face (1927) by Adele Astaire and Allen Kearns.
"Love Is Here to Stay" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin for the movie The Goldwyn Follies (1938).
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. It was later included in the tribute musical Nice Work If You Can Get It (2012), in which it was sung by Jennifer Laura Thompson. When covered by Frank Sinatra he was a part of Columbia Records.
"By Strauss" is a 1936 song composed by George Gershwin, with lyrics by Ira Gershwin. It pays homage to the music of Johann Strauss, Sr. and Johann Strauss, Jr.
Rufus! Rufus! Rufus! Does Judy! Judy! Judy!: Live from the London Palladium is a DVD by the Canadian-American singer-songwriter Rufus Wainwright, released under Geffen Records in December 2007. The film consists of live recordings from his sold-out February 25, 2007, tribute concert at the London Palladium to the legendary American actress and singer Judy Garland. The DVD complements the release of Wainwright's Grammy Award-nominated double album, Rufus Does Judy at Carnegie Hall, which contains the same songs from Garland's well-known 1961 album, Judy at Carnegie Hall. The DVD also includes several songs not included on Wainwright's album release.
Hershey Felder is a pianist, actor, and playwright known for his portrayals of classical and American composers on the theatrical stage.
"Stairway to Paradise", also known as "I'll Build a Stairway to Paradise", is a song composed in 1922 by George Gershwin with lyrics by Ira Gershwin and Buddy DeSylva for the Broadway revue George White's Scandals. Popular recordings in 1922–23 were by Carl Fenton; Paul Whiteman; and by Ben Selvin.
 | This song-related article is a stub. You can help Wikipedia by expanding it. |
