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Black pride is a movement which encourages black people to celebrate their respective cultures and embrace their African heritage.
In the United States, it initially developed for African-American culture [1] and was a direct response to white racism, especially during the civil rights movement. [2] Stemming from the idea of black power, this movement emphasizes racial pride, economic empowerment, and the creation of political and cultural institutions. [3] Related movements include black power, black nationalism, [2] and Afrocentrism.
The black pride movement is very popular in Brazil, especially among poorer members of the country's population, and it is found in the Brazilian funk music genre which arose in the late 1960s, as well as in funk carioca, which emerged in the late 1980s. The origin of Brazilian funk and the origin of funk carioca both reflect Brazilian black resistance. Ethnomusicologist George Yúdice states that youths who embraced a black culture which was being mediated by a U.S. culture industry were met with many arguments against their susceptibility to cultural colonization. Although it borrows some ingredients from hip hop, its style still remains unique to Brazil (mainly Rio de Janeiro and São Paulo). [4]
Black pride is a major theme in some works by African American popular musicians. Civil Rights Movement era songs such as The Impressions's hit songs "We're a Winner" [5] and "Keep on Pushing" [6] and James Brown's "Say It Loud – I'm Black and I'm Proud" [6] [7] celebrated black pride. Beyoncé's half-time performance at Super Bowl 50, which included homages to Malcolm X and the Black Panthers, has been described by the media as a display of black pride. [8] [9]
Dating back to the 1960s, there was a push for people of color to be heard. Artists, like James Brown, won over the respect of the United States through their art and music. Creating movements like "Black is Beautiful," a movement where the features of black women were highlighted in picture form, allowed black people to emphasize their beauty and further emphasize the idea of Black Pride. [10]
Black pride has been a central theme of the originally Jamaican Rastafari movement since the second half of the 20th century. It has been described as "a rock in the face of expressions of white superiority," [11] being promoted by national figures like Marcus Garvey as self-empowering. [12] Dreadlocks became prominent and, according to Jesuit priest Joseph Owens, represented "refusal to depart from the ancient, natural way". However, American author and activist Alice Walker claims conservatives saw the movement's style as "not just disgusting, but down-right frightening". [13]
Beauty standards are a major theme of black pride. Black pride was represented in slogans such as "black is beautiful" [14] [15] which challenged white beauty standards. [16] Prior to the black pride movement, the majority of black people straightened their hair or wore wigs. [15] The return to natural hair styles such as the afro, cornrows, and dreadlocks were seen as expressions of black pride. [15] [16] [17] [18]
In the 1960s to 1970s, kente cloth and the Black Panthers uniform were worn in the U.S. as expressions of black pride. [15] Headscarves were sometimes worn by Nation of Islam and other Black Muslim Movement members as an expression of black pride and a symbol of faith. [17] Other women used scarves with African prints to cover their hair. [15]
Maxine Leeds Craig argues that all-black beauty pageants such as Miss Black America were institutionalized forms of black pride created in response to exclusion from white beauty pageants. [17]
Rastafari is an Abrahamic religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of the movement and much diversity exists among practitioners, who are known as Rastafari, Rastafarians, or Rastas.
A hairstyle, hairdo, haircut, or coiffure refers to the styling of hair, usually on the human head but sometimes on the face or body. The fashioning of hair can be considered an aspect of personal grooming, fashion, and cosmetics, although practical, cultural, and popular considerations also influence some hairstyles.
Dreadlocks, also known as dreads or locs, are a hairstyle made of rope-like strands of hair. Dreadlocks are created by either manually twisting the hair or by allowing it to mat naturally. Over time, the hair will form tight braids or ringlets.
Afrocentrism is a worldview that is centered on the history of people of African descent or a view that favors it over non-African civilizations. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a pan-African point of view for the study of culture, philosophy, and history.
The Bobo Ashanti, also known as the Ethiopian African Black International Congress (E.A.B.I.C.), is a religious group originating in Bull Bay near Kingston, Jamaica.
The afro is a hair style created by combing out natural growth of afro-textured hair, or specifically styled with chemical curling products by individuals with naturally curly or straight hair. The hairstyle can be created by combing the hair away from the scalp, dispersing a distinctive curl pattern, and forming the hair into a rounded shape, much like a cloud or puff ball.
Cornrows are a style of three-strand braids in which the hair is braided very close to the scalp, using an underhand, upward motion to make a continuous, raised row. Cornrows are often done in simple, straight lines, as the term implies, but they can also be styled in elaborate geometric or curvilinear designs. They are considered a traditional hairstyle in many African cultures, as well as in the African diaspora. They are distinct from, but may resemble, box braids, Dutch braids, melon coiffures, and other forms of plaited hair, and are typically tighter than braids used in other cultures.
Iyaric, also called Dread Talk or Rasta Talk, is a form of language constructed by members of the Rastafari movement through alteration of vocabulary. When Africans were taken into captivity as a part of the slave trade, English was imposed as a colonial language and their traditional African languages were lost. In defiance, the Rastafari movement created a modified English vocabulary and dialect, with the aim of liberating their language from its history as a tool of colonial oppression. This is accomplished by avoiding sounds and words with negative connotations, such as "back", and changing them to positive ones. Iyaric sometimes also plays a liturgical role among Rastas, in addition to Amharic and Ge'ez.
Black is beautiful is a cultural movement that was started in the United States in the 1960s by African Americans. It later spread beyond the United States, most prominently in the writings of the Black Consciousness Movement of Steve Biko in South Africa. Black is beautiful got its roots from the Négritude movement of the 1930s. Negritude argued for the importance of a Pan-African racial identity among people of African descent worldwide.
Long hair is a hairstyle where the head hair is allowed to grow to a considerable length. Exactly what constitutes long hair can change from culture to culture, or even within cultures. For example, a woman with chin-length hair in some cultures may be said to have short hair, while a man with the same length of hair in some of the same cultures would be said to have long hair.
Kinky hair, also known as afro-textured hair, is a human hair texture prevalent in the indigenous populations of many regions with hot climates, mainly African and some areas of Melanesia, and Australia. Each strand of this hair type grows in a repeating pattern of small contiguous kinks which can be classified as tight twists and sharp folds. These numerous kinks make kinky hair appear denser than straight, wavy, and other curly hair types.
From Black Power to Hip-Hop: Racism, Nationalism, and Feminism is a 2006 book by Patricia Hill Collins. Published by Temple University Press, the book is centered around Patricia Hill and her experiences with racism in America. The book also includes experiences from other Black men and women and their responses to it. In the end she offers her take on Black youth and how its changing along with how Black nationalism works today.
Afrocentric education refers to a pedagogical approach to education designed to empower people of the African diaspora with educational modes in contact and in line with the cultural assumptions common in their communities. A central premise behind it is that many Africans have been subjugated by having their awareness of themselves limited and by being indoctrinated with ideas that work against them and their cultures.
African-American hair or Black hair refers to hair types, textures, and styles that are linked to African-American culture, often drawing inspiration from African hair culture. It plays a major role in the identity and politics of Black culture in the United States and across the diaspora. African-American hair often has a kinky hairy texture, appearing tightly coiled and packed. Black hair has a complex history, culture, and cultural impact, including its relationship with racism.
Black nationalism is a nationalist movement which seeks representation for Black people as a distinct national identity, especially in racialized, colonial and postcolonial societies. Its earliest proponents saw it as a way to advocate for democratic representation in culturally plural societies or to establish self-governing independent nation-states for Black people. Modern Black nationalism often aims for the social, political, and economic empowerment of Black communities within white majority societies, either as an alternative to assimilation or as a way to ensure greater representation and equality within predominantly Eurocentric cultures.
Hairstyles in the 1980s included the mullet, tall mohawk hairstyles, jheri curls, flattops, and hi-top fades, which became popular styles. Amongst women, large hair-dos, puffed-up styles, permanent waves, and softer cuts typified the decade. Big hair that was "often permed to achieve the desired volume" is especially associated with women of the mid 1980s as well as male rockstars of that era, especially of the glam metal genre. Television shows such as Dynasty helped popularize the high volume bouffant and glamorous image associated with it.
Discrimination based on hair texture, also known as textureism, is a form of social injustice, where afro-textured hair or coarse hair types, and their associated hair styles, are viewed negatively, often perceived as "unprofessional", "unattractive", or "unclean". This view can lead, for example, to some school students being excluded from class.
The natural hair movement is a movement which aims to encourage people of African descent to embrace their natural, afro-textured hair; especially in the workplace. It originated in the United States during the 1960s, and resurged in popularity in the 2000s.
The Conscious Community, also known as the Black Conscious Community and the African Conscious Community, is a loose affiliation of allied groups composed of individuals from the African diaspora and from Africa. Pan-Africanism, Afrocentrism, Afrofuturism, Black Nationalism, and Black Liberation Religion/Spirituality are foundational sources for the ideologies found among individuals in the Black Conscious Community.
Because the dominant white culture in America treated African Americans as subalterns rather than full American citizens and full human beings, the black pride movement encouraged black Americans to look to Africa for their cultural origins.
In 1966 the Black Power-black nationalist-black pride movements emerged as equal and opposite reactions to white racism as a reaction of the biracial civil rights movement.