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An African American is a citizen or resident of the United States who has origins in any of the black populations of Africa. [1] African American-related topics include:
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Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid- to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry, Indigenous Australians and Melanesians, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term black as a racial identity outside of influences brought by Western cultures.
United States Colored Troops (USCT) were Union Army regiments during the American Civil War that primarily comprised African Americans, with soldiers from other ethnic groups also serving in USCT units. Established in response to a demand for more units from Union Army commanders, USCT regiments, which numbered 175 in total by the end of the war in 1865, constituted about one-tenth of the manpower of the army, according to historian Kelly Mezurek, author of For Their Own Cause: The 27th United States Colored Troops. "They served in infantry, artillery, and cavalry." Approximately 20 percent of USCT soldiers were killed in action or died of disease and other causes, a rate about 35 percent higher than that of white Union troops. Numerous USCT soldiers fought with distinction, with 16 receiving the Medal of Honor. The USCT regiments were precursors to the Buffalo Soldier units which fought in the American Indian Wars.
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots."
Colored is a racial descriptor historically used in the United States during the Jim Crow era to refer to an African American. In many places, it may be considered a slur. It has taken on a special meaning in Southern Africa referring to a person of mixed or Cape Coloured heritage.
African-American history started with the arrival of Africans to North America in the 16th and 17th centuries. Formerly enslaved Spaniards who had been freed by Francis Drake arrived aboard the Golden Hind at New Albion in California in 1579. The European colonization of the Americas, and the resulting Atlantic slave trade, led to a large-scale transportation of enslaved Africans across the Atlantic; of the roughly 10–12 million Africans who were sold by the Barbary slave trade, either to European slavery or to servitude in the Americas, approximately 388,000 landed in North America. After arriving in various European colonies in North America, the enslaved Africans were sold to white colonists, primarily to work on cash crop plantations. A group of enslaved Africans arrived in the English Virginia Colony in 1619, marking the beginning of slavery in the colonial history of the United States; by 1776, roughly 20% of the British North American population was of African descent, both free and enslaved.
This is a timeline of African-American history, the part of history that deals with African Americans.
The American Missionary Association (AMA) was a Protestant-based abolitionist group founded on September 3, 1846 in Albany, New York. The main purpose of the organization was abolition of slavery, education of African Americans, promotion of racial equality, and spreading Christian values. Its members and leaders were of both races; the Association was chiefly sponsored by the Congregationalist churches in New England. The main goals were to abolish slavery, provide education to African Americans, and promote racial equality for free Blacks. The AMA played a significant role in several key historical events and movements, including the Civil War, Reconstruction, and the Civil Rights Movement.
Harry Haywood was an American political activist who was a leading figure in both the Communist Party of the United States (CPUSA) and the Communist Party of the Soviet Union (CPSU). His goal was to connect the political philosophy of the Communist Party with the issues of race.
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
Gwendolyn Midlo Hall was an American historian who focused on the history of slavery in the Caribbean, Latin America, Louisiana, Africa, and the African Diaspora in the Americas. Discovering extensive French and Spanish colonial documents related to the slave trade in Louisiana, she wrote Africans in Colonial Louisiana: The Development of Afro-Creole Culture in the Eighteenth Century (1992), studied the ethnic origins of enslaved Africans brought to Louisiana, as well as the process of creolization, which created new cultures. She changed the way in which several related disciplines are researched and taught, adding to scholarly understanding of the diverse origins of cultures throughout the Americas.
James Mercer Langston Hughes was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary art form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance. He famously wrote about the period that "the Negro was in vogue", which was later paraphrased as "when Harlem was in vogue."
The Colored Conventions Movement, or Black Conventions Movement, was a series of national, regional, and state conventions held irregularly during the decades preceding and following the American Civil War. The delegates who attended these conventions consisted of both free and formerly enslaved African Americans, including religious leaders, businessmen, politicians, writers, publishers, editors, and abolitionists. The conventions provided "an organizational structure through which black men could maintain a distinct black leadership and pursue black abolitionist goals." Colored conventions occurred in thirty-one states across the United States and in Ontario, Canada. The movement involved more than five thousand delegates and tens of thousands of attendees.
African Americans are the second largest census "race" category in the state of Tennessee after whites, making up 17% of the state's population in 2010. African Americans arrived in the region prior to statehood. They lived both as slaves and as free citizens with restricted rights up to the Civil War.
Until 1950, African Americans were a small but historically important minority in Boston, where the population was majority white. Since then, Boston's demographics have changed due to factors such as immigration, white flight, and gentrification. According to census information for 2010–2014, an estimated 180,657 people in Boston are Black/African American, either alone or in combination with another race. Despite being in the minority, and despite having faced housing, educational, and other discrimination, African Americans in Boston have made significant contributions in the arts, politics, and business since colonial times.
Music and Black liberation refers to music associated with Black political movements for emancipation, civil rights, or self-determination. The connection between music and politics has been used in many cultures and was utilized by blacks in their struggle for freedom and civil rights. Music has been used by African Americans over the course of United States history to express feelings of struggle and hope, as well as to foster a sense of solidarity to aid their fight for liberation and justice. African Americans have used music as a way to express their struggle for freedom and equality which has spanned the history of the United States which has resulted in the creation and popularization of many music genres including, jazz, funk, disco, rap, and hip hop. Many of these songs and artists played pivotal roles in generating support for the civil rights movement.
Hezekiah Ford Douglas, commonly known as H. Ford Douglas, was an abolitionist who promoted African-American emigration. He was a traveling speaker, political organizer, and newspaper proprietor. He later became the only black officer to command his own unit during the Civil War.
Agnes Kane Callum was a genealogist known for her research into Maryland's African-American history. She was a founding member of the Baltimore Afro-American Historical and Genealogical Society, a frequent columnist for The Catholic Review, and the founding editor of a black genealogical journal, Flower of the Forest. Callum was inducted into the Maryland Women's Hall of Fame in 2014.
James Henry Ingraham was an African American who served as an officer in the American Civil War, state legislator, and a leader of the civil rights movement in Louisiana. He was born into slavery and gained his freedom before the war.
