Baby Boy | |
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Directed by | John Singleton |
Written by | John Singleton |
Produced by | John Singleton |
Starring | Tyrese Gibson Snoop Dogg Ving Rhames Omar Gooding A.J. Johnson Taraji P. Henson |
Cinematography | Charles Mills |
Edited by | Bruce Cannon |
Music by | David Arnold |
Production company | |
Distributed by | Sony Pictures Releasing [1] |
Release date |
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Running time | 130 minutes [2] |
Country | United States |
Language | English |
Budget | $16 million [3] [4] |
Box office | $29.3 million [3] |
Baby Boy is a 2001 American coming-of-age hood drama film directed, written and produced by John Singleton, and starring Tyrese Gibson, Snoop Dogg, Ving Rhames, Omar Gooding, A.J. Johnson and Taraji P. Henson. [5] The film follows Joseph "Jody" Summers (Gibson), a 20-year-old bike mechanic as he lives and learns in his everyday life in the hood of Los Angeles.
The film was originally written with rapper-actor Tupac Shakur in mind to play Jody; Shakur had previously worked with Singleton on Poetic Justice . However, following Shakur's murder in 1996, Singleton decided to replace Shakur with R&B artist Tyrese Gibson. Additionally, the role of Rodney was originally written for Ice Cube, who had worked with Singleton on Boyz n the Hood and Higher Learning . The film marked the feature acting debut of Gibson and provided Henson with her first prominent role.
Released in the United States on June 27, 2001, the film received predominantly positive reviews from critics and audiences, with many deeming it as Singleton's best film since Boyz n the Hood. The film is also the final feature film written by Singleton as he did not write any of his later feature-length directorial projects before his death in April 2019.
Joseph "Jody" Summers waits for his girlfriend Yvette at an abortion clinic after compelling her to go. They then have a heated argument about his lack of commitment and selfishness; she asks him if he will ever come live with her and their son JoJo, but he deliberately avoids the subject and comes and goes as he pleases.
Meanwhile, Jody also continues having affairs with other women, including a young girl named Peanut, with whom he also has a daughter, Lil' Nut. Jody also nearly has sex with Pandora, Yvette's colleague and co-worker, but manages to rebuff her advances. When Yvette discovers his cheating, their ensuing argument eventually turns physical, culminating in her kicking him out of her home.
Yvette's gangster ex-boyfriend Rodney is released from San Quentin State Prison and returns to the neighborhood to move in with Yvette. However, Rodney does not care for JoJo and wants to impregnate Yvette himself, but when Rodney attempts to rape Yvette in front of her son, he stops himself out of guilt. Despite their previous issues, Yvette begins to realize she still loves Jody.
Jody’s mother Juanita finds marijuana in her garden and blames him, who then angrily blames her new boyfriend Melvin, an ex-convict. Melvin comes home, admits to Juanita that he planted it and apologizes. An upset Jody argues with his mother before getting into an argument with Melvin, which ends with Melvin punching him and breaking a table.
Frustrated, Jody leaves the house to see his friend Sweetpea. Soon after, Yvette kicks Rodney and his friends out of her apartment. Eventually, Yvette and Jody reconcile at Sweetpea's house, and Yvette tells Jody about how Rodney tried to rape her in front of JoJo. Rodney then steals Yvette’s money and keys from her wallet and drives off in her car to go and find Jody, whom he unsuccessfully tries to kill in a drive-by shooting.
Later that night, Jody and Sweetpea confront Rodney, and as he attempts to escape, Jody shoots him in the back of his legs. Sweetpea urges Jody to kill Rodney, but he refuses, and so Sweetpea shoots and kills Rodney himself with four shots. Horrified by Rodney's death, Jody prepares to commit suicide by shooting himself in the head, but Melvin stops him before taking the gun. After reflecting on Rodney's death and how his absence endangered her and JoJo, Jody finally decides to move in with Yvette.
Jody then accepts that Juanita's relationship with Melvin is stable, and that he needs to protect and care for his own family. Afterward, Jody and Yvette get married and look forward to the birth of their unborn child. Meanwhile, Sweetpea decides to get baptized and abandon his old life as a criminal.
Singleton makes an uncredited cameo as a bootlegger who attempts to sell pirated DVDs to Jody and Sweetpea, while his mother Sheila Ward plays a mourner in the dream sequence where Jody sees himself at his funeral. Additionally, his daughter Cleopatra Singleton appears in the beginning of the film as Lil' Nut, Jody's daughter with Peanut. [6]
In its opening weekend, the film grossed $8,606,403 in 1,533 theaters in the United States, averaging $5,614 per theater, and ranking #5 at the box office. It grossed a total of $28,734,552 domestically and $647,097 elsewhere for a total of $29,381,649, above its $16 million production budget. [3]
Baby Boy received positive reviews from critics and has a rating of 71% on Rotten Tomatoes based on 93 reviews with an average score of 6.2/10. The consensus states: "Preachy and repetitive in parts, Baby Boy still manages to exude authenticity, thanks to its competent cast." [7] The film also has a score of 55 out of 100 on Metacritic based on 26 critics indicating 'Mixed or average reviews'. [8]
Roger Ebert gave the film 3½ stars out of 4, and stated in his review: "Baby Boy is a bold criticism of young black men who carelessly father babies, live off their mothers and don't even think of looking for work. It is also a criticism of the society that pushes them into that niche. There has never been a movie with this angle on the African-American experience" and "[it] doesn't fall back on easy liberal finger-pointing. There are no white people in this movie, no simplistic blaming of others; the adults in Jody's life blame him for his own troubles, and they should." [9]
Kenneth Turan, film critic for the Los Angeles Times, praised the film for being "...Compelling.... heartfelt and personal..." Jonathan Rosenbaum of Chicago Reader also liked the film, stating: "Like John Singleton's other features, this is far from flawless.... But the characters are so full-bodied and the feelings so raw and complex that I'd call this the best thing he's done to date..." [10]
The film ultimately received ten nominations at the Black Reel Awards of 2002, including Outstanding Film, and three nominations at 2002 NAACP Image Awards, including Outstanding Motion Picture. [11] The film was also screened at the 2001 Locarno International Film Festival in competition for the Golden Leopard, and would receive a 'Special Mention' from the jury for "For its innovative concept and ensemble acting." [12]
Director John Singleton was very proud of the movie: "It was just soulful, I made a movie that I wanted to be as soulful as a Marvin Gaye record. That was my goal for better or worse. Not necessarily a perfect film, but just something that you watch, it’s memorable. That’s what I love about that movie." [13]
Baby Boy: Music From the Motion Picture | |
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Soundtrack album by Various artists | |
Released | June 19, 2001 |
Recorded | 2000–2001 |
Genre | Gangsta rap R&B |
Label | Universal Records |
Producer | Battlecat Mannie Fresh Mark Sparks James Poyser D'Angelo Chris Liggio |
Singles from Baby Boy: Music From the Motion Picture | |
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Review scores | |
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Source | Rating |
Allmusic | [14] |
A soundtrack containing hip-hop and R&B music was released by Universal Records on June 19, 2001. It peaked at #41 on the Billboard 200, #12 on the Top R&B/Hip-Hop Albums and #5 on the Top Soundtracks, and spawned one charting single, "Just a Baby Boy", performed by Snoop Dogg featuring Tyrese & Mr. Tan, which made it to #90 on the Billboard Hot 100 and #40 on the Hot R&B/Hip-Hop Singles & Tracks. The soundtrack contains interludes which are sound clips from the film. An album of the film's score, by British composer David Arnold, was released by Varese Sarabande.
John Daniel Singleton was an American director, screenwriter, and producer. He made his feature film debut writing and directing Boyz n the Hood (1991), for which he was nominated for the Academy Award for Best Director, becoming, at age 24, the first African American and youngest person to have ever been nominated for that award.
Marion Hugh "Suge" Knight Jr. is an American record executive, former NFL player, and convicted felon, who is the co-founder and former CEO of Death Row Records. Knight was a central figure in gangsta rap's commercial success in the 1990s. This feat is attributed to the record label's first two album releases: Dr. Dre's The Chronic in 1992 and Snoop Dogg's Doggystyle in 1993. Knight is currently serving a 28-year sentence in prison for a fatal hit-and-run in 2015.
Death Row Records is an American record label that was founded in 1991 by The D.O.C., Dr. Dre, Suge Knight, and Dick Griffey. The label became a sensation by releasing multi-platinum hip-hop albums by West Coast-based artists such as Dr. Dre, Snoop Dogg (Doggystyle) and 2Pac during the 1990s. At its peak, Death Row was making over US $150 million a year.
Delmar Drew Arnaud, known professionally as Daz Dillinger or simply Daz, is an American rapper and record producer. As a member of Death Row Records in the early 1990s, he is credited with the label in pioneering West Coast hip hop and gangsta rap for mainstream audiences. Alongside Kurupt, he formed the hip hop duo tha Dogg Pound in 1992, with whom he has released eight albums.
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Angell Conwell is an American actress. She is known for her roles as Leslie Michaelson in the CBS daytime soap opera, The Young and the Restless and Lisa Stallworth in the Bounce TV sitcom Family Time. In film, she appeared in Baby Boy (2001) and starred as Veronica on Bigger.
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"Just a Baby Boy" is a song by American rapper Snoop Dogg featuring guest vocals from American R&B singer Tyrese and fellow American rapper Mr. Tan, taken from the soundtrack Baby Boy. The song was written by Snoop Dogg, Tyrese and Kevin "DJ Battlecat" Gilliam, who also handled production. The song was also included in the second Tyrese studio album, 2000 Watts.
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