This is a list of hood films. These films focus on the culture and life of African-Americans, Hispanic-Americans, and, in some cases, Asian-Americans or White Americans who live in segregated, low-income urban communities. This list also includes comparably economically disenfranchised and crime adjacent communities in other countries such as the UK and Canada. [1] [2] [3]
A scream queen is an actress who is prominent and influential in horror films, either through a notable appearance or recurring roles. A scream king is the male equivalent. Notable female examples include Barbara Steele, Sandra Peabody, Linda Blair, Felissa Rose, Olivia Hussey, Marilyn Burns, Mary Elizabeth Winstead, Neve Campbell, Daria Nicolodi, Dee Wallace, Isabelle Adjani, Sarah Paulson, Vera Farmiga, Jamie Lee Curtis, Taissa Farmiga, Maika Monroe, Anya Taylor-Joy, Mia Goth, Jenna Ortega, Samara Weaving, Heather Langenkamp, Shawnee Smith, Emma Roberts, Billie Lourd, Melissa Barrera, Debbie Rochon, Tiffany Shepis, Brinke Stevens, Michelle Bauer and Linnea Quigley.
A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop, through a hole in a wall or window, or at a wicket. By extension, the term is frequently used, especially in the context of the film industry, as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium.
Kim Jee-woon is a South Korean film director, screenwriter, and producer. He was a theater actor and director before debuting with his self-written and directed film, The Quiet Family in 1998. Kim has worked with increasing levels of success in cinema, showing accomplished acting and a detailed stylization in his films. He is currently one of the most recognized screenwriters/directors in the Korean film industry.
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting.
Hood film is a 1990s film genre originating in the United States, which features aspects of urban African American or Hispanic American culture. John Singleton, Mario Van Peebles, F. Gary Gray, Hughes Brothers, and Spike Lee are all directors who have created work typically classified as part of this genre. The genre has been identified as a sub-genre of the gangster film genre.
Sean Baker is an American filmmaker. He is best known for directing independent feature films about the lives of marginalized people, especially immigrants and sex workers. His films include Take Out (2004), Starlet (2012), Tangerine (2015), The Florida Project (2017), Red Rocket (2021), and Anora (2024), the last of which won him the Palme d'Or at the 2024 Cannes Film Festival and two Golden Globe nominations for Best Director and Best Screenplay. He is also known for co-creating the Fox/IFC puppet sitcom Greg the Bunny (2002–2006) and its spin-offs.
Twin films are films with the same or similar plots produced and released at the same time by two different film studios. The phenomenon can result from two or more production companies investing in similar scripts at the same time, resulting in a race to distribute the films to audiences. Some attribute twin films to industrial espionage, the movement of staff between studios, or that the same screenplays are sent to several film studios before being accepted. Another possible explanation is if the films deal with topical issues, such as volcanic eruptions, reality television, terrorist attacks, or significant anniversaries, resulting in multiple discovery of the concept.
Film censorship in the United Kingdom began with early cinema exhibition becoming subject to the Disorderly Houses Act 1751. The Cinematograph Act 1909 was primarily concerned with introducing annual licensing of premises where films were shown, particularly because of the fire risk of nitrate film. After the Act began to be used by local authorities to control what was shown, the film industry responded by establishing a British Board of Film Censors (BBFC) in 1912, funded by an Incorporated Association of Kinematograph Manufacturers levy.
A one-shot film is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was.
{{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: others (link){{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: others (link){{cite web}}
: CS1 maint: archived copy as title (link){{cite book}}
: CS1 maint: others (link)