Poetic Justice (film)

Last updated

Poetic Justice
Poetic Justice (1993 movie poster).jpg
Theatrical release poster
Directed by John Singleton
Written byJohn Singleton
Produced byJohn Singleton
Steve Nicolaides
Starring
Cinematography Peter Lyons Collister
Edited byBruce Cannon
Music by Stanley Clarke
Distributed by Columbia Pictures
Release date
  • July 23, 1993 (1993-07-23)
Running time
109 minutes
CountryUnited States
LanguageEnglish
Budget$14 million [1]
Box office$27.5 million [2]

Poetic Justice is a 1993 American romantic drama film written and directed by John Singleton, and starring Janet Jackson and Tupac Shakur, with Regina King and Joe Torry in supporting roles. The film follows Justice (Jackson), a poet mourning the loss of her boyfriend from gun violence, who goes on a road trip from South Central L.A. to Oakland on a mail truck along with her friend (King) and a postal worker (Shakur) who she initially cannot stand but soon helps Justice deal with her depression.

Contents

Following the success of his debut film, Boyz n the Hood , Singleton wanted to make a film that would give a voice to young African-American women. Jada Pinkett, Lisa Bonet, Monica Calhoun and many other popular actresses auditioned for the role of Justice, though Singleton knew from the script's draft that the role was solely intended for Janet Jackson. [3] Filming took place from April 11 to July 4, 1992.

Poetic Justice was released in the United States on July 23, 1993. The film received mixed reviews from critics, who criticized the screenplay though praised Jackson and Shakur's performances and chemistry. It reached No. 1 in the box office its opening weekend, grossing $11,728,455. It eventually grossed a total of $27,515,786. Jackson received Academy Award and Golden Globe nominations for Best Original Song for "Again", which also reached number one on the Billboard Hot 100. The film has developed a cult following, especially for the chemistry between Jackson and Shakur. [4]

Plot

Justice is a young African American woman living in South Central, Los Angeles, named by her late mother who gave birth to her while attending law school. After the fatal shooting of her boyfriend Markell, Justice becomes deeply depressed, spending most of her time with her cat named Whiteboy in the house that she inherited from her grandmother, and only going out to her job at a local hair salon. A talented poet, Justice reads many of her poems (in real life written by Maya Angelou) throughout the film, both to other characters and in voice-over.

While she is working at the salon one day, a young postal clerk named Lucky arrives and begins flirting with her. She and her female boss Jessie rebuff his advances, pretending to be lesbians and mocking Lucky with their "relationship".

Lucky has also suffered tragedy in his life: his main focus is caring for his young daughter Keisha, whom he had to forcibly remove from the care of her crack-addicted mother (nicknamed "Angel"), who was using drugs and having sex with her drug dealer while leaving the child unattended in the apartment. Lucky dreams of a professional career in music and shows considerable promise, but insists that his cousin is the true talent.

Justice's friend Iesha manages to talk Justice into taking a road trip to Oakland with Iesha's boyfriend, Chicago, Lucky's co-worker at the post office. Justice warily accepts, mainly because she has to go to Oakland for a hair show and her car had stopped working at the last minute. Unbeknownst to Justice, Lucky is also on the trip, and she will now be sharing a postal van with him and their two mutual friends. Initially, they argue, but they soften towards each other as they gradually discover their similarities.

The quartet makes a couple of detours: the first is a family reunion barbecue they see signs for on the road, where it becomes apparent (although there were ample hints earlier) that Iesha and Chicago's relationship is troubled. Iesha openly flirts with another man at the barbecue, while Chicago broods watching her behavior. Iesha and Chicago argue in the mail truck until Justice talks to Iesha about her behavior with alcohol. Iesha throws up and tearfully apologizes to her.

At the next stop, a carnival, Lucky and Justice grow closer while discussing their lives. After leaving the carnival, they stop at a beach where each of the four contemplates their separate situations in internal monologues. Afterward, the friction between Chicago and Iesha explodes when Iesha informs Chicago that she has been seeing someone on the side, and he physically attacks her. Lucky initially decides to abstain until Justice defends Iesha by kicking Chicago in the groin, who retaliates by attacking her. Lucky knocks Chicago out, and he, Justice and a bleeding and shaken Iesha leave him behind and continue on their journey.

Lucky stops the postal van at a beach, and Justice goes to see what's wrong. She begins opening up to him about her life, and Lucky becomes sympathetic. They share a kiss, and Justice walks away apparently unsure of her feelings for Lucky. She goes back to him, and they kiss again.

When the now-trio arrive in Oakland, they receive news that Lucky's cousin, with whom he had been working on recording music, has been killed. Blaming himself for not being in Oakland sooner and believing he could have prevented the shooting had he been in town, Lucky angrily blames Justice for distracting him while they were on the road. Jessie advises Justice and Iesha about men before the hair show. Lucky's uncle and aunt give him his cousin's recording equipment. Lucky decides to give up work and take care of Keisha.

Months later, Lucky meets up with Justice again back at the hair salon, bringing Keisha. Remorseful over his conduct in Oakland and his cruel words towards Justice there, he apologizes. She smiles at him coyly and they passionately kiss. She then turns her attention to Keisha, fussing over her hair. Justice and Lucky's eyes meet over Keisha's head and they smile, as strongly connected as ever.

Cast

Production

On July 23, 2013, John Singleton spoke with writer Lathleen Ade-Brown for Essence magazine and discussed the 20th anniversary of the film. The interview mentioned that in 1993, black female leads were rare and he wanted to give a voice to young African American women. He also revealed whose idea it was for Janet Jackson to wear the now iconic box braids: "That was a collaboration between myself, Janet, [dance choreographer] Fatima Robinson and a dancer named Jossie Harris. Jossie had the braids in Michael Jackson’s "Remember the Time" video. I brought her and Fatima and a couple of other dancers over to hang out with Janet and they all became friends. I said, "Why don't we try and do Janet's hair like Jossie's hair?" We got the hairstyle from Harlem and just put it in a West Coast movie." [3]

Jada Pinkett, Lisa Bonet, Monica Calhoun and many other popular actresses auditioned for the role of Justice, though Singleton knew from the script's draft that the role was intended for Janet Jackson. [3] Rapper and actor Ice Cube was offered the lead role of Lucky, but declined to play the role, stating that he was not in a point in his career that he would play in romantic films. Filming began on April 14, 1992 and ended on July 4, 1992.

Release

The film opened on July 23, 1993 in the United States. Cineplex Odeon initially decided not to release the film at its Universal CityWalk Hollywood theater due to fear of violence. Rita Walters called Cineplex Odeon's decision racist and they agreed to delay the release until July 28. Around the country, five violent incidents occurred around theaters during the film's opening weekend, including a killing outside a Las Vegas theater. [5]

Reception

Box office

Poetic Justice made $27,515,786 in the domestic box office, [2] against a production budget of $14 million. [1] For its opening weekend it opened at number one at the US box office with over $11,700,000 in ticket sales. [6] [7] [8] It ranked 20th for the year of 1993 openings and 21st for highest R-rated movies of 1993.

Critical reception

Upon its release, Poetic Justice received mostly negative reviews [9] with most critics comparing it unfavorably to Singleton's debut film Boyz n the Hood. Much of the acclaim was directed to the performances by both Jackson and Shakur, with criticism stemming from the writing and story line. On Rotten Tomatoes the film has a 34% rating based on 32 reviews. The site's consensus states: "Poetic Justice is commendably ambitious and boasts a pair of appealing stars, but they're undermined by writer-director John Singleton's frustrating lack of discipline." [10] On Metacritic, the film has a score of 51% based on reviews from 21 critics, indicating "mixed or average reviews". [11] Audiences surveyed by CinemaScore gave the film a grade "B+" on scale of A to F. [12]

Roger Ebert: "...Boyz n the Hood was one of the most powerful and influential films of its time, in 1991. Poetic Justice is not its equal, but does not aspire to be; it is a softer, gentler film, more of a romance than a commentary on social conditions." He also stated, "...Poetic Justice unwinds like a road picture from the early 1970s, in which the characters are introduced and then set off on a trip that becomes a journey of discovery. By the end of the film, Justice will have learned to trust and love again, and Shakur will have learned how to listen to a woman. And all of the characters - who in one way or another lack families - will begin to get a feeling for the larger African/American family to which they belong. The scene where that takes place is one of the best in the film." [13] Leonard Klady of Variety stated: "Though aiming to create a feel for the locale, Singleton periodically loses sight of audiences unfamiliar with the colorful lingo. Poetic Justice has a lot to commend, but discipline is not high on the list. That flaw will be a major stumbling block toward wide appeal, and overseas prospects seem particularly remote." [14] Kenneth Turan of the Los Angeles Times called the film "a disappointement", but praised Singleton for his skills, and suggested: "A filmmaker who is adept at saying what’s on his mind, he will do better when he finds something he truly wants to say." [15] Peter Travers of Rolling Stone criticized the film for "wrong turns and right-minded preachiness", but praised the young director saying: "If Singleton, 25, stumbles, it is over ambition and not the complacency of a new Hollywood hotshot riding a trend." [16] Vincent Canby of The New York Times wrote: "Although its aspirations are high, the film works only fitfully when Mr. Singleton exercises his gift for vernacular speech, for finding the comic undertow in otherwise tragic situations, and even for parody." [17] Owen Gleiberman of Entertainment Weekly gave it a C− grade. [18] Richard Schickel of Time panned the film, saying: "What must be said is that the new movie is simply awful: poorly structured, vulgarly written, insipidly directed, monotonously performed." [19]

Despite the mixed reviews from contemporary film critics, the film has come to be considered one of Singleton's most enduring films. [20] [4]

Accolades

AwardCategoryNominee(s)ResultRef.
Academy Awards Best Original Song "Again"
Music and Lyrics by Janet Jackson,
Jimmy Jam and Terry Lewis 		Nominated [21]
ASCAP Film and Television Music Awards Most Performed Songs from Motion PicturesWon
Golden Globe Awards Best Original Song Nominated [22]
Golden Raspberry Awards Worst Actress Janet JacksonNominated [23]
Worst New Star Won
MTV Movie Awards Best Female Performance Won
Most Desirable Female Won
NAACP Image Awards Outstanding Actor in a Motion Picture Tupac Shakur Nominated
Outstanding Actress in a Motion Picture Janet JacksonNominated

Soundtrack

The soundtrack album was released on June 29, 1993, through Epic Soundtrax, and consisted of a blend of hip hop and R&B music. It peaked at number 23 on the Billboard 200 chart in the United States and was certified Gold by the Recording Industry Association of America on August 25, 1993. Three charting singles were released from the album: "Indo Smoke" by Mista Grimm, "Get It Up" by TLC, and "Call Me a Mack" by Usher Raymond. Recorded at Unique Recording Studios, New York City [24]

The soundtrack also has the Stevie Wonder song "Never Dreamed You'd Leave in Summer", a track that was originally on his 1970 album Where I'm Coming From . The song "Definition of a Thug Nigga", recorded by Tupac Shakur for the film, later appeared on his 1997 posthumous album R U Still Down? (Remember Me) .

Related Research Articles

<span class="mw-page-title-main">Tupac Shakur</span> American rapper (1971–1996)

Tupac Amaru Shakur, also known by his stage names 2Pac and Makaveli, was an American rapper and actor. Considered to be one of the greatest and most influential rappers of all time, academics regard him as one of the most influential music artists of the 20th century and a prominent political activist for Black America. In addition to his music career, Shakur also has tons of starring roles in movies and wrote numerous poems. Shakur is among the best-selling music artists, having sold more than 125 million records worldwide. His lyrical content has been noted for addressing social injustice, political issues, and the marginalization of other African-Americans, but he was also synonymous with gangsta rap and violent lyrics.

<span class="mw-page-title-main">John Singleton</span> American filmmaker (1968–2019)

John Daniel Singleton was an American director, screenwriter, and producer. He made his feature film debut writing and directing Boyz n the Hood (1991), for which he was nominated for the Academy Award for Best Director, becoming, at age 24, the first African American and youngest person to have ever been nominated for that award.

<i>Baby Boy</i> (film) 2001 film directed by John Singleton

Baby Boy is a 2001 American coming-of-age hood drama film directed, written, and produced by John Singleton and starring Tyrese Gibson, Snoop Dogg, Ving Rhames, Omar Gooding, A.J. Johnson and Taraji P. Henson. The film follows Joseph "Jody" Summers (Gibson), a 20-year-old bike mechanic as he lives and learns in his everyday life in the hood of Los Angeles.

<span class="mw-page-title-main">Jada Pinkett Smith</span> American actress (born 1971)

Jada Koren Pinkett Smith is an American actress, singer and talk show host. She is co-host of the Facebook Watch talk show Red Table Talk, for which she has won a Daytime Emmy Award. Time named her one of the 100 most influential people in the world in 2021.

<span class="mw-page-title-main">Afeni Shakur</span> American political activist (1947–2016)

Afeni Shakur Davis was an American political activist and member of the Black Panther Party. Shakur was the mother of rapper Tupac Shakur and the executor of his estate. She founded the Tupac Amaru Shakur Foundation and also served as the CEO of Amaru Entertainment, Inc., a record and film production company she founded.

<span class="mw-page-title-main">Omar Epps</span> American actor and musician

Omar Hashim Epps is an American actor, rapper, and producer. Epps's film roles include Juice, Higher Learning, The Wood, In Too Deep, and Love & Basketball. His television work includes the role of Dr. Dennis Gant on the medical drama series ER, J. Martin Bellamy in Resurrection, Dr. Eric Foreman on the Fox medical drama series House from 2004 to 2012, and Isaac Johnson in the TV series Shooter from 2016 to 2018. He has been awarded nine NAACP Image Awards, two Teen Choice Awards, one MTV Movie Award, one Black Reel Award, and one Screen Actors Guild Award.

<i>Menace II Society</i> 1993 film by the Hughes Brothers

Menace II Society is a 1993 American teen crime drama film directed by the Hughes Brothers in their directorial debut. Set in the Watts and Crenshaw neighborhoods of Los Angeles, the film follows the life of Caine Lawson and his close friends. It gained notoriety for its scenes of violence, profanity, and drug-related content, and also received critical acclaim for the performances of Turner, Jada Pinkett, and Larenz Tate, the direction, and its realistic portrayal of urban violence and powerful underlying messages.

<i>Janet</i> (album) 1993 studio album by Janet Jackson

Janet is the fifth studio album by American singer Janet Jackson. It was released on May 18, 1993, by Virgin Records America. Prior to its release, Jackson was at the center of a high-profile bidding war over her recording contract. In 1991, her original label A&M sought to renew her contract, while others, such as Atlantic, Capitol, and Virgin all vied to sign her. After meeting with Virgin owner Richard Branson, she signed with the label. The contract was worth an estimated $40 million, making her the world's then-highest paid musical act. Janet marks Jackson's second eponymous record after her debut studio album, Janet Jackson (1982).

<span class="mw-page-title-main">Again (Janet Jackson song)</span> 1993 single by Janet Jackson

"Again" is a song by American singer and songwriter Janet Jackson from her fifth album, Janet (1993). The song was also included as the closing song to the 1993 film Poetic Justice. Written and produced by Jackson and Jimmy Jam and Terry Lewis, the ballad was released as the album's third single on October 12, 1993, by Virgin Records, and talks about the reconnection with an old lover. Originally an experimental sound Jam and Lewis was considering for the album, they did not give the song serious contemplation until the film producers from Poetic Justice requested a ballad for the soundtrack.

<span class="mw-page-title-main">Any Time, Any Place</span> 1994 single by Janet Jackson

"Any Time, Any Place" is a song by American singer-songwriter Janet Jackson from her fifth studio album, Janet (1993). It was written and produced by Jackson along with production duo Jimmy Jam and Terry Lewis, and released as the album's fifth single on May 11, 1994, by Virgin Records. A remix produced by R. Kelly was also released. "Any Time, Any Place" reached number two on the US Billboard Hot 100 and became another R&B chart-topper for Jackson. She has performed the song on several of her tours.

Maia Campbell is an American actress known for her role as Nicole on the 1994 Fox comedy-drama series South Central and her portrayal of Tiffany Warren in the NBC/UPN sitcom In the House for five seasons (1995–1999).

<i>Gridlockd</i> 1997 film by Vondie Curtis-Hall

Gridlock'd is a 1997 American black comedy crime film written and directed by Vondie Curtis-Hall, and starring Tupac Shakur, Tim Roth, Lucy Liu and Thandiwe Newton. It was the directorial debut of Curtis-Hall, who also has a small role in the film. The film's opening was relatively low, despite critical acclaim; its opening weekend netted only $2,678,372 and it finished with a little over $5.5 million. Shakur died four months before the film's release.

<i>Poetic Justice</i> (soundtrack) 1993 soundtrack album by various artists

Music from the Motion Picture Poetic Justice is the soundtrack to John Singleton's 1993 film Poetic Justice. It was released on June 29, 1993, through Epic Soundtrax, and consisted of a blend of hip hop and R&B music. The album peaked at number 23 on the Billboard 200 chart in the United States and was certified Gold by the Recording Industry Association of America on August 25, 1993.

<span class="mw-page-title-main">Holler If Ya Hear Me</span> 1993 single by 2Pac

"Holler If Ya Hear Me" is a song by American rapper 2Pac from his second solo studio album, Strictly 4 My N.I.G.G.A.Z. (1993). It was released on February 4, 1993 as the album's lead single. The track is an anthem of resistance. Frustrations with black poverty, police injustice, and Tupac's perceived persecution from political figure Dan Quayle fuel the majority of the track. The song is autobiographical in nature, referring to various traumas experienced by Tupac himself, and the editor of Vibe was quoted in Time magazine as stating that the song struck a chord with a large section of disaffected youth.

<span class="mw-page-title-main">Backup dancer</span> Performer who dances with or behind the lead performer

A backup dancer also known as background dancer is a performer who dances with or behind the lead performers in a live musical act or in a music video. Their movements improve the visual aesthetics of the lead performer, and provide a symmetry and rhythm to accompany the music.

<i>Straight Outta Compton</i> (film) 2015 film directed by F. Gary Gray

Straight Outta Compton is a 2015 American epic biographical drama film that depicts the rise and fall of the hip hop group N.W.A under the management of Jerry Heller. It was directed by F. Gary Gray, from a screenplay by Jonathan Herman and Andrea Berloff and story written by executive producers S. Leigh Savidge and Alan Wenkus. Co-produced by former members Ice Cube and Dr. Dre, Eazy-E's widow Tomica Woods-Wright, Gray, Matt Alvarez and Scott Bernstein, with MC Ren and DJ Yella serving as creative consultants, the film stars O'Shea Jackson Jr. as his father Ice Cube, alongside Corey Hawkins, Jason Mitchell, Neil Brown Jr. and Aldis Hodge as Dr. Dre, Eazy-E, MC Ren and DJ Yella, respectively, and Paul Giamatti as Heller. Rounding out the rest of the ensemble cast include Marlon Yates Jr, R. Marcos Taylor, LaKeith Stanfield, Alexandra Shipp and Keith Powers.

<span class="mw-page-title-main">Janet Jackson filmography</span>

American recording artist Janet Jackson has appeared in various films and television shows. She began her career as a child star in the sitcoms Good Times, CHiPsDiff'rent Strokes, and Fame. Jackson then starred in her debut film Poetic Justice (1993), directed by John Singleton. She portrayed Justice, who copes with her mother's suicide and boyfriend's murder through writing poetry. It opened at number one at the box office and has been considered iconic within popular culture. Throughout the decade, Jackson was initially cast in leading roles in several films, including Jerry Maguire (1996), The Matrix (1999), Scream 3 (2000), and X-Men (2000), but was unable to proceed with filming due to scheduling conflicts while touring. Additionally, she was considered for the role of Lena Horne, but was asked to step down, following the Super Bowl controversy. She was also set to star in Valley of the Dolls, Newlyweds, and Tennessee, but could not commit to those acting roles due to focusing on her music career.

<i>Notorious</i> (2009 film) 2009 film about the Notorious B.I.G.

Notorious is a 2009 American biographical drama film directed by George Tillman Jr. and written by Reggie Rock Bythewood and Cheo Hodari Coker. It is based on the life of Brooklyn-based hip-hop artist The Notorious B.I.G. Much of the film dramatizes key events in Biggie's life: his criminal lifestyle, arrest and release from prison, his relationships with Sean Combs, Tupac Shakur, Lil' Kim and Faith Evans, his involvement in the East Coast–West Coast hip hop rivalry and his drive-by-shooting murder on March 9, 1997. The film stars Jamal Woolard as Wallace, with Angela Bassett, Derek Luke, and Anthony Mackie in supporting roles. Biggie's mother, Voletta, served as a producer for the film, alongside his former managers Wayne Barrow and Mark Pitts.

<i>All Eyez on Me</i> (film) 2017 film by Benny Boom

All Eyez on Me is a 2017 American biographical drama film directed by Benny Boom. Titled after the 1996 studio album, as well as the song of the same name, it is based on the life and death of the titular American rapper Tupac Shakur. The film stars Demetrius Shipp Jr. as Tupac, with Kat Graham, Lauren Cohan, Hill Harper, and Danai Gurira. Jamal Woolard reprises his role as Christopher "Biggie Smalls" Wallace / The Notorious B.I.G. from Notorious (2009).

<i>City of Lies</i> 2018 crime film directed by Brad Furman

City of Lies is a 2018 crime thriller film about the investigations by the Los Angeles Police Department of the murders of rappers Tupac Shakur and the Notorious B.I.G. It is directed by Brad Furman, with a screenplay by Christian Contreras based on the non-fiction book LAbyrinth by Randall Sullivan. The film stars Johnny Depp as retired LAPD detective Russell Poole and Forest Whitaker as journalist Jack Jackson, with Rockmond Dunbar and Neil Brown Jr. also starring.

References

  1. 1 2 "Poetic Justice (1993) - Financial Information". The Numbers .
  2. 1 2 "Poetic Justice". Box Office Mojo .
  3. 1 2 3 Ade-Brown, Lathleen (July 23, 2013). "EXCLUSIVE: John Singleton on the 20th Anniversary of 'Poetic Justice,' Working with Janet Jackson and Tupac". Essence . Retrieved July 26, 2013.
  4. 1 2 Roberts, Amy (February 17, 2017). "You Need To Rewatch These '90s Cult Classics". Bustle . Retrieved October 15, 2019.
  5. ↑ Archerd, Army; Ayscough, Suzan (August 9, 1993). "'Poetic' violence surfaces". Variety . p. 11.
  6. ↑ Fox, David J. (July 27, 1993). "Weekend Box Office : 'Poetic' Finds Its Place in Line". Los Angeles Times . Archived from the original on March 3, 2016. Retrieved January 12, 2011.
  7. ↑ Fox, David J. (August 2, 1993). "'Sun' Rises Over 'Justice'". Los Angeles Times . Archived from the original on November 2, 2012. Retrieved October 2, 2010.
  8. ↑ Fox, David J. (July 26, 1993). "Poetic' Finds Justice at Box Office". Los Angeles Times . Archived from the original on November 3, 2012. Retrieved October 26, 2010.
  9. ↑ "Crix' picks". Variety . p. 18.[ failed verification ]
  10. ↑ "Poetic Justice". Rotten Tomatoes . Retrieved March 2, 2022.
  11. ↑ "Poetic Justice". Metacritic .
  12. ↑ "POETIC JUSTICE (1993) B+". CinemaScore . Archived from the original on December 20, 2018.
  13. ↑ Roger Ebert (July 23, 1993). "Poetic Justice". Chicago Sun Times . Retrieved April 2, 2022.Star full.svgStar full.svgStar full.svgStar empty.svg
  14. ↑ Klady, Leonard (July 20, 1993). "Poetic Justice". Variety . Retrieved February 3, 2022.
  15. ↑ Turan, Kenneth (July 23, 1993). "Movie Reviews : 'Poetic Justice': Traveling on a Bumpy Road". Los Angeles Times . ISSN   0458-3035 . Retrieved April 2, 2022.
  16. ↑ Peter Travers (July 23, 1993). "Poetic Justice". Rolling Stone . Archived from the original on October 22, 2018. Retrieved February 23, 2022.
  17. ↑ Canby, Vincent (July 23, 1993). "Review/Film: Poetic Justice; On the Road To Redemption". The New York Times. Retrieved February 3, 2022.
  18. ↑ Gleiberman, Owen (July 23, 1993). "Poetic Justice". Entertainment Weekly . Retrieved April 2, 2022.
  19. ↑ Schickel, Richard (July 26, 1993). "Love N The Hood". Time .
  20. ↑ Williams, Stereo (February 3, 2019). "John Singleton on That Tupac AIDS Test: 'That Was a Joke!'". www.thedailybeast.com. Retrieved October 15, 2019.
  21. ↑ "The 66th Academy Awards (1994) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on July 6, 2011. Retrieved October 22, 2011.
  22. ↑ "Poetic Justice". Golden Globe Awards . Retrieved July 5, 2021.
  23. ↑ "14th Annual Golden Raspberry Awards". Golden Raspberry Awards. Archived from the original on February 17, 2010. Retrieved October 31, 2016.
  24. ↑ Unique Recording Studios (April 10, 2014). "Poetic Justice". Facebook. Archived from the original on February 26, 2022. Retrieved May 24, 2021.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.