I Like It Like That (film)

Last updated

I Like It Like That
Ilikeitlikethatposter.jpg
Theatrical release poster
Directed by Darnell Martin
Written byDarnell Martin
Produced byAnn Carli
Victor De Jesus
Wendy Finerman
Lane Janger
Stephen Lloyd
Diana Phillips
Tracy Leigh Vilar
Starring Lauren Velez
Jon Seda
Rita Moreno
Griffin Dunne
Cinematography Alexander Gruszynski
Edited byPeter C. Frank
Music by Sergio George
Distributed by Columbia Pictures
Release date
  • October 14, 1994 (1994-10-14)
Running time
104 minutes
CountryUnited States
LanguageEnglish
Box office$1.76 million

I Like It Like That is a 1994 American comedy-drama film about the trials and tribulations of a young Puerto Rican couple living in a poverty-stricken New York City neighborhood in the South Bronx. The film stars Lauren Velez, Jon Seda, Lisa Vidal, Griffin Dunne, Jesse Borrego and Rita Moreno, and was written and directed by Darnell Martin who, in her filmmaking debut, became the first African-American female filmmaker to take helm of a film produced by a major film studio.

Contents

The film was screened in the Un Certain Regard section at the 1994 Cannes Film Festival. [1]

Plot

Lisette Linares is a young mother of three children and married to Chino, a bicycle messenger. Although he is always reliable as the breadwinner of the family, Chino is having an affair with their lustful neighbor, Magdalena. One summer evening, as a blackout sweeps the neighborhood, Chino gets arrested for looting.

Now faced with the reality of keeping her family together while the main breadwinner is in jail, Lisette, encouraged by her transgender sister Alexis, decides to give her dream of becoming a print model a chance. As she happens to be in the right place at the right time, Lisette lands a job as the personal assistant to a major record label producer, Stephen Price, who is trying to sign a major Latin music group, the Mendez Brothers (played by the real-life group the Barrio Boyzz). Chino is then released from prison by Magdalena and her father. She then claims Chino fathered her son, Ritchie. Lisette hits rock bottom as a result of this and moves in with Alexis. At her new job, while having sex with Price, he answers a number of phone calls, frustrating Lisette. The next day, Chino tries to go back to his job, but he is fired due to his criminal record. Lisette then confronts Chino to prove that she had sex with another man to get even with him.

While Chino is taking the kids out for ice cream, his extremely rebellious son, Li'l Chino, asks if he could buy ice cream, but Chino tells him that he needs to work in order to buy things. His son then shows him money so Chino allows him to buy the ice cream; when Minnie, his younger daughter, notices that he is wearing new sneakers and pants, Chino realizes that his son has become a drug dealer. Chino furiously lashes out at his son, pushing him towards a mural with a picture of his uncle Hector (Chino's brother) on it, who was a police officer killed by a drug dealer. He whips his son in front of the whole block while his son's friends laugh at him. Alexis notices the commotion and tries to stop him.

Alexis then points out that his son is just a little boy and pulls him away, but Li'l Chino runs away. The kids are still laughing and continue to insult Lil' Chino as weak. An infuriated Chino then beats a kid from the crowd and whips him. The drug dealer attempts to draw a gun, but Chino manages to disarm him, while fellow neighbors help Chino whip the boy. Li'l Chino is then found sitting in front of Alexis' apartment door. He tells Lisette that he wants to stay with her, but she rejects him, believing that he will still be disrespectful toward her. Chino then finds Li'l Chino and takes him home. Back at the apartment, Chino and his friend Angel put his and Lisette's youngest son, Pee-Wee, to bed. When Angel reveals that he is Ritchie's actual father, Chino is angered that Magdalena has played him the whole time. Alexis and Lisette have a discussion about the kids, where Alexis points out that Lisette is just like their own estranged mother. She denies this and Alexis changes and leaves to visit their mother.

When Alexis arrives over there, her mother opens the door and reacts disgustedly to Alexis' appearance. Alexis tries her hardest to make amends with her mother; when her father comes out of his room to check on the noise, he reacts with an aggressive look on his face. Back at Alexis' apartment, Lisette hears the door open and notices that Alexis has returned. When Lisette comes to check on Alexis, she notices her face is injured and asks what happened, but Alexis tells her that she was right about their mother still being unsupportive of Alexis' transgender identity.

The next day at work, Price wants to have sex again, but she tries to reject him. He stops when Lisette tells him he's "not a sexual person", and the two begin to argue, which results in her nearly quitting. They resolve to continue their working relationship. Lisette arrives back at the apartment. She tries to talk to her children and asks for their forgiveness, mostly from Li'l Chino, which he does finally give. Chino arrives later from his new job as a security officer. Both discuss the many flaws in their marriage, hash their infidelities out, and Chino finally tells Lisette the truth about Magdalena's baby daddy. The scene ends with Lisette throwing a pillow at Chino, saying that he never thinks about "the other person", to which he then puts the pillow back under her head and replies, "Good night, other person", despite it being morning already. Lisette lies on the sofa with a smile on her face.

In a mid-credits scene, Lisette, Chino, and their children go to Coney Island while the Mendez Brothers film a music video for their cover of "Try A Little Tenderness". Lisette and Chino appear to have reconciled their relationship and are seen riding a Ferris wheel, slow dancing, and falling asleep on the train as the family rides back to the Bronx.

Cast

Reception

On Rotten Tomatoes the film has an approval rating of 89% based on 70 reviews. [2] The site’s critics consensus states, "A richly textured romantic comedy, I Like It Like That draws on a smart script and spirited performances to tell a refreshingly original story." [2]

Roger Ebert gave the film 3 out of 4 stars and said of the film: "I Like It Like That looks more unconventional than it is, but Martin puts a spin on the material with lots of human color and high energy." [3]

Year-end lists

Related Research Articles

<i>EDtv</i> 1999 film by Ron Howard

EDtv is a 1999 American satirical comedy film directed by Ron Howard. An adaptation of the Quebecois film Louis 19, King of the Airwaves (1994), it stars Matthew McConaughey, Jenna Elfman, Woody Harrelson, Ellen DeGeneres, Martin Landau, Rob Reiner, Sally Kirkland, Elizabeth Hurley, Clint Howard, and Dennis Hopper.

<i>Whats Eating Gilbert Grape</i> 1993 American film

What's Eating Gilbert Grape is a 1993 American coming-of-age drama film directed by Lasse Hallström, and starring Johnny Depp, Juliette Lewis, Mary Steenburgen, Leonardo DiCaprio and John C. Reilly. The film follows the story of Gilbert, a 25-year-old grocery store clerk who is caring for his morbidly obese mother, as well as his autistic younger brother, Arnie. The film takes place in the fictional rural town of Endora, Iowa.

<i>Spike of Bensonhurst</i> 1988 film by Paul Morrissey

Spike of Bensonhurst is a 1988 American comedy drama mafia film written and directed by Paul Morrissey and starring Sasha Mitchell. The film also features Ernest Borgnine, Maria Pitillo, and Talisa Soto. It was released in the United States on November 11, 1988 after it premiered at the Toronto International Film Festival. In the United Kingdom and other countries, the film was released with the title Mafia Kid.

<span class="mw-page-title-main">Shelley Duvall</span> American actress (born 1949)

Shelley Alexis Duvall is an American actress known for her portrayal of distinctive, often eccentric characters. She is the recipient of several accolades, including a Cannes Film Festival Award and a Peabody Award and nominations for a British Academy Film Award and two Primetime Emmy Awards.

<i>The Mother</i> (2003 film) 2003 British film

The Mother is a 2003 British drama film directed by Roger Michell and written by Hanif Kureishi. It stars Anne Reid, Daniel Craig, Peter Vaughan, Steven Mackintosh, and Cathryn Bradshaw.

<i>Marie Christine</i> Musical

Marie Christine is a musical with music, lyrics, and book by Michael John LaChiusa. It opened on Broadway in 1999. Set in 1890s New Orleans and then 5 years later in Chicago; the story is loosely based on the Greek play Medea, and uses elements of voodoo rituals and practices. The title character was based in part on the historical figure of Marie Laveau – specifically, her daughter, who took the same name – and the myths surrounding them.

<i>La rondine</i> Opera in three acts by Giacomo Puccini

La rondine is an opera in three acts by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on a libretto by Alfred Maria Willner and Heinz Reichert. It was first performed at the Grand Théâtre de Monte Carlo in Monte Carlo on 27 March 1917.

<i>The Pallbearer</i> 1996 film directed by Matt Reeves

The Pallbearer is a 1996 American romantic comedy film co-written and directed by Matt Reeves in his directorial debut and starring David Schwimmer, Gwyneth Paltrow, Toni Collette, Michael Vartan, Michael Rapaport, and Barbara Hershey. It was screened in the Un Certain Regard section at the 1996 Cannes Film Festival.

<i>Ruby in Paradise</i> 1993 film

Ruby in Paradise is a 1993 film written and directed by Victor Nunez, starring Ashley Judd, Todd Field, Bentley Mitchum, Allison Dean, and Dorothy Lyman. An homage to Northanger Abbey by Jane Austen, the film is a character study about a young woman who escapes her small town in Tennessee for a new life in coastal Florida. The film marks Judd’s first starring role.

<i>Ali: Fear Eats the Soul</i> 1974 film

Ali: Fear Eats the Soul is a 1974 West German drama film written and directed by Rainer Werner Fassbinder, starring Brigitte Mira and El Hedi ben Salem. The film won the International Federation of Film Critics award for best in-competition movie and the Prize of the Ecumenical Jury at the 1974 Cannes Film Festival. It is considered to be one of Fassbinder's most powerful works and is hailed by many as a masterpiece.

<i>LEclisse</i> 1962 Italian film

L'Eclisse is a 1962 Italian romantic drama film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). Antonioni attributed some of his inspiration for L'Eclisse to when he filmed a solar eclipse in Florence. The film is considered the last part of a trilogy and is preceded by L'Avventura (1960) and La Notte (1961).

<i>Eternity and a Day</i> 1998 film directed by Theodoros Angelopoulos

Eternity and a Day is a 1998 Greek drama film directed by Theo Angelopoulos, and starring Bruno Ganz, Isabelle Renauld and Fabrizio Bentivoglio.

<i>Greedy</i> (film) 1994 film by Jonathan Lynn

Greedy is a 1994 American comedy film directed by Jonathan Lynn, written by Lowell Ganz and Babaloo Mandel, and starring Michael J. Fox, Kirk Douglas, Nancy Travis, Olivia d'Abo, Phil Hartman, Ed Begley Jr., and Colleen Camp. It tells the story of an aging wheelchair-using scrap metal tycoon whose younger relatives compete to get the inheritance when he dies.

<i>Las vías del amor</i> Television series

Las vías del amor is a Mexican telenovela produced by Emilio Larrosa for Televisa in 2002.

<i>Vecinos</i> Mexican television series (2005–)

Vecinos is a Mexican television series created by Eugenio Derbez, based on Spanish television series Aquí no hay quien viva. It premiered on Las Estrellas on July 10, 2005. The series portrays the life of everyday people in Mexican barrios, where anything can be found — the jealous housewife, the spinster, the strange family, etc. Each episode features the interactions between these peculiar neighbors, where they deal with problems both real and imagined, such as ghosts, treasures, ripoffs, fights, etc.

<i>Ladybird, Ladybird</i> (film) 1994 British film

Ladybird, Ladybird is a 1994 British drama film directed by Ken Loach, starring Crissy Rock and Vladimir Vega. The film received positive reviews from critics, and Rock won the Silver Bear for Best Actress award at the 44th Berlin International Film Festival.

<i>My Favorite Season</i> 1993 French film

My Favorite Season is a 1993 French drama film directed by André Téchiné, co-written by Téchiné and Pascal Bonitzer, and starring Catherine Deneuve, Daniel Auteuil, and Marthe Villalonga. The story concerns a middle-aged brother and sister who resume their fragile relationship when they are forced to care for their ailing mother. It won Best Foreign Language Film at the 1996 Boston Society of Film Critics Awards.

<i>Late Marriage</i> 2001 film by Dover Kosashvili

Late Marriage is a 2001 Israeli film directed by Dover Kosashvili. The film centers on Zaza, the 31-year-old child of tradition-minded Georgian Jewish immigrants who are anxiously trying to arrange a marriage for him. Unbeknownst to them, he is secretly dating a 34-year-old divorcée, Judith. When his parents discover the relationship and violently intervene, Zaza must choose between his family traditions and his love.

<i>Tigers Are Not Afraid</i> 2017 Mexican film directed by Issa López

Tigers Are Not Afraid is a 2017 Mexican fantasy crime horror film, with elements of magical realism, written and directed by Issa López. The film is produced by Marco Polo Constandse, under the banner of Filmadora Nacional, and Peligrosa. The film stars Paola Lara, Juan Ramón López, Ianis Guerrero, Rodrigo Cortes, Hanssel Casillas, Nery Arredondo, and Tenoch Huerta. The film has received critical acclaim.

<i>Vortex</i> (2021 film) 2021 film

Vortex is a 2021 avant-garde psychological drama film written and directed by Gaspar Noé. It stars Dario Argento as a father and author, in his first leading role, alongside Françoise Lebrun as his wife, and Alex Lutz as their son, Stéphane. The film deals with the themes of the human condition and personal problems, uses a slow, minimal cinematic approach and is almost defiantly restrained: a pockmarked, faded palette of the frame, deaf voices, and the use of low-frequency background sound.

References

  1. "Festival de Cannes: I Like It Like That". festival-cannes.com. Retrieved August 30, 2009.
  2. 1 2 I Like It Like That at Rotten Tomatoes
  3. Ebert, Roger (October 14, 1994). "I Like It Like That". Chicago Sun-Times . RogerEbert.com. Retrieved April 1, 2020.
  4. Strauss, Bob (December 30, 1994). "At the Movies: Quantity Over Quality". Los Angeles Daily News (Valley ed.). p. L6.
  5. Persall, Steve (December 30, 1994). "Fiction': The art of filmmaking". St. Petersburg Times (City ed.). p. 8.
  6. Maslin, Janet (December 27, 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved July 19, 2020.
  7. P. Means, Sean (January 1, 1995). "'Pulp and Circumstance' After the Rise of Quentin Tarantino, Hollywood Would Never Be the Same". The Salt Lake Tribune (Final ed.). p. E1.
  8. Mills, Michael (December 30, 1994). "It's a Fact: 'Pulp Fiction' Year's Best". The Palm Beach Post (Final ed.). p. 7.