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Preaching chords are blues/gospel-inspired chords played on a Hammond organ or piano, and many times with a drum set as well, near the end of a pastor or minister's sermon to accentuate, emphasize, and respond to them in a musical way. Like the related tradition of sermonic "whooping", these chords are most often used in the Black Church and Pentecostal traditions.
References
- ↑ Albert Raboteau, A Fire in the Bones, Reflections on African-American Religious History (1995), pp. 143–44
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(September 2008) |
- Hubbard, Don (1996). The Sermon and the African American Literary Imagination, University of Missouri Press, ISBN 0-8262-1087-2
- LaRue, Cleophus J. (1999). The Heart Of Black Preaching, John Knox Press, ISBN 0-664-25847-6
- Lyndrey A. Niles, "Rhetorical Characteristics of Traditional Black Preaching", Journal of Black Studies, Vol. 15, No. 1, Sep., 1984, pp. 41–52.
- Mitchell, Henry H. (1990). Black Preaching: The Recovery of a Powerful Art, Abingdon Press, ISBN 0-687-03614-3
- Mitchell, Henry H. (2004). Black Church Beginnings: The Long-Hidden Realities of the First Years, Wm. B. Eerdmans Pub., ISBN 0-8028-2785-3
- Moyd, Olin P. (1995). The Sacred Art: Preaching & Theology in the African American Tradition, Judson Press, ISBN 0-8170-1220-6
- Walter Pitts, "West African Poetics in the Black Preaching Style", American Speech, Vol. 64, No. 2 (Summer, 1989), pp. 137–149.