Authenticity is a concept of personality in the fields of psychology, existential psychotherapy, existentialist philosophy, and aesthetics. In existentialism, authenticity is the degree to which a person's actions are congruent with their values and desires, despite external pressures to social conformity. The conscious self comes to terms with the condition of Geworfenheit , of having been thrown into an absurd world (without values and meaning) not of their own making, thereby encountering external forces and influences different from and other than the Self. [2] A person’s lack of authenticity is considered bad faith in dealing with other people and with one's self; thus, authenticity is in the instruction of the Oracle of Delphi: “Know thyself.” [3] Concerning authenticity in art, the philosophers Jean Paul Sartre and Theodor Adorno held opposing views and opinions about jazz, a genre of American music; Sartre said that jazz is authentic and Adorno said that jazz is inauthentic. Many musical subcultures require artistic authenticity, lest the community consider an artist to be a poseur for lacking authenticity (creative, musical, or personal); [4] artistic authenticity is integral to many genres of music, including but not limited to genres of rock (such as punk rock and heavy metal), club music (such as house and techno), and hip-hop. [5]
In the 18th century, Romantic philosophers recommended intuition, emotion, and a connection to Nature as the necessary counterbalances to the intellectualism of the Age of Enlightenment. [6] [ clarification needed ] In the 20th century, Anglo–American preoccupations with authenticity centered on the writings of existentialist philosophers whose native tongue is not English; therefore, the faithful, true, and accurate translation of the term existentialism was much debated, to which end the philosopher Walter Kaufmann assembled a canon of existentialist philosophers. Kaufmann's canon includes the Dane Søren Kierkegaard (1813–1855), the German Martin Heidegger (1889–1976), and the Frenchman Jean-Paul Sartre (1905–1980). For these existentialists, the conscious Self comes to terms with existence (being and living) in an absurd, materialist world featuring external forces, e.g. Geworfenheit (Thrown-ness), and intellectual influences different from and other than the Self.
Personal authenticity is exhibited in how a person acts and changes in response to the external world's influences upon the Self. Among artists, authenticity in art describes a work of art faithful to the artist's values. [7] In the field of psychology, authenticity identifies a person living life in accordance with their true Self and personal values rather than according to the external demands of society, such as social conventions, kinship, and duty. [8]
To identify, describe, and define authenticity, existential philosophers like Kierkegaard, Nietzsche, and Martin Heidegger investigated the existential and ontological significance of the social constructs that compose the norms of society. For a journalist, not blindly accepting social norms contributes to producing intellectually authentic reportage, achieved by the reporter choosing to be true to their professional ethics and personal values. Yet, in the praxis of journalism, the reporter’s authenticity (professional and personal) is continually contradicted by the business requirements of corporate publishing. [9]
According to Kierkegaard, personal authenticity depends upon a person finding an authentic faith and, in so doing, being true to themselves.[ clarification needed ] Moral compromises inherent to the ideologies of bourgeois society and Christianity challenge the personal integrity of a person who seeks to live an authentic life as determined by the self. [10] A mass-culture society[ definition needed ] diminishes the significance of personal individuality, by way of social “levelling” through news media that provide people with beliefs and opinions constructed by someone other than themselves. A person can attain authentic faith by facing reality and choosing to live according to the facts of the material world,[ dubious – discuss ] or can deny authentic faith by passively accepting religious faith. [10] Kierkegaard’s philosophy shows that personal authenticity is a personal choice based upon the experience of the real world; [10] in Practice in Christianity (1850), Kierkegaard wrote:
Therefore, it is a risk to preach, for as I go up into that holy place — whether the church is packed or as good as empty, whether I, myself, am aware of it or not, I have one listener more than can be seen, an invisible listener, God in heaven, whom I certainly cannot see, but who truly can see me.... Truly, it is a risk to preach! Most people, no doubt, have the idea that stepping out on the stage as an actor to venture into the danger of having all eyes focused on one requires courage. Yet, in one sense, this danger, like everything on the stage, is an illusion because the actor, of course, is personally outside it all; his task is precisely to deceive, to dissemble, to represent someone else, and to reproduce, accurately, someone else’s words. On the other hand, the proclaimer of Christian truth steps forward into a place where, even if the eyes of all are not focused on him, the eye of an omniscient one is. His task is: to be himself, and in a setting, God’s house, which, all eyes and ears, requires only one thing of him — that he should be himself, be true. That he should be accurate, that is, that he, himself, should be what he proclaims [to be], or at least strive to be that, or at least be honest enough to confess, about himself, that he is not that.... How risky it is to be the I who preaches, the one speaking, an I who, by preaching and as he preaches, commits himself unconditionally, displays his life so that, if possible, one could look directly into his soul — to be this I, that is risky!
— Søren Kierkegaard, Practice in Christianity (1850) pp. 234–235
Personal authenticity can be achieved—without religion, which requires accepting pre-determined virtues (eternal valuations) as unquestionably true. In living authentically, a person elevates himself/herself above the mass culture to transcend the limits of conventional morality, thereby personally determining what is and what is not good and bad, without the pre-determined virtues of conformity “on account of which we hold our grandfathers in esteem”. An authentic life is achieved by avoiding the “herding animal morality”. [11] To “stand alone [is to be] strong and original enough to initiate opposite estimates of value, to transvaluate and invert ‘eternal valuations’”. [11] Common to the existential perspectives of Kierkegaard and Nietzsche are “the responsibilities they place on the individual to take an active part in the shaping of one’s beliefs, and then to be willing to act on that belief”. [10]
It is difficult to describe authenticity intelligibly. One possibility is to describe instead the negative space surrounding the condition of being inauthentic by giving examples. [12] To that end, the novels of Jean-Paul Sartre make authenticity conceptually intelligible through the stories of anti-heroic characters, people who base their actions upon external, psychological pressures — such as the social pressure to appear to be a certain kind of person; the pressure to adopt a given way of life; and the pressure to prostitute personal integrity (moral values and aesthetic standards) in exchange for the comfort (physical, mental, and moral) of social conformity. The novelist Sartre explains existential philosophy through characters who do not understand their reasoning for acting as they do—people who ignore crucial facts about their own lives to avoid learning about being an inauthentic person with an identity defined from outside the self.
Absolute freedom is the vertiginous experience necessary for being authentic, yet such freedom can be so unpleasant as to impel people to choose an inauthentic life. As an aspect of authenticity, absolute freedom determines a person’s relation with the real world, a relation not based upon or determined by a system of values or an ideology. In this manner, authenticity is connected with creativity, and the will to act must be born of the actor. In that vein, Heidegger speaks of absolute freedom as modes of living determined by personal choice. Sartre identified, described, and explained what is an inauthentic existence, not to define what is an authentic mode of living. [13]
Erich Fromm proposed a very different definition of authenticity in the mid-twentieth century. [14] He considered behavior of any kind, even that wholly in accord with societal mores, to be authentic if it results from personal understanding and approval of its drives and origins, rather than merely from conformity with the received wisdom of the society. Thus, a Frommean authentic may behave consistently in accord with cultural norms, if those norms appear on consideration to be appropriate, rather than simply in the interest of conforming with current norms. Fromm thus considers authenticity to be a positive outcome of enlightened and informed motivation, rather than a negative outcome of rejection of the expectations of others. He described the latter condition – the drive primarily to escape external restraints typified by the "absolute freedom" of Sartre – as "the illusion of individuality", [15] as opposed to the genuine individuality that results from authentic living.
Some genres of rock music, especially the subcultures of punk and heavy metal, require a great deal of artistic authenticity from its musicians and fans and criticize and exclude musicians, composers, and bands they assess as being poseurs — insufficiently authentic or inauthentic as artists. [4] A poseur is an artist or a musical band who copies the dress, the style of speech, and the manners of the subculture, yet is excluded for not understanding the artistic philosophy, not understanding the sociology, and not understanding the value system of the subculture; talking the talk, without walking the walk. [16]
The authenticity of an artist has three bases: (I) long-term dedication to the music scene; (II) historical knowledge of the subculture; and (III) personal integrity (inner voice) for correct artistic choices. [17] At one extreme of the heavy-metal genre, exists the subgenre of black metal whose adherents value above all else, artistic authenticity, emotional sincerity, and extremity of expression. Black metal artists emphatically profess that black metal performances are not for entertainment or spectacle, but rather that the extreme expression of such performances, are ritual expression, achieved through transcendence of the body and the self. [18] In light of such systems of moral value in the arts, a working-class band, by accepting a formal recording contract, might appear to be sell outs within the heavy metal and punk rock communities. [5] The academic Deena Weinstein said that “The code of authenticity, which is central to the heavy metal subculture, is demonstrated in many ways”, such as by clothing, an emotional singing voice, and thematic substance to the songs. [16]
The philosopher Jacob Golomb argues that existential authenticity is a way of life incompatible with a system of moral values that comprehends all persons. [19] [ further explanation needed ]
Angst is a feeling of anxiety, apprehension, or insecurity. Anguish is its Latinate equivalent, and the words anxious and anxiety are of similar origin.
Existentialism is a family of views and forms of philosophical inquiry that explore the existence of the human individual and conclude that, despite the absurdity or incomprehensibility of the universe, individuals must still embrace responsibility for their actions and strive to lead authentic lives. In examining meaning, purpose, and value, existentialist thought often includes concepts such as existential crises, angst, courage, and freedom.
Absurdism is the philosophical theory that the universe is irrational and meaningless. It states that trying to find meaning leads people into conflict with a seemingly meaningless world. This conflict can be between rational man and an irrational universe, between intention and outcome, or between subjective assessment and objective worth, but the precise definition of the term is disputed. Absurdism claims that, due to one or more of these conflicts, existence as a whole is absurd. It differs in this regard from the less global thesis that some particular situations, persons, or phases in life are absurd.
Christian existentialism is a theo-philosophical movement which takes an existentialist approach to Christian theology. The school of thought is often traced back to the work of the Danish philosopher and theologian Søren Kierkegaard (1813–1855) who is widely regarded as the father of existentialism.
Existential humanism is humanism that validates the human subject as struggling for self-knowledge and self-responsibility.
Bad faith is a sustained form of deception which consists of entertaining or pretending to entertain one set of feelings while acting as if influenced by another. It is associated with hypocrisy, breach of contract, affectation, and lip service. It may involve intentional deceit of others, or self-deception.
Existential phenomenology encompasses a wide range of thinkers who take up the view that philosophy must begin from experience like phenomenology, but argues for the temporality of personal existence as the framework for analysis of the human condition.
Nausea is a philosophical novel by the existentialist philosopher Jean-Paul Sartre, published in 1938. It is Sartre's first novel.
Feminism is a collection of movements aimed at defining, establishing, and defending equal political, economic, and social rights for women. Existentialism is a philosophical and cultural movement which holds that the starting point of philosophical thinking must be the individual and the experiences of the individual, that moral thinking and scientific thinking together are not sufficient for understanding all of human existence, and, therefore, that a further set of categories, governed by the norm of authenticity, is necessary to understand human existence. This philosophy analyzes relationships between the individual and things, or other human beings, and how they limit or condition choice.
Existential therapy is a form of psychotherapy based on the model of human nature and experience developed by the existential tradition of European philosophy. It focuses on the psychological experience revolving around universal human truths of existence such as death, freedom, isolation and the search for the meaning of life. Existential therapists largely reject the medical model of mental illness that views mental health symptoms as the result of biological causes. Rather, symptoms such as anxiety, alienation and depression arise because of attempts to deny or avoid the givens of existence, often resulting in an existential crisis. For example, existential therapists highlight the fact that since we have the freedom to choose, there will always be uncertainty - and therefore, there will always be a level of existential anxiety present in our lives.
In existentialism, bad faith is the psychological phenomenon whereby individuals act inauthentically, by yielding to the external pressures of society to adopt false values and disown their innate freedom as sentient human beings. Bad faith also derives from the related concepts of self-deception and ressentiment.
The proposition that existence precedes essence is a central claim of existentialism, which reverses the traditional philosophical view that the essence of a thing is more fundamental and immutable than its existence. To existentialists, human beings—through their consciousness—create their own values and determine a meaning for their life because the human being does not possess any inherent identity or value. That identity or value must be created by the individual. By posing the acts that constitute them, they make their existence more significant.
Irrational Man: A Study in Existential Philosophy is a 1958 book by the philosopher William Barrett, in which the author explains the philosophical background of existentialism and provides a discussion of several major existentialist thinkers, including Søren Kierkegaard, Friedrich Nietzsche, Martin Heidegger, and Jean-Paul Sartre. Irrational Man helped to introduce existentialism to the English-speaking world and has been identified as one of the most useful books that discuss the subject, but Barrett has also been criticized for endorsing irrationality and for giving a distorted and misleading account of Georg Wilhelm Friedrich Hegel.
Abandonment, in philosophy, refers to the infinite freedom of humanity without the existence of a condemning or omnipotent higher power. Original existentialism explores the liminal experiences of anxiety, death, "the nothing" and nihilism; the rejection of science as an adequate framework for understanding human being; and the introduction of "authenticity" as the norm of self-identity, tied to the project of self-definition through freedom, choice, and commitment. Existential thought bases itself fundamentally in the idea that one's identity is constituted neither by nature nor by culture, since to "exist" is precisely to constitute such an identity. It is from this foundation that one can begin to understand abandonment and forlornness.
Atheistic existentialism is a kind of existentialism which strongly diverged from the Christian existential works of Søren Kierkegaard and developed within the context of an atheistic world view. The philosophies of Søren Kierkegaard and Friedrich Nietzsche provided existentialism's theoretical foundation in the 19th century, although their differing views on religion proved essential to the development of alternate types of existentialism. Atheistic existentialism was formally recognized after the 1943 publication of Being and Nothingness by Jean-Paul Sartre and Sartre later explicitly alluded to it in Existentialism is a Humanism in 1946.
Jewish existentialism is a category of work by Jewish authors dealing with existentialist themes and concepts, and intended to answer theological questions that are important in Judaism. The existential angst of Job is an example from the Hebrew Bible of the existentialist theme. Theodicy and post-Holocaust theology make up a large part of 20th century Jewish existentialism.
Search for a Method or The Problem of Method is a 1957 essay by the philosopher Jean-Paul Sartre, in which the author attempts to reconcile Marxism with existentialism. The first version of the essay was published in the Polish journal Twórczość; an adapted version appeared later that year in Les Temps modernes, and later served as an introduction for Sartre's Critique of Dialectical Reason. Sartre argues that existentialism and Marxism are compatible, even complementary, even though Marxism's materialism and determinism might seem to contradict the abstraction and radical freedom of existentialism.
An individual is one that exists as a distinct entity. Individuality is the state or quality of living as an individual; particularly as a person unique from other people and possessing one's own needs or goals, rights and responsibilities. The concept of an individual features in many fields, including biology, law, and philosophy. Every individual contributes significantly to the growth of a civilization. Society is a multifaceted concept that is shaped and influenced by a wide range of different things, including human behaviors, attitudes, and ideas. The culture, morals, and beliefs of others as well as the general direction and trajectory of the society can all be influenced and shaped by an individual's activities.
The true self and the false self are a psychological dualism conceptualized by English psychoanalyst Donald Winnicott. Winnicott used "true self" to denote a sense of self based on spontaneous authentic experience and a feeling of being alive, having a real self with little to no contradiction. "False self", by contrast, denotes a sense of self created as a defensive facade, which in extreme cases can leave an individual lacking spontaneity and feeling dead and empty behind an inconsistent and incompetent appearance of being real, such as in narcissism.
Gary Cox is a British philosopher and biographer and the author of several books on Jean-Paul Sartre, existentialism, general philosophy, ethics and philosophy of sport.