Workmanship is a human attribute relating to knowledge and skill at performing a task. Workmanship is also a quality imparted to a product. The type of work may include the creation of handcrafts, art, writing, machinery and other products.
Workmanship and craftsmanship are sometimes considered synonyms, but many draw a distinction between the two terms, or at least consider craftsmanship to mean "workmanship of the better sort". [1] Among those who consider workmanship and craftsmanship to be different, the word "workmanlike" is sometimes even used as a pejorative, for example to suggest that while an author might understand the basics of their craft, they lack flair. David Pye wrote that no one can definitively state where workmanship ends and craftsmanship begins. [1]
Sing clear-voiced Muse, of Hephaestus famed for skill. With bright-eyed Athena he taught men glorious crafts throughout the world—men who before used to dwell in caves in the mountains like wild beasts. But now that they have learned craftsmanship through Hephaestus famous for his art they live a peaceful life in own houses the whole year round.
— from a Homeric hymn celebrating craftsmanship [2]
During the Middle Ages, smiths and especially armor smiths developed unique symbols of workmanship to distinguish the quality of their work. [3] These are comparable to the mon family crests of Japan. [4]
Workmanship was likely a valued human attribute even in prehistoric times. In the opinion of the economist and sociologist Thorstein Veblen, the sense of workmanship is the single most important attribute governing the material well-being of a people, with the parental instinct coming a close second. [5]
There have been periods in history when workmanship was looked down on; for example in Classical Greece and Ancient Rome, where it had become associated with slavery. This was not always the case—in the archaic period Greeks had valued workmanship, celebrating it in Homeric hymns. [6] In the Western world, a return to a more positive attitude towards work emerged with the rise of Christianity. [7] Veblen said the social value of workmanship in Europe reached its peak with the "Era of handicraft". The era began as workmanship flourished in response to the relative peace and security of property rights that Europe had achieved by the Late Middle Ages. The era ended as machine-driven processes began to displace the need for workmanship after the Industrial Revolution.
Workmanship was so central during the handicraft era, that, according to Veblen, even key theological questions were re-framed from "What has God ordained?" to "What has God wrought?". [8] The high value placed on workmanship could sometimes be oppressive. For example, one explanation for the origin of the English phrase sent to Coventry is that it reflects the practice where London guild members who were expelled due to poor workmanship were forced to move to Coventry, which used to be a guild-free town. But workmanship was widely appreciated by common people. [8] When workers accustomed to practicing high standards of workmanship were first recruited to work on production lines in factories, it was common for them to walk out, as the new roles were relatively monotonous, giving them little scope to use their skills. After Henry Ford introduced the first assembly line in 1913, had to recruit about ten men to find one willing to stay in the job. Over time, and with Ford offering high rates of pay, aversion to the new ways of working was reduced. [9]
Workmanship began to receive attention from scholars after its place in society came under threat by the rise of industrialization. The Arts and Crafts movement arose in the late 19th and early 20th century, as workmanship was being displaced by emphases on process, machine work, and the separation of design and planning skills from the execution of work. Founders of the movement like William Morris, John Ruskin and Charles Eliot Norton argued that the opportunity to engage in workmanship used to be a great source of fulfillment for the working class. [8] The arts and crafts movement has since been interpreted as a palliative, which unintentionally reduced resistance to the displacement of workmanship. [9] [10]
In a book on the nature of workmanship, David Pye writes that the displacement of workmanship continued into the late 20th century. He writes that since World War II especially, there has been "an enormous intensification of interest in design" at the expense of workmanship. Industrial processes are increasingly designed to minimize the skill needed for workers to produce quality products. [11] 21st century scholars such as Matthew Crawford argued that office and other white-collar work is now being displaced by similar technological developments to those that caused manual workers to be made redundant from the late 19th to early 20th century. For those jobs that remain, cognitive aspects of the jobs are taken away from workers as knowledge is centralized. Crawford calls for a revaluing of workmanship, saying that certain manual roles like mechanics, plumbers, and carpenters have been resistant to further automation, and are among the most likely to continue offering the worker the chance for independent thought. [9] Writers like Alain de Botton and Jane McGonigal argued that the world of work needs to be reformed to make it more fulfilling and less stressful. In particular, workers need to be able to make a deeply felt, imaginative connection between their own efforts and the end product. McGonigal argues that computer games can be a source of ideas for doing this; she says the primary reason for World of Warcraft being so popular is the sense of "blissful productivity" that its players enjoy. [12] [13]
The reliability of electronic devices is greatly affected by the quality of the workmanship. Therefore, the electronics manufacturing industry has developed several voluntary consensus standards to provide guidance on how products should be designed, built, inspected, and tested. [14]
Older economic writings hold that people are averse to labor and can only be motivated to work using incentives like rewards and punishments.
Christianity is generally approving of workmanship, though certain Bible passages such as Genesis 3:17 ("...Cursed is the ground because of you; through painful toil you will eat food from it all the days of your life.") contribute to the view that labor is a necessary evil, a punishment for original sin. [7] (Though work did not originate with the fall of man, see Genesis 2:15—"Yahweh God took the man and put him in the garden of Eden to work it and keep it.")
Veblen is among those who now believe that work can be inherently joyful and satisfying. Veblen acknowledges that people tend towards idleness, but asserts that they also value work for its own sake, as is demonstrated by the vast amount of work that people do without obvious external pressure. Veblen also notes the near-universal tendency for people to approve of others' good work. [15] [10]
Psychologist Pernille Rasmussen believes that the tendency to value work can become so strong that it stops being a positive source of motivation, contributing instead to some people losing balance and becoming workaholics. [7]
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
A handicraft is a traditional main sector of craft making and applies to a wide range of creative and design activities that are related to making things with one's hands and skill, including work with textiles, moldable and rigid materials, paper, plant fibers, clay, etc. One of the oldest handicraft is Dhokra; this is a sort of metal casting that has been used in India for over 5,000 years and is still used. In Iranian Baluchistan, women still make red ware hand-made pottery with dotted ornaments, much similar to the 4,000-year-old pottery tradition of Kalpurgan, an archaeological site near the village. Usually, the term is applied to traditional techniques of creating items that are both practical and aesthetic. Handicraft industries are those that produce things with hands to meet the needs of the people in their locality without using machines.
Thorstein Bunde Veblen was an American economist and sociologist who, during his lifetime, emerged as a well-known critic of capitalism.
A craft or trade is a pastime or an occupation that requires particular skills and knowledge of skilled work. In a historical sense, particularly the Middle Ages and earlier, the term is usually applied to people occupied in small scale production of goods, or their maintenance, for example by tinkers. The traditional term craftsman is nowadays often replaced by artisan and by craftsperson.
A Veblen good is a type of luxury good, named after American economist Thorstein Veblen, for which the demand increases as the price increases, in apparent contradiction of the law of demand, resulting in an upward-sloping demand curve. The higher prices of Veblen goods may make them desirable as a status symbol in the practices of conspicuous consumption and conspicuous leisure. A product may be a Veblen good because it is a positional good, something few others can own.
Craftsman may refer to:
The Theory of the Leisure Class: An Economic Study of Institutions (1899), by Thorstein Veblen, is a treatise of economics and sociology, and a critique of conspicuous consumption as a function of social class and of consumerism, which are social activities derived from the social stratification of people and the division of labor; the social institutions of the feudal period that have continued to the modern era.
Institutional economics focuses on understanding the role of the evolutionary process and the role of institutions in shaping economic behavior. Its original focus lay in Thorstein Veblen's instinct-oriented dichotomy between technology on the one side and the "ceremonial" sphere of society on the other. Its name and core elements trace back to a 1919 American Economic Review article by Walton H. Hamilton. Institutional economics emphasizes a broader study of institutions and views markets as a result of the complex interaction of these various institutions. The earlier tradition continues today as a leading heterodox approach to economics.
Software craftsmanship is an approach to software development that emphasizes the coding skills of the software developers. It is a response by software developers to the perceived ills of the mainstream software industry, including the prioritization of financial concerns over developer accountability.
American Craftsman is an American domestic architectural style, inspired by the Arts and Crafts movement, which included interior design, landscape design, applied arts, and decorative arts, beginning in the last years of the 19th century. Its immediate ancestors in American architecture are the Shingle style, which began the move away from Victorian ornamentation toward simpler forms, and the Prairie style of Frank Lloyd Wright.
The Theory of Business Enterprise is an economics book by Thorstein Veblen, published in 1904, that looks at the growing corporate domination of culture and the economy.
The Seal of Excellence for Handicrafts is awarded to handicraft products annually by UNESCO.
George Washington Henry Jack was a British Arts and Crafts designer and architect. Born in America, he grew up and trained in Scotland, before moving south to join the office of Philip Webb. A contemporary of William Morris, Jack designed furniture for Morris & Co., and was a member of the Art Workers Guild and the Arts and Crafts Society. After the turn of the 20th century, he set up his own practice, which continued until his death.
The Arts and Crafts Exhibition Society was formed in London in 1887 to promote the exhibition of decorative arts alongside fine arts. The Society's exhibitions were held annually at the New Gallery from 1888 to 1890, and roughly every three years thereafter, were important in the flowering of the British Arts and Crafts Movement in the decades prior to World War I.
The crafts of India are diverse, rich in history, culture and religion. The craft of each state in India reflect the influence of different empires. Throughout centuries, crafts have been embedded as a culture and tradition within rural communities.
The Kosovan city of Gjakova has been populated since the prehistoric era. During the medieval period, in 1485, Gjakova is mentioned as a village, concretely as a market place.
Gjakova served as a trading center on the route between Shkodër and Istanbul.
The Canadian Handicrafts Guild was an association of Canadians involved in handicrafts that was founded in Montreal in 1906. At first the goal was to preserve and market traditional home crafts that were seen as being at risk of dying out. Demand for high quality products and a shift towards more "professional" craftspeople and modern designs placed stress on the organization. In 1967 the provincial branches became autonomous, and subsequently evolved separately. At the national level the Guild was merged with the Canadian Craftsman's Association in 1974 to form the Canadian Crafts Council, now the Canadian Crafts Federation.
Pride of workmanship is the gratifying sense of having done good work. It is an element of job satisfaction. One of the key principles in the philosophy of management consultant W. Edwards Deming is that workers have a right to pride of workmanship:
Suzhou embroidery, Su embroidery or Su xiu is the embroidery created around the city of Suzhou, Jiangsu, China. It is one of the oldest embroidery techniques in the world and is the most representative type of art in Chinese embroidery. One of the well-known "four great embroideries of China" along with Cantonese embroidery, Sichuan embroidery and Xiang embroidery, Suzhou embroidery already has a history more than 2,000 years and is an important form of handicraft in the history of Chinese art and folk custom, representative of Chinese traditional folk arts. It is famous for its variety of stitches, beautiful patterns, elegant colors, and consummate craftsmanship.
Handicrafts produced during the Qing dynasty (1644–1911) were objects designed and hand-made by craftsmen. They were heavily ornate, incorporating Tibetan, Middle Eastern, Indian, and European techniques. The design or decorative aspect of the craft was as important as the crafting technique itself and Qing artisans were particular about the materials they used, such as jade (yu), stones, and wood. In their designs artisans drew heavily from a number of motifs, both mythical and natural. Certain areas in China became well-known for specific types of handicrafts; for example, Jingdezhen was known as the capital of porcelain. During the Qing era, Imperial Workshops built in Beijing brought together artisans and raw materials that were once only obtainable in disparate regions. This allowed for the combining of technologies and materials to produce new types of handicrafts. The tributary system also brought new sources for materials and artisans that were not from the production centers.
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