Angst

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Edvard Munch tried to represent "an infinite scream passing through nature" in The Scream (1893). The Scream by Edvard Munch, 1893 - Nasjonalgalleriet.png
Edvard Munch tried to represent "an infinite scream passing through nature" in The Scream (1893).

Angst is fear or anxiety ( anguish is its Latinate equivalent, and the words anxious and anxiety are of similar origin). The dictionary definition for angst is a feeling of anxiety, apprehension, or insecurity. [1]

Contents

Etymology

The word angst was introduced into English from the Danish, Norwegian, and Dutch word angst and the German word Angst. It is attested since the 19th century in English translations of the works of Søren Kierkegaard and Sigmund Freud. [1] [2] [3] It is used in English to describe an intense feeling of apprehension, anxiety, or inner turmoil.

In other languages (with words from the Latin pavor for "fear" or "panic"), [4] the derived words differ in meaning; for example, as in the French anxiété and peur. The word angst has existed in German since the 8th century, from the Proto-Indo-European root *anghu-, "restraint" from which Old High German angust developed. [5] It is pre-cognate with the Latin angustia, "tensity, tightness" and angor , "choking, clogging"; compare to the Ancient Greek ἄγχω (ánkhō) "strangle". It entered English in the 19th century as a technical term used in Psychiatry, though earlier cognates existed, such as ange .

Existentialism

In existentialist philosophy, the term angst carries a specific conceptual meaning. The use of the term was first attributed to Danish philosopher Søren Kierkegaard (18131855). In The Concept of Anxiety (also known as The Concept of Dread), Kierkegaard used the word Angest (in common Danish, angst, meaning "dread" or "anxiety") to describe a profound and deep-seated condition. Where non-human animals are guided solely by instinct, said Kierkegaard, human beings enjoy a freedom of choice that we find both appealing and terrifying. [5] [6] It is the anxiety of understanding of being free when considering undefined possibilities of one's life and the immense responsibility of having the power of choice over them. [6] [7] Kierkegaard's concept of angst reappeared in the works of existentialist philosophers who followed, such as Friedrich Nietzsche, Jean-Paul Sartre, and Martin Heidegger, each of whom developed the idea further in individual ways. While Kierkegaard's angst referred mainly to ambiguous feelings about moral freedom within a religious personal belief system, later existentialists discussed conflicts of personal principles, cultural norms, and existential despair.

Music

Existential angst makes its appearance in classical musical composition in the early twentieth century as a result of both philosophical developments and as a reflection of the war-torn times. Notable composers whose works are often linked with the concept include Gustav Mahler, Richard Strauss (operas Elektra and Salome ), Claude Debussy (opera Pelléas et Mélisande , ballet Jeux ), Jean Sibelius (especially the Fourth Symphony), Arnold Schoenberg ( A Survivor from Warsaw ), Alban Berg, Francis Poulenc (opera Dialogues of the Carmelites ), Dmitri Shostakovich (opera Lady Macbeth of Mtsensk , symphonies and chamber music), Béla Bartók (opera Bluebeard's Castle ), and Krzysztof Penderecki (especially Threnody to the Victims of Hiroshima ).[ citation needed ]

Angst began to be discussed in reference to popular music in the mid- to late 1950s, amid widespread concerns over international tensions and nuclear proliferation. Jeff Nuttall's book Bomb Culture (1968) traced angst in popular culture to Hiroshima. Dread was expressed in works of folk rock such as Bob Dylan's "Masters of War" (1963) and "A Hard Rain's a-Gonna Fall". The term often makes an appearance in reference to punk rock, grunge, nu metal, and works of emo where expressions of melancholy, existential despair, or nihilism predominate.[ citation needed ]

See also

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<span class="mw-page-title-main">Søren Kierkegaard</span> Danish theologian, philosopher, poet and social critic (1813–1855)

Søren Aabye Kierkegaard was a Danish theologian, philosopher, poet, social critic, and religious author who is widely considered to be the first existentialist philosopher. He wrote critical texts on organized religion, Christianity, morality, ethics, psychology, and the philosophy of religion, displaying a fondness for metaphor, irony, and parables. Much of his philosophical work deals with the issues of how one lives as a "single individual," giving priority to concrete human reality over abstract thinking and highlighting the importance of personal choice and commitment. He was against literary critics who defined idealist intellectuals and philosophers of his time, and thought that Swedenborg, Hegel, Fichte, Schelling, Schlegel, and Hans Christian Andersen were all "understood" far too quickly by "scholars."

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<i>The Concept of Anxiety</i> 1844 philosophical work by Søren Kierkegaard

The Concept of Anxiety: A Simple Psychologically Orienting Deliberation on the Dogmatic Issue of Hereditary Sin is a philosophical work written by Danish philosopher Søren Kierkegaard in 1844. The original 1944 English translation by Walter Lowrie, had the title The Concept of Dread. The Concept of Anxiety was dedicated "to the late professor Poul Martin Møller". Kierkegaard used the pseudonym Vigilius Haufniensis for The Concept of Anxiety.

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<i>Concluding Unscientific Postscript to Philosophical Fragments</i> Work by Søren Kierkegaard

Concluding Unscientific Postscript to the Philosophical Fragments is a major work by Søren Kierkegaard. The work is an attack against Hegelianism, the philosophy of Hegel, and especially Hegel's Science of Logic. The work is also famous for its dictum, Subjectivity is Truth. It was an attack on what Kierkegaard saw as Hegel's deterministic philosophy. Against Hegel's system, Kierkegaard is often interpreted as taking the side of metaphysical libertarianism or free will, though it has been argued that an incompatibilist conception of free will is not essential to Kierkegaard's formulation of existentialism.

<span class="mw-page-title-main">Philosophy of Søren Kierkegaard</span> Major influence on existentialism, postmodernism and psychology

The philosophy of Søren Kierkegaard has been a major influence in the development of 20th-century philosophy, especially existentialism and postmodernism. Søren Kierkegaard was a 19th-century Danish philosopher who has been labeled by many as the "Father of Existentialism", although there are some in the field who express doubt in labeling him an existentialist to begin with. His philosophy also influenced the development of existential psychology.

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The infinite qualitative distinction, sometimes translated as infinite qualitative difference, is a concept coined by the Danish philosopher Søren Kierkegaard. The distinction emphasizes the very different attributes of finite and temporal men and the infinite and eternal qualities of a supreme being. This concept fits into the apophatic theology tradition and therefore is fundamentally at odds with theological theories which posit a supreme being able to be fully understood by man. The theologian Karl Barth made the concept of infinite qualitative distinction a cornerstone of his theology.

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References

  1. 1 2 "Angst". Merriam-Webster. Retrieved December 12, 2018.
  2. "Angst". Dictionary.com.
  3. "Angst". Online Etymology Dictionary.
  4. "pavor, pavoris [m.] C". Latin Is Simple. Retrieved February 1, 2021.
  5. 1 2 "Angst". The Free Dictionary.
  6. 1 2 Marino, Gordon (March 17, 2012). "The Danish Doctor of Dread". The New York Times . New York City. Retrieved May 18, 2013.
  7. Backhouse, Stephen (2016). Kierkegaard: A Single Life. HarperCollins Christian Publishing. ISBN   9780310520894 . Retrieved July 17, 2017.