Charles John Huffam Dickens was an English novelist and social critic who created some of the world's best-known fictional characters, and is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognised him as a literary genius. His novels and short stories are widely read today.
The phrase pathetic fallacy is a literary term for the attribution of human emotion and conduct to things found in nature that are not human. It is a kind of personification that occurs in poetic descriptions, when, for example, clouds seem sullen, when leaves dance, or when rocks seem indifferent. The English cultural critic John Ruskin coined the term in the third volume of his work Modern Painters (1856).
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented.
"Merry England", or in more jocular, archaic spelling "Merrie England", refers to a utopian conception of English society and culture based on an idyllic pastoral way of life that was allegedly prevalent in Early Modern Britain at some time between the Middle Ages and the onset of the Industrial Revolution. More broadly, it connotes a putative essential Englishness with nostalgic overtones, incorporating such cultural symbols as the thatched cottage, the country inn and the Sunday roast.
The Theory of Moral Sentiments is a 1759 book by Adam Smith. It provided the ethical, philosophical, economic, and methodological underpinnings to Smith's later works, including The Wealth of Nations (1776), Essays on Philosophical Subjects (1795), and Lectures on Justice, Police, Revenue, and Arms (1763).
Lauren Gail Berlant was an American scholar, cultural theorist, and author who is regarded as "one of the most esteemed and influential literary and cultural critics in the United States." Berlant was the George M. Pullman Distinguished Service Professor of English at the University of Chicago, where they taught from 1984 until 2021. Berlant wrote and taught issues of intimacy and belonging in popular culture, in relation to the history and fantasy of citizenship.
Our Mutual Friend, written in 1864–1865, is the last novel completed by Charles Dickens and is one of his most sophisticated works, combining savage satire with social analysis. It centres on, in the words of critic J. Hillis Miller, quoting the book's character Bella Wilfer, "money, money, money, and what money can make of life".
Pathos appeals to the emotions and ideals of the audience and elicits feelings that already reside in them. Pathos is a term used most often in rhetoric, as well as in literature, film and other narrative art.
Sensibility refers to an acute perception of or responsiveness toward something, such as the emotions of another. This concept emerged in eighteenth-century Britain, and was closely associated with studies of sense perception as the means through which knowledge is gathered. It also became associated with sentimental moral philosophy.
The sensation novel, also sensation fiction, was a literary genre of fiction that achieved peak popularity in Great Britain in the 1860s and 1870s. Its literary forebears included the melodramatic novels and the Newgate novels, which focused on tales woven around criminal biographies; it also drew on the Gothic, romance, as well as mass market genres. The genre's popularity was conjoined to an expanding book market and growth of a reading public, by-products of the Industrial Revolution. Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fiction. The sensation novelists commonly wrote stories that were allegorical and abstract; the abstract nature of the stories gave the authors room to explore scenarios that wrestled with the social anxieties of the Victorian era. The loss of identity is seen in many sensation fiction stories because this was a common social anxiety; in Britain, there was an increased use in record keeping and therefore people questioned the meaning and permanence of identity. The social anxiety regarding identity is reflected in novels such as The Woman in White and Lady Audley's Secret.
A red herring is something that misleads or distracts from a relevant or important question. It may be either a logical fallacy or a literary device that leads readers or audiences toward a false conclusion. A red herring may be used intentionally, as in mystery fiction or as part of rhetorical strategies, or may be used in argumentation inadvertently.
The sentimental novel or the novel of sensibility is an 18th-century literary genre which celebrates the emotional and intellectual concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
In logic and philosophy, a formal fallacy, deductive fallacy, logical fallacy or non sequitur is a pattern of reasoning rendered invalid by a flaw in its logical structure that can neatly be expressed in a standard logic system, for example propositional logic. It is defined as a deductive argument that is invalid. The argument itself could have true premises, but still have a false conclusion. Thus, a formal fallacy is a fallacy where deduction goes wrong, and is no longer a logical process. This may not affect the truth of the conclusion, since validity and truth are separate in formal logic.
Quoting out of context is an informal fallacy in which a passage is removed from its surrounding matter in such a way as to distort its intended meaning. Context may be omitted intentionally or accidentally, thinking it to be non-essential. As a fallacy, quoting out of context differs from false attribution, in that the out of context quote is still attributed to the correct source.
Four Dissertations is a collection of four essays by the 18th-century Scottish Enlightenment philosopher David Hume, first published in 1757. The four essays are:
Sentimentalism is a practice of being sentimental, and thus tending towards making emotions and feelings the basis of a person's actions and reactions, as opposed to reason.
Spoilt Rotten: The Toxic Cult of Sentimentality is a non-fiction book by the British writer and retired doctor and psychiatrist Theodore Dalrymple, originally published in 2010. Polemical in nature, the book contends that sentimentality has become culturally entrenched in British society, with harmful consequences. The author uses a range of cultural, educational, political, media and literary issues—including falling standards in education, UK aid policies for African development, the death of Diana, Princess of Wales, the disappearance of Madeleine McCann, and the work and life of Sylvia Plath—to illustrate what he sees as the danger of abandoning logic in favour of sentimentality, which he describes as "the progenitor, the godparent, the midwife of brutality". Much of Dalrymple's analysis is underpinned by his experience of working with criminals and the mentally ill.
In argumentation theory, an argumentum ad populum is a fallacious argument which is based on claiming a truth or affirming something is good because the majority thinks so.
Adelaide Anne Procter was an English poet and philanthropist.
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner. Ballads are generally melodic enough to get the listener's attention.
