Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or surreality. It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
Theodore Joans was an American beatnik, surrealist, painter, filmmaker, collageist, jazz poet and jazz trumpeter who spent long periods of time in Paris while also traveling through Africa. His complex body of work stands at the intersection of several avant-garde artistic streams. He was the author of more than 30 books of poetry, prose, and collage; among them Black Pow-Wow, Beat Funky Jazz Poems, Afrodisia, Jazz is Our Religion, Double Trouble, WOW and Teducation. In 2001 he was the recipient of Before Columbus Foundation's American Book Awards Lifetime Achievement Award.
Aimé Fernand David Césaire was a Martiniquais poet, author, and politician. He was "one of the founders of the Négritude movement in Francophone literature" and coined the word négritude in French. He founded the Parti progressiste martiniquais in 1958, and served in the French National Assembly from 1945 to 1993 and as President of the Regional Council of Martinique from 1983 to 1988. He was also the Mayor of Fort-de-France for 56 years, from 1945–2001.
The Chicago Surrealist Group was founded in Chicago, Illinois, in July 1966 by Franklin Rosemont, Penelope Rosemont, Bernard Marszalek, Tor Faegre and Robert Green after a trip to Paris in 1965, during which they were in contact with André Breton. Its initial members came from far-left or anarchist backgrounds and had already participated in groups IWW and SDS; indeed, the Chicago group edited an issue of Radical America, the SDS journal, and the SDS printshop printed some of the group's first publications.
Penelope Rosemont is a visual artist, writer, publisher, and social activist who attended Lake Forest College. She has been a participant in the Surrealist Movement since 1965. With Franklin Rosemont, Bernard Marszalek, Robert Green and Tor Faegre, she established the Chicago Surrealist Group in 1966. She was in 1964-1966 a member of the Industrial Workers of the World (IWW), commonly known as the Wobblies, and was part of the national staff of Students for a Democratic Society (SDS) in 1967-68. Her influences include Andre Breton and Guy Debord of the Situationist International, Emma Goldman and Lucy Parsons.
Négritude is a framework of critique and literary theory, mainly developed by francophone intellectuals, writers, and politicians in the African diaspora during the 1930s, aimed at raising and cultivating "black consciousness" across Africa and its diaspora. Négritude gathers writers such as sisters Paulette and Jeanne Nardal, Martinican poet Aimé Césaire, Abdoulaye Sadji, Léopold Sédar Senghor, and Léon Damas of French Guiana. Négritude intellectuals disavowed colonialism, racism and Eurocentrism. They promoted African culture within a framework of persistent Franco-African ties. The intellectuals employed Marxist political philosophy, in the black radical tradition. The writers drew heavily on a surrealist literary style, and some say they were also influenced somewhat by the Surrealist stylistics, and in their work often explored the experience of diasporic being, asserting one's self and identity, and ideas of home, home-going and belonging.
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. The movement expanded from the accomplishments of artists of the Harlem Renaissance.
Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history and magic realism, and can also be found in music.
René Depestre is a Haitian-French poet and former communist activist. He is considered to be one of the most prominent figures in Haitian literature. He lived in Cuba as an exile from the Duvalier regime for many years and was a founder of the Casa de las Américas publishing house. He is best known for his poetry.
Amiri Baraka, previously known as LeRoi Jones and Imamu Amear Baraka, was an American writer of poetry, drama, fiction, essays, and music criticism. He was the author of numerous books of poetry and taught at several universities, including the University at Buffalo and Stony Brook University. He received the PEN/Beyond Margins Award in 2008 for Tales of the Out and the Gone. Baraka's plays, poetry, and essays have been described by scholars as constituting defining texts for African-American culture.
Francis Abiola Irele was a Nigerian academic best known as the doyen of Africanist literary scholars worldwide. He was Provost at Kwara State University, founded in 2009 in Ilorin, Nigeria. Before moving back to Nigeria, Irele was visiting professor of African and African American Studies and of Romance Languages and Literatures at Harvard University.
Dutchman is a play written by playwright Amiri Baraka, then known as LeRoi Jones. Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, in March 1964 co-produced by Rita Fredricks. The play won an Obie Award; it shared this distinction with Adrienne Kennedy's Funnyhouse of a Negro. Baraka's stage play was made into a film in 1967, starring Shirley Knight and Al Freeman Jr. Dutchman was the last play produced by Baraka under his birth name, LeRoi Jones. At the time, he was in the process of divorcing his Jewish wife, Hettie Jones, embracing Black nationalism, and after lamenting the death of Malcolm X in 1965. Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it. With Dutchman and his other works, Baraka was a respected playwright among other figures in the Black Arts Movement.
100 Greatest African Americans is a biographical dictionary of one hundred historically great Black Americans, as assessed by Temple University professor Molefi Kete Asante in 2002. A similar book was written by Columbus Salley. First published in 1992, Salley's book is titled The Black 100: A Ranking of the Most Influential African-Americans, Past and Present.
Carlton Lindsay Barrett, also known as Eseoghene, is a Jamaican-born poet, novelist, essayist, playwright, journalist and photographer, whose work has interacted with the Caribbean Artists Movement in the UK, the Black Arts Movement in the US, and pan-Africanism in general. Leaving Jamaica in the early 1960s, he moved to Britain, where he freelanced as a broadcaster and journalist, also travelling and living elsewhere in Europe, before deciding to relocate to West Africa. Since the latter 1960s he has been based mainly in Nigeria, of which country he became a citizen in the mid-1980s, while continuing his connection to cultural ventures in the UK and US.
For a history of Afro-Caribbean people in the UK, see British African Caribbean community.
Suzanne Césaire, born in Martinique, an overseas department of France, was a French writer, teacher, scholar, anti-colonial and feminist activist, and Surrealist. Her husband until 1963 was the poet and politician Aimé Césaire.
"Black Art" is a poem written by African-American poet Amiri Baraka. It was written in 1965 after the assassination of Malcolm X while still known as LeRoi Jones. The poem issued a clarion call for art by and for Black people:
Yva Léro was an Afro-Martiniquais writer and painter. She was one of the earliest Antillean writers in Paris preceding the Négritude movement. An ardent feminist, she participated in international congresses and was a co-founder of the Women's Union of Martinique. Her writing and painting depicted the life and culture of Martinique, evaluating class, gender, and race and the multi-layered society which existed in her Caribbean homeland.
Tropiques was a quarterly literary magazine published in Martinique from 1941 to 1945. It was founded by Aimé Césaire, Suzanne Césaire, and other Martinican intellectuals of the era, who contributed poetry, essays, and fiction to the magazine. While resisting the Vichy-supported government that ruled Martinique at the time, the writers commented on colonialism, surrealism, and other topics. André Breton, the French leader of surrealism, contributed to the magazine and helped turn it into a leading voice of surrealism in the Caribbean.
