William Christopher Handy was an American composer and musician who referred to himself as the Father of the Blues. He was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American blues music, Handy did not create the blues genre but was one of the first to publish music in the blues form, thereby taking the blues from a regional music style with a limited audience to a new level of popularity.
Clarence Williams was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher.
The Victor Talking Machine Company was an American recording company and phonograph manufacturer, incorporated in 1901. Victor was an independent enterprise until 1929 when it was purchased by the Radio Corporation of America (RCA) and became the RCA Victor Division of the Radio Corporation of America until late 1968, when it was renamed RCA Records.
OKeh Records is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". In 1965, OKeh became a subsidiary of Epic Records, a subsidiary of Sony Music. OKeh has since become a jazz imprint, distributed by Sony Masterworks.
Paramount Records was an American record label known for its recordings of jazz and blues in the 1920s and early 1930s, including such artists as Ma Rainey, Tommy Johnson and Blind Lemon Jefferson.
Ella Mae Morse was an American singer of popular music whose 1940s and 1950s recordings mixing jazz, blues, and country styles influenced the development of rock and roll. Her 1942 recording of "Cow-Cow Boogie" with Freddie Slack and His Orchestra gave Capitol Records its first gold record. In 1943, her single "Get On Board, Little Chillun", also with Slack, charted in what would soon become the R&B charts, making her one of the first white singers to do so. Morse stopped recording in 1957 but continued to perform and tour into the 1990s. In 1960, she received a star on the Hollywood Walk of Fame.
Black & White Records was an American record company and label founded by Les Schreiber in 1943. It specialized in jazz and blues. When the label was sold to Paul and Lillian Reiner, it moved from New York City to Los Angeles. The catalog included music by Art Hodes, Cliff Jackson, Lil Armstrong, Barney Bigard, Wilbert Baranco, Erroll Garner, Jack McVea, and Willie "The Lion" Smith.
Aileen Stanley, born Maude Elsie Aileen Muggeridge, was one of the most popular American singers of the early 1920s.
Puritan Records was an American record label which lasted from 1917 to 1929. For most of its existence Puritan was a product of the Wisconsin Chair Company, which also marketed Paramount Records, but as a label, Puritan briefly predates Paramount and began with United Phonographs Corporation.
Vocalion Records is an American record label, originally founded by the Aeolian Company, a piano and organ manufacturer before being bought out by Brunswick in 1924.
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded. Ma Rainey, Bessie Smith, Ethel Waters, and the other singers in this genre were instrumental in spreading the popularity of the blues.
Ajax Records was a record company and label founded in 1921. Jazz and blues records were produced in New York City, with some in Montreal, and marketed via the Ajax Record Company of Chicago.
Harry Herbert Pace was an American music publisher and insurance executive. He was the founder of Black Swan Records, the first record label owned by an African American with wide distribution capabilities.
Race records is a term for 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s. They primarily contained race music, comprising various African-American musical genres, blues, jazz, and gospel music, rhythm and blues and also comedy. These records were, at the time, the majority of commercial recordings of African American artists in the U.S., and few African American artists were marketed to white audiences. Race records were marketed by Okeh Records, Emerson Records, Vocalion Records, Victor Talking Machine Company, Paramount Records, and several other companies.
Brian Arthur Lovell Rust was an English jazz discographer.
The discography of Billie Holiday, an American jazz singer, consists of 12 studio albums, three live albums, 24 compilations, six box sets, and 38 singles.
Harry A. Yerkes (1872-1954) was a marimba player, inventor, and recording manager who assembled many recording sessions in the early years of jazz. Many of the sessions organized by Yerkes used his name for the artist credit, including Yerkes' Jazarimba Orchestra and Yerkes' Marimbaphone Band on Columbia Records, which are estimated to have some of the best selling records of 1919 and 1921.
Busy-Bee was a Chicago-based record label founded in 1904 that sold both cylinders and discs, often with content licensed from other labels. Their cylinders could only be played on special Busy-Bee players. A 1906 cylinder catalog shows artists including Gilmore's Band, Billy Murray, Arthur Collins, Bob Roberts, and Ada Jones.
Antoinette Smythe Garnes was an American soprano singer active in the 1920s.
