Within Our Gates is a 1920 American silent race drama film produced, written and directed by Oscar Micheaux. The film portrays the contemporary racial situation in the United States during the early twentieth century, the years of Jim Crow, the revival of the Ku Klux Klan, the Great Migration of blacks to cities of the North and Midwest, and the emergence of the "New Negro".
Oscar Devereaux Micheaux (; was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
Evelyn Preer, was an African American pioneering screen and stage actress, and jazz and blues singer in Hollywood during the late-1910s through the early 1930s. Preer was known within the Black community as "The First Lady of the Screen."
The Exile is a 1931 American pre-Code film directed by Oscar Micheaux with choreography by Leonard Harper. A drama-romance of the race film genre, The Exile was Micheaux's first feature-length sound film, and the first African-American sound film. Adapted from Micheaux's first novel The Conquest (1913), it the film shares some autobiographical elements; for example, Micheaux spent several years as a cattle rancher in an otherwise all-white area of South Dakota as does the film's central character Jean Baptiste.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
God's Step Children is a 1938 American drama film directed by Oscar Micheaux and starring Jacqueline Lewis. The film is inspired by a combination of elements shared from two previously released Hollywood productions, Imitation of Life and These Three.
The Betrayal is a 1948 American race film written, produced, and directed by Oscar Micheaux. He adapted it from his 1943 novel The Wind From Nowhere.
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913–1915 trial of Leo Frank for the murder of Mary Phagan. The film is now believed to be lost. Micheaux remade the film 1935 as Murder in Harlem.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
The Brute is a 1920 silent race film directed, written, produced and distributed by Oscar Micheaux. No print of the film is known to exist and the production is believed to be a lost film. The original version of the film included a scene where the boxer defeats a white rival, but Micheaux was forced to remove the scene by censors.
The Devil's Disciple (1926) is an American silent melodrama film with a primarily African-American cast, written and directed by Oscar Micheaux, on the subject of white slavery in New York City.
Deceit is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film.
Frances Elizabeth Williams was an American actress, activist, theatre producer, organizer, and community worker. Williams was the first black woman to run for the California State Assembly in 1948 on the Progressive Ticket and served on the boards of the Screen Actors Guild, Actors' Lab, and Actors Equity. She represented the World Peace Council at the first Angola Independence Celebration in 1975, and co-founded the Art Against Apartheid Movement in Los Angeles in the 1980s.
Ethel Moses was an American stage and film actress, and dancer. She was billed as "the black Jean Harlow". Moses is best known for working in films by Oscar Micheaux.
To the Stars is a 2019 American drama film directed by Martha Stephens from a screenplay by Shannon Bradley-Colleary. It stars Kara Hayward, Liana Liberato, Shea Whigham, Jordana Spiro, Lucas Jade Zumann, Adelaide Clemens, Malin Åkerman and Tony Hale.
Underworld is a 1937 gangster film directed by Oscar Micheaux, about a recent graduate from an all-black college who moves from the American South to Chicago and gets swept into the criminal underworld. The film was adapted from the short story "Chicago After Midnight" by Edna Mae Baker. Among its stars are Ethel Moses, a Micheaux regular, and Oscar Polk, best known for his appearance in Gone with the Wind two years later.
The Spider's Web is a 1926 American film directed by Oscar Micheaux which stars Evelyn Preer. It was remade in 1932 as The Girl from Chicago.
Georgia Rose was a 1930 film. It was directed by Harry Gant and stars Clarence Brooks. It followed the 1928 film Absent with Brooks as its star.
The Melancholy Dame is a 1929 American comedy short film by an African-American cast. Al Christie based it on the Octavus Roy Cohen comedy series called "Darktown Birmingham", published in the Saturday Evening Post. Arvid Gillstrom directed it and Evelyn Preer played the title role.
Iris Hall was a Barbadian-American actor. She appeared in leading roles in two race films by the pioneering African-American director Oscar Micheaux: The Homesteader (1919) and The Symbol of the Unconquered (1920).
