Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Gold Diggers of 1933 is an American pre-Code musical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell. It featured appearances by Guy Kibbee, Ned Sparks and Ginger Rogers.
The Gang's All Here is a 1943 American Twentieth Century Fox Technicolor musical film starring Alice Faye, Carmen Miranda and James Ellison. The film, directed and choreographed by Busby Berkeley, is known for its use of musical numbers with fruit hats. Included among the 10 highest-grossing films of that year, it was at that time Fox's most expensive production.
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
Going Wild is a 1930 Warner Brothers pre-Code comedy film based on the 1910 play The Aviator by James Montgomery and directed by William A. Seiter. The film stars many musical stars along with Joe E. Brown, Frank McHugh and Johnny Arthur.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
The Lion and the Mouse (1928) is a sound part-talkie drama film produced by Warner Bros., directed by Lloyd Bacon, and based on the 1905 play by Charles Klein. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film marks the first time Lionel Barrymore, who was on loan out from MGM, spoke from the screen.
Boomerang Bill is an extant 1922 American silent crime melodrama film produced by Cosmopolitan Productions and distributed through Paramount Pictures. Adapted from a Boston Blackie short story by Jack Boyle, it was directed by Tom Terriss and stars veteran actor Lionel Barrymore. It is preserved incomplete at the Library of Congress and George Eastman House.
A Gentleman of Leisure is a surviving 1915 American silent comedy film produced by Jesse Lasky and distributed by Paramount Pictures. It stars stage veteran Wallace Eddinger. The film is based on the 1910 novel A Gentleman of Leisure by P. G. Wodehouse and 1911 Broadway play adapted by Wodehouse and John Stapleton. Douglas Fairbanks was a cast member in the play several years before beginning a film career. This film survives in the Library of Congress.
Maybe It's Love is an all-talking 1930 pre-Code American musical comedy film produced and distributed by Warner Bros. and directed by William A. Wellman. The movie stars Joan Bennett, Joe E. Brown and James Hall. The film is based on George Ade's 1904 play The College Widow and is a remake of Warner's own 1927 silent version of the story, which starred Dolores Costello. The play had also been filmed in 1915, starring Ethel Clayton.
The Notorious Lady is a surviving 1927 American silent drama film produced by Sam E. Rork and distributed by First National Pictures. It was directed by veteran director King Baggot and starred Barbara Bedford and Lewis Stone.
How Molly Made Good is a 1915 silent drama film which is one of the first films to feature cameo appearances by major celebrities. It survives in the Library of Congress and is available on DVD. The writer of the film, Burns Mantle, may have been influenced by the globe-trotting adventure of Nellie Bly in 1889, when the reporter circumnavigated the globe in a specified amount of time using several means of conveyance and visiting as many famous cities as possible.
Once in a Lifetime is a 1932 American pre-Code comedy film based on Once in a Lifetime by George S. Kaufman and Moss Hart. The film was produced and distributed by Universal Pictures, directed by Russell Mack and stars Jack Oakie, Sidney Fox and Aline MacMahon.
A Little Girl in a Big City is a 1925 silent film drama directed by Burton L. King and starring Gladys Walton. It is based on an off-Broadway play, A Little Girl in a Big City, by James Kyrle MacCurdy. It was Gladys Walton's final film.
The Song of Love is a 1923 American silent adventure drama film directed by Chester Franklin and Frances Marion, starring Norma Talmadge, Joseph Schildkraut, and Arthur Edmund Carewe. Frances Marion's screenplay is based on the 1922 novel The Dust of Desire by Margaret Peterson.
Birthright is a 1938 American drama film directed, co-produced and co-written by Oscar Micheaux and starring Carman Newsome. This is a talkie remake of Micheaux's 1924 silent film of the same name; both were adapted from white author T. S. Stribling's eponymous 1922 novel. Starring J. Homer Tutt, Micheaux's 1924 film was highly controversial for its graphic depiction of racism. The film is now considered lost.
The Broken Violin is an American silent film directed by Oscar Micheaux, released in 1928.
African American cinema is loosely classified as films made by, for, or about Black Americans. Historically, African American films have been made with African-American casts and marketed to African-American audiences. The production team and director were sometimes also African American. More recently, Black films featuring multicultural casts aimed at multicultural audiences have also included American Blackness as an essential aspect of the storyline.
