The Brute | |
---|---|
Directed by | Oscar Micheaux |
Written by | Oscar Micheaux |
Produced by | Oscar Micheaux |
Cinematography | "Whitie" [Note 1] |
Production company | Micheaux Film Corp. |
Distributed by | Micheaux Film Corp. |
Release date |
|
Running time | 7 reels |
Country | United States |
Language | Silent |
The Brute is a 1920 silent race film directed, written, produced and distributed by Oscar Micheaux. No print of the film is known to exist and the production is believed to be a lost film. [2] The original version of the film included a scene where the boxer defeats a white rival, but Micheaux was forced to remove the scene by censors. [3]
Herbert Lanyon is thought to be dead after a shipwreck, and his fiancée Mildred Carrison is forced by her money-minded Aunt Clara into marriage with "Bull" Magee, a gambler and underworld boss who mistreats Mildred. After Herbert returns, Magee undergoes financial difficulties that he blames on Mildred and Herbert, and seeks revenge. Herbert and a repentant Aunt Clara, however, free Mildred from Magee, and the lovers are able to marry. A subplot involves boxer "Tug" Wilson, who is ordered by his manager Magee to lay down in the seventeenth round of a prizefight at the film's climax. No other information concerning the plot has been discovered.
Within Our Gates is a 1920 American silent race drama film produced, written and directed by Oscar Micheaux. The film portrays the contemporary racial situation in the United States during the early twentieth century, the years of Jim Crow, the revival of the Ku Klux Klan, the Great Migration of blacks to cities of the North and Midwest, and the emergence of the "New Negro".
Oscar Devereaux Micheaux (; was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
Brute or The Brute may refer to:
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
The Daring Years is 1923 American silent melodrama film directed by Kenneth Webb and produced by Daniel Carson Goodman. The film starred Mildred Harris, Clara Bow, Charles Emmett Mack, and Tyrone Power Sr.
Lawrence Chenault was an American vaudeville performer and silent film actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering African-American filmmaker Oscar Micheaux. His brother, Jack Chenault, was also a film actor.
I Take This Woman is a 1931 American pre-Code romance film directed by Marion Gering and starring Gary Cooper and Carole Lombard.
God's Step Children is a 1938 American drama film directed by Oscar Micheaux and starring Jacqueline Lewis. The film is inspired by a combination of elements shared from two previously released Hollywood productions, Imitation of Life and These Three.
The Notorious Elinor Lee is a 1940 race film directed, written, and co-produced by the African-American filmmaker Oscar Micheaux.
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913–1915 trial of Leo Frank for the murder of Mary Phagan. The film is now believed to be lost. Micheaux remade the film 1935 as Murder in Harlem.
A Daughter of the Congo is a 1930 American race film directed, written and produced by Oscar Micheaux. The film is loosely based on the novel The American Cavalryman (1917), by African-American novelist and playwright Henry Francis Downing. It is considered a lost film.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
Veiled Aristocrats is a 1932 American pre-Code race film written, directed, produced and distributed by Oscar Micheaux. The film deals with the theme of "passing" by mixed-race African Americans to avoid racial discrimination. It is a remake of The House Behind the Cedars (1927), based on a novel by the same name published in 1900 by Charles W. Chesnutt. Micheaux may have borrowed the new title from a 1923 novel by Gertrude Sanborn.
A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia.
The Palm Beach Girl is a 1926 American silent romantic comedy film starring Bebe Daniels and directed by Erle C. Kenton. Set in Palm Beach, Florida, it is based upon the short-lived Broadway play, Please Help Emily, written by H. M. Harwood.
Birthright is a 1938 American drama film directed, co-produced and co-written by Oscar Micheaux and starring Carman Newsome. This is a talkie remake of Micheaux's 1924 silent film of the same name; both were adapted from white author T. S. Stribling's eponymous 1922 novel. Starring J. Homer Tutt, Micheaux's 1924 film was highly controversial for its graphic depiction of racism. The film is now considered lost.
Easy Street is a 1930 American film by Oscar Micheaux, an African American filmmaker. It features an African American cast. Known as the last silent achievement in his filmography, the film is considered lost. The plot reportedly revolved around a group of con artists trying to seize the savings of an old man.
The Spider's Web is a 1926 American film directed by Oscar Micheaux which stars Evelyn Preer. It was remade in 1932 as The Girl from Chicago.
Thirty Years Later, is a 1928 American black and white silent drama film directed and produced by Oscar Micheaux for Micheaux Films. Thirty Years Later film was based on Henry Francis Downing' The Racial Tangle. The film stars William Edmonson and Mabel Kelly in the lead roles, whereas A.B. DeComathiere, Ardelle Dabney and Gertrude Snelson made supportive roles. The film revolves on the love affair between George Eldridge Van Paul, the son of a white father and a black mother, and Hester Morgan, a black girl.
By Divine Right is a lost 1924 American silent drama film directed by Roy William Neill and starring Mildred Harris, Anders Randolf and Elliott Dexter.