Soundtrack
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| Ten Minutes to Live | |
|---|---|
| Directed by | Oscar Micheaux |
| Written by |
|
| Produced by | Oscar Micheaux (producer) |
| Starring | |
| Cinematography | Lester Lang |
Release date | 1932 |
Running time | 58 minutes (American DVD) |
| Country | United States |
| Language | English |
Ten Minutes to Live is a 1932 American film directed by Oscar Micheaux and starring Lawrence Chenault, A. B. DeComathiere, Laura Bowman, Willor Lee Guilford, and Tressie Mitchell. One of the characters is deaf and much of the dialogue was dubbed offscreen. [1] The film is part of the collection of the Museum of Modern Art. [2]
A producer offers a nightclub singer a role in his latest film, but all he really wants to do is have sex with her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she will soon get another note, and that she will be killed ten minutes after that.
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Oscar Devereaux Micheaux (; was an American author, film director and independent producer of more than 44 films. Although the short-lived Lincoln Motion Picture Company was the first movie company owned and controlled by black filmmakers, Micheaux is regarded as the first major African-American feature filmmaker, a prominent producer of race films, and has been described as "the most successful African-American filmmaker of the first half of the 20th century". He produced both silent films and sound films.
Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York.
Body and Soul is a 1925 race film produced, written, directed, and distributed by Oscar Micheaux and starring Paul Robeson in his motion picture debut. In 2019, the film was selected by the Library of Congress for inclusion in the National Film Registry for being "culturally, historically, or aesthetically significant".
Evelyn Preer, was an African American pioneering screen and stage actress, and jazz and blues singer in Hollywood during the late-1910s through the early 1930s. Preer was known within the Black community as "The First Lady of the Screen."
The Exile is a 1931 American film directed by Oscar Micheaux with choreography by Leonard Harper. A drama-romance of the race film genre, The Exile was Micheaux's first feature-length sound film, and the first African-American sound film. Adapted from Micheaux's first novel The Conquest (1913), it the film shares some autobiographical elements; for example, Micheaux spent several years as a cattle rancher in an otherwise all-white area of South Dakota as does the film's central character Jean Baptiste.
Alice Burton Russell was an African-American actress, producer, and the wife of director Oscar Micheaux. She appeared in several films directed by her husband.
Lawrence Chenault was an American vaudeville performer and silent film actor. He appeared in approximately 24 films between years 1920 and 1934; most of his performances were in films directed by pioneering African-American filmmaker Oscar Micheaux. His brother, Jack Chenault, was also a film actor.
God's Step Children is a 1938 American drama film directed by Oscar Micheaux and starring Jacqueline Lewis. The film is inspired by a combination of elements shared from two previously released Hollywood productions, Imitation of Life and These Three.
The Betrayal is a 1948 race film written, produced, and directed by Oscar Micheaux. He adapted it from his 1943 novel The Wind From Nowhere.
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank for the murder of Mary Phagan. The film is now believed to be lost. Micheaux remade the film 1935 as Murder in Harlem.
A Daughter of the Congo is a 1930 race film directed, written and produced by Oscar Micheaux. The film is loosely based on the novel The American Cavalryman (1917), by African-American novelist and playwright Henry Francis Downing. It is considered a lost film.
The House Behind the Cedars is a 1927 silent race film directed, written, produced and distributed by the noted director Oscar Micheaux. It was loosely adapted from the 1900 novel of the same name by African-American writer Charles W. Chesnutt, who explored issues of race, class and identity in the post-Civil War South. No print of the film is known to exist, and it is considered lost. Micheaux remade the film in 1932 under the title Veiled Aristocrats.
Veiled Aristocrats is a 1932 American Pre-Code race film written, directed, produced and distributed by Oscar Micheaux. The film deals with the theme of "passing" by mixed-race African Americans to avoid racial discrimination. It is a remake of The House Behind the Cedars (1927), based on a novel by the same name published in 1900 by Charles W. Chesnutt. Micheaux may have borrowed the new title from a 1923 novel by Gertrude Sanborn.
The Brute is a 1920 silent race film directed, written, produced and distributed by Oscar Micheaux. No print of the film is known to exist and the production is believed to be a lost film. The original version of the film included a scene where the boxer defeats a white rival, but Micheaux was forced to remove the scene by censors.
The Symbol of the Unconquered is a 1920 silent "race film" drama produced, written and directed by Oscar Micheaux. It is Micheaux's fourth feature-length film and along with Within Our Gates is among his early surviving works. The Symbol of the Unconquered was made at Fort Lee, New Jersey, and released by Micheaux on November 29, 1920. A print of the film is extant at the Museum of Modern Art in New York. The film is based on the way perceptions of race shape human relationships.
Lester Lang was an American cinematographer known for lensing several of Oscar Micheaux's films in the 1930s.
Carl Mahon was an actor in the United States. An African American, he had several film roles including a starring role in the 1932 film The Girl from Chicago
Willor Lee Guilford was an African American actress. She had substantial parts in several films including at least three Oscar Micheaux films.
Ten Nights in a Barroom is an American film released in 1926. The film had a temperance theme and an African American cast. It followed on Timothy Shay Arthur's 1854 novel Ten Nights in a Bar-Room and What I Saw There and William W. Pratt's play, as well as earlier film adaptations albeit with white casts. A man's drinking causes him to lose money, his business, and his daughter. The film has been restored and is archived at the Library of Congress. Charles Gilpin stars. The film was released during the Prohibition era. Roy Calnek directed.
Edna Morton was an American actress who was in films in the 1920s. She starred in mainly race films most of them produced by Reol Productions. Her most notable films being Spitfire (1922), Easy Money (1922), and The Call of His People (1921). She was also in a film by Oscar Micheaux called A Son of Satan (1924). She is known to have been in ten films in total. She was referred to as "the colored Mary Pickford".
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