Black film is a classification of film that has a broad definition relating to the film involving participation and/or representation of black people. The definition may involve the film having a black cast, a black crew, a black director, a black story, or a focus on black audiences. [1] Academic Romi Crawford said, "I think a black film is a film work that takes into account in some way the relationship of African-Americans or blacks from the African Diaspora to filmmaking practice, means and industry. For me, it's in that relation between blacks and the film industry. How one engages in that relationship can be a mixture of black director and black acting talent; black director and black content in story; black content in story, no black director; black production money, nothing else that reads as black." [1]
Film industries were established in many areas during the colonial era. The Colonial Film Unit was established by Great Britain. It included the Jamaica Film Unit. Filmmaking in Colonial Nigeria was carried out. Orlando Martins became a Nigerian film star. The Golden Age of Nigerian Cinema came later.[ citation needed ]
Chicago Tribune 's Allan Johnson said in 2005 that the definition is blurred by black actors who star in films where their ethnicity is unrelated to their character, such as Denzel Washington, Jamie Foxx, Will Smith, and Halle Berry. Several black directors also have directed films unrelated to their ethnicity, including Antoine Fuqua, Angela Robinson, and Tim Story. [1]
The American Black Film Festival was made by marketing executive Jeff Friday, who created the criteria for a film to qualify as a best picture candidate. A film must have eight points to qualify. Four points are given for each executive producer, producer, writer, director, and lead actor and actress involved with the film. Two points are given for each supporting actor and actress. Friday acknowledged the varied possibilities of the scoring system and said part of the goal of the award ceremony was also to recognize people of color behind the camera. [1]
Nigeria's film Industry, Nollywood, is recognized as the second largest film industry in the world in terms of production quantity. Surpassing Hollywood, and just behind Bollywood, Nollywood produced 2,599 films in 2020 alone, which was reported by the National Bureau of Statistics. [2] Nollywood's high production rate is attributed to its rapid filming processes and low production costs. In an interview with the College of Communications, Nigerian Cinematographer Tunji Akinsehinwa mentions that Nollywood could probably produce half of the films in Nigeria on the budget of only one American Marvel Cinematic Universe movie, which tend to cost roughly 200 million dollars. [3] [4]
In 1926, Nigeria saw the production of its first ever feature film, Palaver, Written and directed by a white British filmmaker. Even so, the film is considered to be a significant part of black film history due to its multiple Nigerian supporting actors. Today, "Palaver" is widely criticized for its imperialistic perspective, with Zikoko describing it as a "proudly racist movie". [5] The Black citizens of Nigeria were unable to see the film until the mid-20th century, when Nigeria gained Independence from Britain and movie theaters were able to began construction across the country. [5] [6]
It wasn't until the 1990s when the Nigerian film industry truly developed. Due to a massive surge in television sales, producers began to help filmmakers complete and distribute their work. The main source of distribution was selling CDs, VHSs, and eventually DVDs through local markets. The drawback, according to Tunji Akinsehinwa, was that markets had only two or three weeks before piracy began, which would cause a significant drop in sales. [7] [3]
By the 2020s, the Nigerian film industry had evolved once more, driven by the rise of streaming. The Nigerian Patriot signifies how Nollywood now has the ability to reach a worldwide audience through platforms like YouTube, iROKOtv, and Netflix . [7] Most notably, in 2018, Lionheart became the first ever Netflix-produced Nigerian film, written, directed, and starring Genevieve Nnaji, one of Nollywood's most celebrated actors. Despite this milestone, Nigeria has yet to be nominated for an Academy Award, which is one of the industry's most sought-after aspirations. In 2019, Lionheart was up for contention to be nominated in the "best foreign language film" category, but was disqualified for being spoken almost entirely in English, Nigeria's official language. The decision sparked global outcry, with many criticizing the Academy for its decision. Succeeding this controversy, the category was renamed Best International Feature Film". [8] [6]
The cinema of Nigeria, often referred to informally as Nollywood, consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the colonial era in the early 20th century. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age era, Video film era and the emerging New Nigerian cinema era.
Genevieve Nnaji is a Nigerian actress, producer, and director. She won the Africa Movie Academy Award for Best Actress in a Leading Role in 2005, making her the first actor to win the award. In 2011, she was honoured as a Member of the Order of the Federal Republic by the Nigerian government for her contributions to Nollywood. Her directorial debut movie, Lionheart, is the first Netflix film from Nigeria and the first Nigerian submission for the Oscars. The movie was disqualified for having most of its dialogue in English. After having spent decades in the movie industry, she was profiled alongside some celebrities and business executives in 2020 in two new books by publisher and Editor in Chief of Yes International! magazine, Azuh Arinze.
Omotola Jalade Ekeinde, is a Nigerian actress, singer, philanthropist and former model. Since her Nollywood film debut in 1995, Ekeinde has appeared in over 300 films, selling millions of copies. Omotola is the second Nigerian and first Nigerian celebrity to receive over 1 million likes on her Facebook page. She currently has a total of 3 million followers on Facebook.
Marcos Palmeira de Paula is a Brazilian actor, TV host and producer. He is nephew of the siblings Chico Anysio and Lupe Gigliotti. In 2013, he was nominated for an International Emmy Award for best actor for his role in the series Mandrake.
Majid Michel is a Ghanaian actor, model, television personality, evangelist and a humanitarian. He received nominations for Best Actor in a Leading Role at the Africa Movie Academy Awards in 2009, 2010, 2011, 2012, 2014 and 2017. He eventually won the award in 2012 after three previous consecutive nominations.
Kunle Afolayan is a Nigerian actor, producer, and director. He is credited for elevating the quality of Nollywood movies through larger budgets, shooting on 35mm, releasing in cinemas, and improving cliché Nollywood storylines. After starting his film career as an actor in the 1999 political drama Saworoide, Afolayan made his directorial debut in 2006 with Irapada, a Nigerian supernatural thriller, which won the Africa Movie Academy Award for Best Film in an African Language. His subsequent directing credits include The Figurine, Phone Swap, October 1, and Citation.
The Figurine: Araromire is a 2009 Nigerian supernatural suspense thriller film written by Kemi Adesoye, produced and directed by Kunle Afolayan, who also stars in the film as one of the main protagonists. It also stars Ramsey Nouah and Omoni Oboli.
Femi Jacobs is a Nigerian actor, speaker and singer. He came into prominence for playing Makinde Esho in the film The Meeting, which also stars Rita Dominic and Jide Kosoko. For his role in The Meeting, he received a nomination for Best Actor in a Leading Role at the 9th Africa Movie Academy Awards. He also won the award for Best Actor in a Comedy at the 2015 Africa Magic Viewers' Choice Awards (AMVCA).
Auteuring Nollywood: Critical Perspectives on The Figurine is a book released on 31 July 2014, detailing the scholarly analysis of events in the 2009 film The Figurine directed by Kunle Afolayan. The book is the first book in the history of Nigerian Cinema to be devoted to the work of a single Nigerian film director and it contains scholarly essays, which explores "the thematic focus and cinematic style employed in The Figurine". It also contains interviews with the cast and crew of the film and insights into the African and Nigerian film industry. Since its release, the book has been getting rave reviews from critics, educators and film scholars.
Samuel Dedetoku, popularly known by his stage name Sam Dede, is a Nigerian veteran actor, director, politician and lecturer. Sam Dede, as he is widely known in movies, studied Theatre Arts at the University of Port Harcourt.
Filmmaking in Colonial Nigeria generally refers to an era in Nigerian cinema, usually spanning the 1900s through to the 1950s, when film production and exhibition or distribution were controlled by the British colonial Government. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903.
The video film era, also known as the home video era, is a period in Nigerian cinema, typically from the late 1980s / early 1990s to mid 2010s, when Nigerian films were made using affordable video format. The video boom era emerged after the downturn of the Golden era of the Nigerian cinema in the late 1980s. The term "home video" stems from the concept of staying at home to watch the films, in contrast to films of the Golden Age that were watched at the movie theatres.
New Nigerian Cinema or New Nigerian Cinema era is an emerging phase in Nigerian cinema, in which there became a major shift in the method of film production, from the video format, which came about during the video boom, back to the cinema method, which constituted the films produced in the Golden era of Nigerian cinema history. The films in the New Wave are specifically characterized by improved narrative complexity, aesthetic nuance, much higher budgets and advanced overall production values, when compared to video films from the second generation of filmmakers. They are mostly released theatrically, although some are still released directly on DVD.
Nollywood, a portmanteau of Nigeria and Hollywood, is a sobriquet that originally referred to the Nigerian film industry. The origin of the term goes back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject of several controversies.
Cinema of Ghana also known as the Ghana Film Industry nicknamed Ghallywood, began when early film making was first introduced to the British colony of Gold Coast in 1923. At the time only affluent people could see the films, especially the colonial master of Gold Coast. In the 1950s, film making in Ghana began to increase. Cinemas were the primary venue for watching films until home video became more popular. The movie industry has no official name as yet since consultations and engagements with stakeholders has been ongoing when a petition was sent to the Ministry of Tourism, Arts and Culture which suspended the use of the name Black Star Films.
Wale Ojo is a British Nigerian actor. He started as a child actor in television. He subsequently continued acting roles in the UK and Nigeria. He came into prominence in 1995 for his role in The Hard Case. He won the award for Best Actor at the 2012 Nigeria Entertainment Awards for this leading role in Phone Swap, and has been featured in several movies ever since.
Isoken is a 2017 romantic comedy or romantic drama film written and directed by Jadesola Osiberu. The film stars Dakore Akande, Joseph Benjamin, and Marc Rhys.
Palaver, otherwise known as Palaver: A Romance of Northern Nigeria, is a 1926 silent film shot in British Nigeria; it is recognized today as the first Nigerian feature film.
Steve Gukas is a Nollywood filmmaker, director and producer who believes that films should be used to address the ills of the society.