The raised fist, or the clenched fist, is a long-standing image of mixed meaning, often a symbol of solidarity, especially with a political movement. It is a common symbol representing a wide range of political ideologies, most notably socialism, communism, anarchism, and trade unionism, and can also be used as a salute expressing unity, strength, or resistance.
The origin of the raised fist as either a symbol or gesture is unclear. Its use in trade unionism, anarchism, and the labor movement had begun by the 1910s. William "Big Bill" Haywood, a founding member of the Industrial Workers of the World, used the metaphor of a fist as something greater than the sum of its parts during a speech at the 1913 Paterson silk strike. [2] Journalist and socialist activist John Reed described hearing a similar description from a participant in the strike. [3] A large raised fist rising from a crowd of striking workers was used to promote a mass strike in Budapest in 1912. [4] In the United States, clenched fist was described by the magazine Mother Earth as "symbolical of the social revolution" in 1914. [5]
The use of the fist as a salute by communists and antifascists is first evidenced in 1924, when it was adopted for the Communist Party of Germany's Roter Frontkämpferbund ("Alliance of Red Front-Fighters"). In reaction, the Nazi Party adopted the well-known Roman salute two years later. [6] The gesture of the raised fist was apparently known in the United States as well, and is seen in a photograph from a May Day march in New York City in 1936. [7] It is perhaps best known in this era from its use during the Spanish Civil War of 1936–1939, as a greeting by the Republican faction, and known as the "Popular Front salute" or the "anti-fascist salute". [8]
The graphic symbol was popularised in 1948 by Taller de Gráfica Popular, a print shop in Mexico that used art to advance revolutionary social causes. [10] Its use spread through the United States in the 1960s after artist and activist Frank Cieciorka produced a simplified version for the Student Nonviolent Coordinating Committee: this version was subsequently used by Students for a Democratic Society and the Black Power movement. [11]
The raised right fist was frequently used in posters produced during the May 1968 revolt in France, such as La Lutte continue, depicting a factory chimney topped with a clenched fist. [12] [13] [14]
A raised right fist icon appears prominently as a feminist symbol on the covers of two major books by Robin Morgan, Sisterhood is Powerful , published in 1970, [15] and Sisterhood Is Forever, in 2003. [16] The symbol had been popularised in the feminist movement during the Miss America protest in 1968 which Morgan co-organised. [8]
A raised fist incorporates the outline of the state of Wisconsin, as designed in 2011, for union protests against the state rescinding collective bargaining. [17]
The raised fist logo generally carries the same symbolism as a hand gesture. It was an important symbol of workers rights and labor movements, as well as specific labor actions, such as strikes, boycotts, and walk-outs.
Notable examples include the fist and rose, a white fist holding a red rose, used by the Socialist International and some socialist or social democratic parties, such as the French Socialist Party and the Spanish Socialist Workers' Party. [8] The fist can represent ethnic solidarity, such as in the Black Power fist of Black nationalism and the Black Panther Party, a Black Marxist group in the 1960s, [18] or the White Power fist, a logo generally associated with White nationalism. [19] A Black fist logo was also adopted by the northern soul music subculture. Loyalists in Northern Ireland occasionally use a red clenched fist on murals depicting the Red Hand of Ulster, which is also featured on the flag of Ulster. [20] Irish republicans, on the other hand, have been seen displaying raised fists. [21]
The image gallery shows how a raised fist is used in visual communication. Combined with another graphic element, a raised fist is used to convey polysemous gestures and opposing forces. [22] Depending on the elements combined, the meaning of the gesture changes in tone and intention. For example, a hammer and sickle combined with a raised right fist is part of communist symbolism, while the same right fist combined with a Venus symbol represents Feminism, and combined with a book, it represents some librarians who oppose digital rights management. The Gonzo fist emblem, characterized by two thumbs and four fingers holding a peyote button, was originally used in Hunter S. Thompson's 1970 campaign for sheriff of Aspen, Colorado. It has become a symbol of Thompson and gonzo journalism as a whole.
The Unicode character for the raised fist is U+270A✊RAISED FIST.
Different movements sometimes use different terms to describe the raised fist salute: amongst communists and socialists, raised right fist is sometimes called the red salute, whereas in the United States it is widely known as the Black Power salute due to use by many African-American activists. The Rotfrontkämpferbund paramilitary organization of Communist Party of Germany used the right hand fist salute as early as 1924. [23] By this time, the Soviet Union had already established the use of a traditional Russian military salute. During the Spanish Civil War, it was sometimes known as the anti-fascist salute. A letter from the Spanish Civil War stated: "...the raised fist which greets you in Salud is not just a gesture—it means life and liberty being fought for and a greeting of solidarity with the democratic peoples of the world." [24]
At the 1968 Summer Olympics in Mexico City, medal winners John Carlos and Tommie Smith gave the raised fist salute during the American national anthem as a sign of black power, and as a protest on behalf of the Olympic Project for Human Rights. They were banned from further Olympic activities by the IOC, as the rules then in place prohibited any political statements at the Olympics. The event was one of the most overtly political statements [25] in the history of the modern Olympic Games. Tommie Smith stated in his autobiography, "Silent Gesture", that the salute was not a Black Power salute, but in fact a human rights salute. [26]
Nelson Mandela also used the clenched right fist salute upon his release from Victor Verster Prison in 1990. [8]
The raised right fist is used by officials in People's Republic of China when being sworn into office. [27]
Psychologist Oliver James has suggested that the appeal of the salute is that it allows the individual to indicate that they "intend to meet malevolent, massive institutional force with force of (their) own", and that they are bound in struggle with others against common oppression. [8]
A salute is usually a formal hand gesture or other action used to display respect in military situations. Salutes are primarily associated with the military and law enforcement, but many civilian organizations, such as Girl Guides, Boy Scouts and the Salvation Army use formal salutes. Ordinary civilians also salute informally to greet or acknowledge the presence of another person, such as a tip of the hat or a hand wave to a friend or neighbor.
The 1968 Summer Olympics, officially known as the Games of the XIX Olympiad and officially branded as Mexico 1968, were an international multi-sport event held from 12 to 27 October 1968 in Mexico City, Mexico. These were the first Olympic Games to be staged in Latin America, the first to be staged in a Spanish-speaking country, and the first to be staged in the Global South. Consequently, these games also marked the first time that there would be a gap of two Olympic Games not to be held in Europe. They were also the first Games to use an all-weather (smooth) track for track and field events instead of the traditional cinder track, as well as the first example of the Olympics exclusively using electronic timekeeping equipment.
The Roman salute, also known as the Fascist salute, is a gesture in which the right arm is fully extended, facing forward, with palm down and fingers touching. In some versions, the arm is raised upward at an angle; in others, it is held out parallel to the ground. In contemporary times, the former is commonly considered a symbol of fascism that had been based on a custom popularly attributed to ancient Rome. However, no Roman text gives this description, and the Roman works of art that display salutational gestures bear little resemblance to the modern Roman salute.
Political colours are colours used to represent a political ideology, movement or party, either officially or unofficially. They represent the intersection of colour symbolism and political symbolism. Politicians making public appearances will often identify themselves by wearing rosettes, flowers, ties or ribbons in the colour of their political party. Parties in different countries with similar ideologies sometimes use similar colours. As an example the colour red symbolises left-wing ideologies in many countries, while the colour blue is often used for conservatism, the colour yellow is most commonly associated with liberalism and right-libertarianism, and Green politics is named after the ideology's political colour. The political associations of a given colour vary from country to country, and there are exceptions to the general trends, for example red has historically been associated with Christianity, but over time gained association with leftist politics, while the United States differs from other countries in that conservatism is associated with red and liberalism with blue. Mass media has driven a standardisation of colour by political party, to simplify messaging, while historically the colour a candidate chose to identify with could have been chosen based on other factors such as family or regional variations.
Tommie C. Smith is an American former track and field athlete and wide receiver in the American Football League. At the 1968 Summer Olympics, Smith, aged 24, won the 200-meter sprint finals and gold medal in 19.83 seconds – the first time the 20-second barrier was broken officially. His Black Power salute with John Carlos atop the medal podium caused controversy, as it was seen as politicizing the Olympic Games. It remains a symbolic moment in the history of the Black Power movement.
John Wesley Carlos is an American former track and field athlete and professional football player. He was the bronze-medal winner in the 200 meters at the 1968 Summer Olympics, where he displayed the Black Power salute on the podium with Tommie Smith. He went on to tie the world record in the 100-yard dash and beat the 200 meters world record. After his track career, he enjoyed a brief stint in the Canadian Football League but retired due to injury.
Fascist symbolism is the use of certain images and symbols which are designed to represent aspects of fascism. These include national symbols of historical importance, goals, and political policies. The best-known are the fasces, which was the original symbol of fascism, and the swastika of Nazism.
The protests of 1968 comprised a worldwide escalation of social conflicts, which were predominantly characterized by the rise of left-wing politics, anti-war sentiment, civil rights urgency, youth counterculture within the silent and baby boomer generations, and popular rebellions against military states and bureaucracies.
During their medal ceremony in the Olympic Stadium in Mexico City on October 16, 1968, two African-American athletes, Tommie Smith and John Carlos, each raised a black-gloved fist during the playing of the US national anthem, "The Star-Spangled Banner". While on the podium, Smith and Carlos, who had won gold and bronze medals respectively in the 200-meter running event of the 1968 Summer Olympics, turned to face the US flag and then kept their hands raised until the anthem had finished. In addition, Smith, Carlos, and Australian silver medalist Peter Norman all wore human-rights badges on their jackets.
The Olympic Project for Human Rights (OPHR) was an American organization established by sociologist Harry Edwards and multiple Black American athletes, including noted Olympic sprinters Tommie Smith and John Carlos, on October 7, 1967. The purpose of the group was to advocate for civil rights and human rights for Black people in the United States and Africans abroad, along with protesting racism in sport in general. The OPHR proposed a complete Black athlete boycott of the 1968 Summer Olympics in Mexico City to achieve its goals. While the OPHR advocated for a boycott backed by all Black Americans, the group did not actively include women in its discussions and in the end was mostly composed of track and field athletes.
Frank Cieciorka was an American graphic artist, painter, and activist. His best known work, a woodcut rendering of a clenched-fist salute, was a model for the New Left emblem.
The Nazi salute, also known as the Hitler salute, or the Sieg Heil salute, is a gesture that was used as a greeting in Nazi Germany. The salute is performed by extending the right arm from the shoulder into the air with a straightened hand. Usually, the person offering the salute would say "Heil Hitler!", "Heil, mein Führer!", or "Sieg Heil!". It was officially adopted by the Nazi Party in 1926, although it had been used within the party as early as 1921, to signal obedience to the party's leader, Adolf Hitler, and to glorify the German nation. The salute was mandatory for civilians but mostly optional for military personnel, who retained a traditional military salute until the failed assassination attempt on Hitler on 20 July 1944.
The Reaper, also known as Catalan peasant in revolt was a large mural created by Joan Miró in Paris in 1937 for the Spanish Republic’s pavilion at the 1937 Paris International Exhibition. One of Miró's largest works, it was destroyed or lost in 1938, and only a few black and white photographs survive.
Communist symbolism represents a variety of themes, including revolution, the proletariat, the peasantry, agriculture, or international solidarity. The red flag, the hammer and sickle and the red star or variations thereof are some of the symbols adopted by communist movements, governments, and parties worldwide.
The Three Arrows is a social democratic political symbol associated with the Social Democratic Party of Germany (SPD), used in the late history of the Weimar Republic. First conceived for the SPD-dominated Iron Front as a symbol of the social democratic resistance against Nazism in 1932, it became an official symbol of the Party during the November 1932 German federal election, representing their opposition towards monarchism, Nazism, and communism.
The three-finger salute is a hand gesture made by raising the index, middle and ring fingers, while holding the thumb to the little finger, and raising the hand with the palm facing out in a salute. The gesture was popularized in the 2010s after its use in The Hunger Games as a symbol of revolution. The gesture has been adopted by protesters, particularly for pro-democracy protest movements in Southeast Asia, mainly in Thailand and Myanmar, as well as in other countries, including Hong Kong.
The fist and rose, sometimes called the rose in the fist or fist with a rose, is an emblem used or formerly used by a number of left-wing and center-left parties and political organizations around the world.
Victory Salute, commonly referred to as the Olympic Black Power Statue, is a monument depicting the 1968 Olympics Black Power salute performed by African-American athletes Tommie Smith and John Carlos. The monument consists of two fiberglass statues covered in ceramic tiles, atop a concrete base designed to emulate the Olympic podium. It was created in 2005 by Portuguese artist Rigo 23 and is installed next to Tower Hall on the San José State University campus, in San Jose, California, United States.
The Roman salute characteristic of Italian fascism was first adopted by the PNE and the JONS, later spreading to the Falange and other extreme right groups, before it became the official salute in Franco's Spain. The JAP salute, which consisted of stretching the right arm horizontally to touch the left shoulder enjoyed only relatively little acceptance. The gesture of the raised right fist, so widespread among left-wing workers' groups, gave rise to more regimented variations, such as the salute with the fist on one's temple, characteristic of the German Rotfront , which was adopted by the republican Popular Army.
