Jazz dance is a performance dance and style that arose in the United States in the early 20th century. Jazz dance may allude to vernacular jazz, Broadway or dramatic jazz. The two types expand on African American vernacular styles of dance that arose with jazz music. Vernacular jazz dance incorporates ragtime moves, Charleston, Lindy hop and mambo. Popular vernacular jazz dance performers include The Whitman Sisters, Florence Mills, Ethel Waters, Al Minns and Leon James, Frankie Manning, Norma Miller, Dawn Hampton, and Katherine Dunham. Dramatic jazz dance performed on the show stage was promoted by Jack Cole, Bob Fosse, Eugene Louis Faccuito, and Gus Giordano.
A salute is usually a formal hand gesture or other action used to display respect in military situations. Salutes are primarily associated with the military and law enforcement, but many civilian organizations, such as Girl Guides, Boy Scouts and the Salvation Army use formal salutes. Ordinary civilians also salute informally to greet or acknowledge the presence of another person, such as a tip of the hat or a hand wave to a friend or neighbor.
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit, or they can be held in the hand and played by tapping, hitting, or shaking the instrument.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
Applause is primarily a form of ovation or praise expressed by the act of clapping, or striking the palms of the hands together, in order to create noise. Audiences usually applaud after a performance, such as a musical concert, speech, or play, as a sign of enjoyment and approval.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
A mudra is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers.
A strike is a directed, forceful physical attack with either a part of the human body or with a handheld object, intended to cause blunt or penetrating trauma upon an opponent.
The ghaṭam is a solid instrument used in various repertoires across the Indian subcontinent, especially in Southern India. Its variant is played in Punjab and known as gharha as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa.
A cajón is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajóns are primarily played in Afro-Peruvian music, but have made their way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo.
The Bihu dance is an indigenous folk dance from the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps and rapid hand movements. The traditional costume of dancers is centered around the red color theme, signifying joy and vigour.
Fire performance is a group of performance arts or skills that involve the manipulation of fire. Fire performance typically involves equipment or other objects made with one or more wicks which are designed to sustain a large enough flame to create a visual effect.
The mridangam is a percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo.
Stevens grip is a technique for playing keyboard percussion instruments with four mallets developed by Leigh Howard Stevens. While marimba performance with two, four, and even six mallets had been done for more than a century, Stevens developed this grip based on the Musser grip, looking to expanded musical possibilities. Stevens codified his grip and his approach to performance techniques developed during his studies at the Eastman School of Music in his 1979 book, Method of Movement for Marimba. In this book, Stevens explains that his grip is an evolution of the Musser grip, and it is sometimes called the Musser-Stevens grip.
Gus Giordano was an American jazz dancer, teacher, and choreographer. He performed on Broadway, in theater and television. He founded the Gus Giordano Dance School in 1953 and Gus Giordano Jazz Dance Chicago in 1963. Also he created the First American Jazz Dance World Congress in 1990, and is the author of Anthology of American Jazz Dance (1975).
"Let's Face the Music and Dance" is a song published in 1936 by Irving Berlin for the film Follow the Fleet, where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others.
An obscene gesture is a movement or position of the body, especially of the hands or arms, that is considered exceedingly offensive or vulgar in some particular cultures. Such gestures are often sexually suggestive.
Giordano Dance Chicago, formerly Giordano Jazz Dance Chicago and Gus Giordano's Jazz Dance Chicago, is a jazz dance company based in Chicago, Illinois. Founded by Gus Giordano in 1963 as Dance Incorporated Chicago, it has toured worldwide, including as the first jazz dance company in the Soviet Union in 1974. The company has received widespread critical acclaim, and is said to have been the first jazz dance company.
