Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television.
East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including: big band, rock and roll, rockabilly, and boogie-woogie.
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated.
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show Runnin' Wild and became one of the most popular hits of the decade. Runnin' Wild ran from 28 October 1923 through 28 June 1924. The Charleston dance's peak popularity occurred from mid-1926 to 1927.
West Coast Swing is a partner dance with roots in Lindy Hop, characterized by an elastic look that results from its extension-compression technique of partner connection and is danced primarily in a slotted area on the dance floor. The dance allows for both partners to improvise steps while dancing together, putting West Coast Swing in a short list of dances that emphasize improvisation.
Swing dance is a group of social dances that developed with the swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Charleston, Balboa, Lindy Hop, and Collegiate Shag. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African-American communities as vernacular African-American dances, some influenced swing-era dances, like Balboa, developed outside of these communities.
Salsa is a Latin American dance, associated with salsa music. It originated in the late Eastern Cuba and gained popularity in New York in 1960.
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band music. The dance is similar in its look to waltz, although the rhythm is in a 4
4 time signature instead of 3
4. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and various other dance styles, the main difference being the simplification of footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive.
This is a list of dance terms that are not names of dances or types of dances. See List of dances and List of dance style categories for those.
The Hustle is a catch-all name for some disco dances which were extremely popular in the 1970s. Late 1970s, Bump, Hustle, Watergate and Spank were popular. It mostly refers to the unique partner dance done in nightclubs to disco music. Hustle has steps in common with Mambo and Salsa and basic steps are somewhat similar to Euro dance style Discofox, which emerged at about the same time and is more familiar in various European countries. Modern partner hustle is sometimes referred to as New York hustle, however, its original name is the Latin hustle.
A Coaster Step is a term used in swing dancing which originated in Lindy swing. During the last two beats of a rhythm pattern, the follower rotated 90° to be perpendicular to the leader, then stepped back, together, and forward in triple-rhythm, then rotated back to face the leader and to be ready to step forward as the leader led the follower in to begin the next pattern.
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
Bulgarian folk dances are intimately related to the music of Bulgaria. This distinctive feature of Balkan folk music is the asymmetrical meter, built up around various combinations of 'quick' and 'slow' beats. The music, in Western musical notation, is often described using compound meter notation, where the notational meter accents, i.e., the heard beats, can be of different lengths, usually 1, 2, 3, or 4. Many Bulgarian dances are line dances, in which the dancers dance in a straight or curved line, holding hands.
Acrobatic rock and roll is a fast, athletic, physically demanding form of partner dance that originated from Lindy Hop but has evolved to a choreographed sport, often done in formal competition. It is danced by both couples and groups, either all-female or four to eight couples together.
Samba de Gafieira is a partner dance to various Brazilian samba musical rhythms. Unlike street and club forms of Brazilian samba, it evolved as a ballroom dance.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
Zydeco as a dance style has its roots in a form of folk dance that corresponds to the heavily syncopated zydeco music, originated in the beginning of the 20th century among the Francophone Creole peoples of Acadiana. It is a partner dance that has been primarily danced socially and sometimes in performances.
The Collegiate Shag is a partner dance done primarily to uptempo swing and pre-swing jazz music. It belongs to the swing family of American vernacular dances that arose in the 1920s and 30s. It is believed that the dance originated within the African American community of the Carolinas in the 1920s, later spreading across the United States during the 1930s. The shag is still danced today by swing dance enthusiasts worldwide.
