AWB was formed in early 1972 [4] in London by Alan Gorrie, [5] and Malcolm "Molly" Duncan, with Owen "Onnie" McIntyre, [6] Michael Rosen (trumpet), Roger Ball, and Robbie McIntosh [7] joining them in the original line-up. Hamish Stuart [8] quickly replaced Rosen. Duncan and Ball, affectionately known as the Dundee Horns, studied at Duncan of Jordanstone College of Art (now part of the University of Dundee, but which at the time was part of the Dundee Institute of Art and Technology, now known as Abertay University), and were previously members of Mogul Thrash. Gorrie and McIntyre had been members of Forever More. McIntyre and McIntosh were used as session musicians on Chuck Berry's recording of "My Ding-a-Ling". [4]
According to Duncan, members of the band had played together before in Scotland, but had moved to London separately and met up by chance at a Traffic concert. They decided to jam together; a friend heard them and remarked: "This is too much for the average white man," which became adapted as the name of the band. [9]
Breakthrough
The band's breakthrough was a support slot at Eric Clapton's comeback concert in 1973. MCA Records released their debut album, Show Your Hand (1973), which sold poorly. [1] Bruce McCaskill, who was Clapton's tour manager, liked the band's music and agreed to manage them. He borrowed money to take them to the US and to promote them. McCaskill had many contacts from his days with Clapton and managed to get Atlantic Records to sign them. The band relocated to Los Angeles and released the follow-up, AWB , better known as The White Album. It reached No. 1 and was the first of many with renowned producer Arif Mardin. [1]
McIntosh died of a heroin overdose at a Los Angeles party on 23 September 1974. [2] [1] Gorrie also overdosed, but Cher kept him conscious until medical help arrived. [10] The NME reported in January 1975 that AWB played a benefit show for McIntosh's widow at the Marquee Club in London. [11] McIntosh was replaced by Steve Ferrone, previously of Bloodstone, who had replaced McIntosh before in Brian Auger's Oblivion Express. [2]
In 1975, the single "Pick Up the Pieces", taken from the No. 1 AWB album, reached No. 1 on the US Billboard Hot 100 chart. The song knocked Linda Ronstadt's "You're No Good" out of No. 1 and sold over one million copies. It was awarded a gold disc by the R.I.A.A. in March 1975. [12] It also prompted The J.B.'s, the backup band of the "Godfather of Soul", James Brown, to record and release a song in reply, "Pick Up the Pieces, One by One", under the name AABB (Above Average Black Band). It was both a tribute to AWB's knowledge of funk and a tongue-in-cheek play on the Scottish band's name.
AWB followed up with the LPs Cut the Cake (1975) and Soul Searching (1976), both big sellers and yielding further Top 40 singles. Cut the Cake was dedicated by the surviving band members to McIntosh's memory. A double live album "Person To Person" was issued in late 1976. Their next LP, Benny & Us, was a collaboration with Ben E. King. [1]
Later career
After several more albums, "Warmer Communications" (1978), "Feel No Fret" (1979) and after a switch to the U.S. Arista label, "Shine" (1980) and "Cupid's In Fashion" (1982), AWB's audience and sales dwindled. The group initially disbanded by 1983. Their 1980 disco hit "Let's Go Round Again" (UK No. 12), [13] was covered in the late 1990s by Louise.
Ferrone went on to work with Duran Duran and later with Tom Petty and The Heartbreakers from 1994 until Petty's death in 2017. Hamish Stuart joined Paul McCartney's touring group. [1] In 1985 Gorrie released a solo album, Sleepless Nights.
The classic lineup of Gorrie, McIntyre, Ball, Stuart, Duncan and Ferrone reunited for one last time at the Atlantic Records 40th Anniversary in 1988. Gorrie, McIntyre, and Ball then continued in 1989 to record Aftershock . [14] Alex Ligertwood (ex-Santana, Jeff Beck Group and another veteran of Brian Auger's Oblivion Express) also appeared on this album, replacing lead singer Hamish Stuart, along with Eliot Lewis who co-wrote with Gorrie and joined the band. Ligertwood left after the album's recording and drummer Tiger McNeil joined for the reunited band's live shows. McNeil was with the group until 1994. He was then succeeded by Peter Abbott (ex-Blood, Sweat & Tears), who in turn was replaced by Fred "Catfish" Alias in September 1998. Drummer Adam Deitch did a two-year stint with AWB from 1999 to 2001.
Average White Band has continued recording (1997's Soul Tattoo, 1999's Face to Face) and touring since. Ball worked on Soul Tattoo with the group but was replaced by Fred Vigdor (aka Freddy V.) in 1996.
Brian Dunne took over the drum chair in 2001 and when Eliot Lewis left the band in September 2002 to pursue other musical opportunities (including a stint with Hall and Oates), he was replaced by Klyde Jones. [15]
Their line-up as of 2002 became Alan Gorrie (bass guitar, guitar, lead and backing vocals), Klyde Jones (keyboards, bass guitar, guitar, lead and backing vocals), Onnie McIntyre (guitar, vocals), Freddy V (sax, keyboards, vocals), and Brian Dunne (drums).
Dunne was replaced by Rocky Bryant as drummer as of the 2006 tour. After Jones left in 2011 to join Hall and Oates, Monte Croft (keyboards, bass, guitar) and former Earth, Wind & Fire member Morris Pleasure (keyboards, bass, guitar) came in to do brief stints before Rob Aries arrived in 2013.
Brent Carter (ex-Tower of Power) has been singing with AWB since 2011.
In July 2015, Malcolm 'Molly' Duncan, Steve Ferrone and Hamish Stuart reunited to form The 360 Band. This is in essence one half of the classic AWB. They released an album titled Three Sixty in 2017 and performed live together along with supporting musicians. As of 2019, Alan Gorrie and Onnie McIntyre are the only two original members left in the Average White Band.
Original tenor sax player Molly Duncan died on 8 October 2019, shortly after it had been announced that he had been diagnosed with terminal cancer. [16]
In June 2023, AWB announced their final tour, Let's Go Round Again One Last Time. [17] "That it's finally coming to an end is going to mean a highly emotional tour next year, but one which will mean we bow out at the top level," Gorrie said. "Please join us in a final celebration of that journey, and to a last hurrah of epic proportions with your presence and your aye-ready appreciation!" [18]
