Show Your Hand | ||||
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Studio album by | ||||
Released | September 1973 | |||
Recorded | 1972-1973 | |||
Studio | RG Jones, London, UK | |||
Genre | Funk | |||
Length | 39:52 | |||
Label | MCA | |||
Producer | Robin Turner, Average White Band | |||
Average White Band chronology | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
Allmusic (link) | |
Christgau's Record Guide | B+ [1] |
Show Your Hand is the first album by Scottish funk band Average White Band, likely recorded at RG Jones Recording Studios, Wimbledon, London, and released in 1973 by MCA Records. After the success of AWB , the album was re-issued in 1975 with a new title, Put It Where You Want It, a different opening track and new cover artwork. The re-issued version finally made it to the Billboard Top 200, peaking at No. 39, and No. 69 in Canada. [2]
Side one
Side two
On the 1975 MCA re-issue the song "The Jugglers" is replaced by "How Can You Go Home".
The Average White Band are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, The Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history. As of 2022, 50 years after their formation, they continue to perform.
AWB is the second studio album by the Scottish funk and soul band Average White Band, released in August 1974.
Bachman–Turner Overdrive, often abbreviated BTO, are a Canadian rock band from Winnipeg, Manitoba, founded by three brothers: Randy Bachman, Robbie Bachman, Tim Bachman; and Fred Turner in 1973. Their 1970s catalogue included seven top-40 albums and 11 top-40 singles in Canada. In Canada they have six certified platinum albums and one certified gold album; in the US they have five certified gold albums and one certified platinum album. The band has sold nearly 30 million albums worldwide and has fans affectionately known as "gearheads". Many of their songs, including "Let It Ride", "You Ain't Seen Nothing Yet", "Takin' Care of Business", "Hey You" and "Roll on Down the Highway", still receive regular play on classic rock stations.
Keasbey Nights is the debut album by the American ska punk band Catch 22, released on March 24, 1998, by Victory Records. It is the only album by the band's original lineup, as singer/songwriter/guitarist Tomas Kalnoky, bassist Josh Ansley, and horn player James Egan all left the group later that year. Kalnoky re-recorded the entire album in 2006 with his new band Streetlight Manifesto in response to Victory's plan to re-release it. The album's title references Keasbey, New Jersey, an unincorporated area within the Woodbridge Township of Middlesex County.
At Your Birthday Party is the third studio album by Canadian-American rock band Steppenwolf. The album was released in March 1969, by ABC Dunhill Records.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
Leather Boyz with Electric Toyz is the debut album from the band Pretty Boy Floyd. It reached #130 on the United States Billboard chart in 1989.
At Last...The Duets Album is the second cover album and thirteenth studio album by saxophonist Kenny G. It was released by Arista Records in 2004, and reached number 1 on the Contemporary Jazz chart, number 21 on the Top R&B/Hip-Hop Albums chart and number 40 on the Billboard 200.
Soul Alone is the third studio album by American singer and musician Daryl Hall, released in 1993 on Epic Records. Distinct from the sound of his successful duo Hall & Oates, this album features a more soulful and jazzy feel, with production by Hall with Peter Lord Moreland and V. Jeffrey Smith from R&B group The Family Stand, and Michael Peden. However, Epic failed to find a marketing niche for Hall's new sound, and the album was not a commercial success. Soul Alone features singer Mariah Carey, Alan Gorrie from the Average White Band, and producer/multi-instrumentalist Walter Afanasieff as composers. Four singles were released from the album: "I'm in a Philly Mood," "Stop Loving Me, Stop Loving You," "Help Me Find a Way to Your Heart" and "Wildfire." The Japanese version of the album came with an extra 12th track, "I've Finally Seen the Light."
Can't Stop Dreaming is a 1996 solo album by Daryl Hall. It was originally released in Japan as a Limited Collector's Edition with 12 tracks and was subsequently released in the United States on June 10, 2003, albeit missing one of its original tracks, which was featured on the 2002 Hall & Oates album, Do It for Love. All versions of the album contain a remake of the popular Hall & Oates song "She's Gone".
Desire for Freedom was singer/songwriter Jim Diamond's second studio album. Released in 1986 it featured a wide range of styles such as heartfelt ballads and stirring rockers. Singles that came from this album were "Hi Ho Silver", "Young Love ", "Desire" and "So Strong". It is currently out of print, though most tracks appear on The Best of Jim Diamond.
Sax-a-Go-Go is the second album by Dutch alto saxophonist Candy Dulfer, released in 1993. It entered the US Billboard Top Contemporary Jazz Albums chart at No. 5 in February 1994, remaining on the chart for 31 weeks. The album peaked at number 77 in Australia. The album includes a version of Eugene McDaniels' Vietnam War protest song "Compared to What", and "I Can't Make You Love Me", a hit for Bonnie Raitt from her album Luck of the Draw (1991).
Aftershock is an album by the R&B band Average White Band, released in 1989. Three original bandmembers returned; Alex Ligertwood joined on vocals. Chaka Khan sang on two of the album's songs. Track Records, the band's label, was unable to effectively promote Aftershock. The album was a moderate success in Europe.
Cut the Cake is the third album released by Average White Band, released in 1975. This album's hit title track reached #10 on the Billboard pop singles chart. It was dedicated to "our friend and brother Robbie McIntosh."
Roger Ball is a Scottish saxophonist, keyboardist, songwriter and arranger. He is a former original member of the Average White Band (AWB).
Soul Searching is the fourth album released by Average White Band.
The Hands That Thieve is the fifth studio album by the American ska-punk band Streetlight Manifesto. It was their first studio album since 2010's 99 Songs of Revolution: Vol. 1, and their first album of original material since 2007's Somewhere in the Between. In addition to the Streetlight album, an acoustic version of the album was intended to be released by Toh Kay, but was cancelled. The album was originally set to be released in the summer of 2012, but was pushed back several times due to label problems and rewrites, to its eventual release date of April 30, 2013. The album has received generally favorable critical response.
Warmer Communications is the sixth studio album released by Average White Band. The title is a play on Warner Communications, parent company of AWB's Atlantic Records label at the time of the album's release.
Feel No Fret is the seventh album by Scottish funk and R&B band Average White Band released in 1979 on the RCA label in the United Kingdom and the Atlantic label in North America.
Cupid's in Fashion is the ninth album by the Average White Band, a Scottish funk and R&B band. It was released in 1982 on the RCA label and peaked at #49 in the R&B album charts.