A Tribe Called Quest came to prominence as members of the Native Tongues collective, which they co-founded in 1988. The group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990), established them as a critically acclaimed act, earning the first five 'mic' rating in The Source's history.[10][8] In 1991, the group saw commercial success with its jazz-infused second album, The Low End Theory, which heavily shaped alternative hip hop in the 1990s.[11] It was followed by the similarly successful and influential Midnight Marauders (1993), and Beats, Rhymes and Life (1996), which topped the Billboard 200. In 1998, the group disbanded shortly before releasing its fifth album The Love Movement, but in 2006, the original members reunited and toured sporadically for the next seven years. In 2016, the group released its sixth and final album, We Got It from Here... Thank You 4 Your Service, which received critical acclaim and became its second album to top the Billboard 200; it featured posthumous contributions from Phife Dawg, who died eight months before its release.[12]
A Tribe Called Quest was the most commercially successful act in the Native Tongues, with all six of its albums certified either gold or platinum.[13] John Bush of AllMusic called them "the most intelligent, artistic rap group during the 1990s",[14] and Kris Ex of Pitchfork regarded them as "one of the greatest acts that hip-hop has ever produced".[15] In 2005, A Tribe Called Quest received the Founders Award at the Billboard R&B/Hip-Hop Awards,[16] and two years later, the group was honored at the 4th VH1 Hip Hop Honors.[17] In 2017, the group was awarded the Brit Award for International Group. A Tribe Called Quest was inducted into the Rock and Roll Hall of Fame in 2024.[18][19]
History
1985–1990: Formation, Native Tongues, and People's Instinctive Travels
The neighborhood of St. Albans, Queens, where Q-Tip and Phife Dawg grew up together
Q-Tip (Kamaal Fareed) and Phife Dawg (Malik Taylor) were childhood friends who grew up together in the St. Albans neighbourhood of Queens, New York City.[5][20] Initially, Q-Tip performed as a battle rapper, under the name MC Love Child, occasionally teaming up with Murry Bergtraum High School classmate Ali Shaheed Muhammad as a rapper and DJ duo.[6][21] In 1985, the duo began making demos over Q-Tip's pause tape beats.[5] Phife Dawg later joined them, though he didn't become a full member until neighbourhood friend Jarobi White joined; the group dubbed themselves "Crush Connection" and later "Quest".[17][22] The group's final name, A Tribe Called Quest, was coined in 1988 by Jungle Brothers, who attended the same high school as Q-Tip and Muhammad; that year, Q-Tip made his first recorded appearances on Jungle Brothers' songs "Black Is Black" and "The Promo".[5][14] Shortly after, A Tribe Called Quest, Jungle Brothers, De La Soul, Queen Latifah and Monie Love formed the Native Tongues collective, known for their like-minded Afrocentrism, positivity and eclectic sampling.[23][24] In 1989, Phife Dawg made his first recorded appearance on the song "Buddy (Native Tongue Decision)", the remix of De La Soul's single "Buddy".[25]
A Tribe Called Quest hired Kool DJ Red Alert as their first manager.[26] In early 1989, the group signed a demo deal with Geffen Records and produced a five-song demo, which included future single "I Left My Wallet in El Segundo".[27] Geffen decided against offering the group a recording contract, and the group was granted permission to shop for a deal elsewhere.[27] After receiving lucrative offers for multi-album deals from a variety of labels, the group opted for a modest deal offered by Jive Records.[27] Jive was then known as an independent rap label that partly owed its success to building the careers of artists Boogie Down Productions and Too Short. Later that year, the group released their first 12" single, "Description of a Fool".[20]
Their debut album, People's Instinctive Travels and the Paths of Rhythm, released on April 10, 1990,[20] was marked by a playful lyrical approach and light-hearted content such as safe sex, vegetarianism and youthful experiences.[28] The music was an eclectic mix of jazz, funk, soul and rock samples.[4] The album was met with critical acclaim; The Source rated it five mics, becoming the first album to receive the magazine's highest rating.[10]NME's review stated that "This is not rap, it's near perfection."[29] The album only gained momentum after the release of the singles "Bonita Applebum" and "Can I Kick It?", eventually achieving gold certification in 1996.[20][30]
1991–1993: The Low End Theory, Midnight Marauders, and commercial success
Phife Dawg's breakout performance on The Low End Theory marked the beginning of the group's successful run in the 1990s.
A Tribe Called Quest's second album, The Low End Theory, was released on September 24, 1991, with "Check the Rhime" as the lead single; the song largely established the lyrical interplay between Q-Tip and Phife Dawg.[20][31] Until then, most of the group's songs had only featured vocals by Q-Tip, but Q-Tip encouraged Phife Dawg to increase his participation despite his recent diabetes diagnosis.[17] Musically, the album fused hip hop with the laid-back atmosphere of jazz, particularly bebop and hard bop, combined with a minimalist approach to production that stripped the sound down to vocals, drums and bass.[5][32] Mixing engineer Bob Power played a major role on the album, as he was tasked with removing surface noise and static that is typically heard on hip hop songs sampled from old vinyl records.[33] During the recording sessions, White left the group to pursue a career in culinary arts, and they hired Chris Lighty as their new manager after signing to Rush Artist Management.[22][34]
Lyrically, the group focused on a range of social issues, from date rape ("The Infamous Date Rape") to consumerism ("Skypager"), while also criticizing the hip hop industry on several songs.[20] Guests on the album included Leaders of the New School, Brand Nubian, Vinia Mojica and Ron Carter, who played double bass on the song "Verses from the Abstract". Additional singles included "Jazz (We've Got)" and "Scenario"; a live performance of "Scenario" with Leaders of the New School on The Arsenio Hall Show led to greater popularity.[35] Leaders member Busta Rhymes attracted attention with his verse in the song, which led to him launching a successful solo career.[31]
The Low End Theory received widespread acclaim from critics.[22]The Source gave the group its second consecutive five mic rating, praising their "progressive sound" and "streetwise edge", also noting that "Those who questioned Phife's microphone techniques on the first album will swallow those doubts as he practically steals the show on this one."[36] The album peaked at #45 on the Billboard 200 and was certified gold on February 19, 1992; it reached platinum status by 1995.[31] In the aftermath of their success, the group contributed the song "Hot Sex" to the soundtrack for the film Boomerang in 1992.[37]
Conrad Tillard, then known variously as the Hip Hop Minister and Conrad Muhammad, became a fixture in hip-hop in 1993 after he arranged a meeting and a truce in a feud between rising bands Wreckx-N-Effect and A Tribe Called Quest, that Tillard said threatened to turn Harlem into a "war zone".[38][39][40][41][42][43]
A Tribe Called Quest released their third album, Midnight Marauders, on November 9, 1993.[44] The lead single, "Award Tour", became the group's highest-charting single and helped to land the album at #8 on the Billboard 200.[31] The production, still rooted in jazz, was a return to the eclectic sounds found on People's Instinctive Travels, with a more prominent funk influence, including grittier drums.[44][5] The voice of a "tour guide", on the intro and at the end of several tracks, added further cohesion to the album.[31]
Midnight Marauders saw improved lyrical interplay between Phife Dawg and Q-Tip,[44] as evidenced on the singles "Electric Relaxation" and "Oh My God"; the popularity of "Electric Relaxation" led to it becoming the opening theme song for the sitcom The Wayans Bros., from 1995 to 1996.[45] Topics on the album include police harassment ("Midnight"), religious faith ("God Lives Through"), hip hop ("We Can Get Down") and use of the word nigga ("Sucka Nigga").[44] Guests on the album include Large Professor, Busta Rhymes and Raphael Saadiq (credited as Raphael Wiggins).
The album received widespread acclaim from critics.[22]Entertainment Weekly called the album "as fresh as their first",[46] while Melody Maker stated "A Tribe Called Quest have expanded their vision with a lyrical gravitas and a musical lightness of touch that has hitherto eluded them across a whole album".[46] The album was ranked #21 by The Village Voice in that year's Pazz & Jop critics' poll.[46]Midnight Marauders became A Tribe Called Quest's fastest-selling album; it was certified platinum on January 11, 1995, only 14 months after its release.[31]
1994–1995: Intermission and the Ummah
At the 1994 Source Awards, Tupac Shakur and his group Thug Life performed their song "Out on Bail", interrupting A Tribe Called Quest as they accepted the award for Group of the Year; it was later found that this apparent act of disrespect was accidental.[24][47] That summer, the group performed as one of a handful of hip hop acts on the Lollapalooza tour, among acts such as The Smashing Pumpkins, Stereolab and The Verve.[48] While on tour, keyboardist Amp Fiddler introduced Q-Tip to a young producer from Detroit named Jay Dee.[5] At the suggestion of Q-Tip, Jay Dee later joined him and Muhammad, forming a production unit known as The Ummah (Arabic for "the [worldwide] Muslim community"), in which each member produced songs individually and received a songwriting credit for their work.[6] The Ummah handled the production of A Tribe Called Quest's next two albums.
During this period, group members contributed to several notable outside projects with production and guest verses. Phife Dawg, who rapped on "Oh My God" that he owned "more condoms than TLC", made an appearance on the song "Intro-lude" from that group's album, CrazySexyCool, in 1994.[49] That year, Q-Tip produced the single "One Love" from Nas' debut album Illmatic and appeared on the song "Get It Together" by Beastie Boys, from their album Ill Communication.[5] In 1995, Muhammad co-produced the single "Brown Sugar" from D'Angelo's debut album of the same name, and Q-Tip produced three songs for Mobb Deep while serving as a mixing engineer for their album The Infamous.[50] The group contributed "Glamour and Glitz" to The Show: The Soundtrack that year, before returning the following year with their next album.
1996–1998: Beats, Rhymes and Life, The Love Movement, and breakup
Q-Tip's conversion to Islam in the mid-1990s influenced the philosophical direction of the group's music on Beats, Rhymes and Life.
Beats, Rhymes and Life, the group's fourth album, was released on July 30, 1996, supported by the singles "1nce Again" and "Stressed Out". It was recorded during the turbulent East Coast–West Coast hip hop rivalry, with the tracks "Get a Hold", "Keeping It Moving" and "Baby Phife's Return" referring to it.[51] The Ummah's production style, a minimalist R&B and jazz-infused sound, was a departure from the group's previous albums.[52] Jay Dee, a big fan of A Tribe Called Quest, contributed five beats to the album, including both singles.[5] Lyrically, the album featured a less playful, more philosophical approach by the group.[24]Consequence, Q-Tip's cousin, and an aspiring rapper, was present on six songs.[52] Phife Dawg later stated that this period was when he began to lose interest in the group:
I really felt like with Midnight Marauders I came into my own. By the time when Beats, Rhymes and Life came out I started feelin' like I didn't fit in any more. Q-Tip and Ali had converted to Islam and I didn't. Music felt like a job; like I was just doin' it to pay bills. I never want my music to feel like just a job. They would schedule studio time at the last minute. I'd catch a plane from Atlanta to be in New York and when I got to the studio, no one would be there. They would have canceled the session without telling me. Seemed like the management was concerned with other folks not me. But I never lost my confidence.[53]
The album debuted at #1 on the Billboard 200 and went gold before the end of the year; it was certified platinum in 1998.[54] Critical reception was divided, but mostly positive; Rolling Stone called the album "near-flawless",[55] while The Source awarded it four mics.[56]Melody Maker felt that it provided "both their best and worst thus far".[55] It was nominated for Best Rap Album and "1nce Again" was nominated for Best Rap Performance by a Duo or Group at the 1997 Grammy Awards.[14]
In 1997, the group was featured on the Fugees single "Rumble in the Jungle", alongside Busta Rhymes and John Forté, from the When We Were Kings soundtrack.[57] They also appeared on the soundtrack Men in Black: The Album, with the song "Same Ol' Thing". In Europe, they released The Jam EP, which included the aforementioned song, "Mardi Gras at Midnight" (featuring Rah Digga) and two songs from Beats, Rhymes and Life, "Get a Hold" and "Jam".[58] That year also saw the first reunion of the three Native Tongues groups since 1989, when Jungle Brothers invited A Tribe Called Quest and De La Soul to guest on "How Ya Want It We Got It", a song from their album Raw Deluxe.[17]
A month before The Love Movement was released on September 29, 1998, the group announced that it would be their final album.[14][22] The group cited their frustration with Jive as a significant factor in the breakup.[17] The album, which was centered on the theme of love, was promoted by the single "Find a Way", a song that "innocently wonders about the point at which friendship spills over into sex".[59] Musically, the album saw the return of The Ummah's stripped-down production style from Beats, Rhymes and Life.[60] Guest appearances by Busta Rhymes, Redman and Noreaga helped to balance the subdued tone of the album.[61]
The Love Movement was certified gold on November 1, 1998, just over a month after its release.[30] Critical reception was mostly positive; Rolling Stone remarked that "the mature, accomplished niceness of The Love Movement proves that the Tribe still have the skills – they're just short on thrills."[61] The album was nominated for Best Rap Album at the 1999 Grammy Awards.[62]
1999–2005: Solo projects and brief return to recording
Under the management of Violator, Q-Tip launched a successful solo career, which saw two Billboard Hot 100 hits, "Vivrant Thing" and "Breathe and Stop", and the release of the gold-certified album Amplified in late 1999.[17] The album featured production by Q-Tip, Jay Dee and DJ Scratch. Despite receiving mostly positive reviews, the album was criticized by the hip hop community for its mainstream sound.[5] The most notable of Q-Tip's critics was Phife Dawg, who took his former partner to task on his solo album Ventilation: Da LP, released in 2000.[17] The Hi-Tek-produced lead single, "Flawless", contained the lines "Go 'head, play yourself with them ho-like hooks / sing ballads if it's all about the Maxwell look".[17]Ventilation included production by Jay Dee and Pete Rock.
Teaming up with two other artists from former groups, Raphael Saadiq of Tony! Toni! Toné! and Dawn Robinson of En Vogue, Muhammad's next project was Lucy Pearl.[17] The group scored two hit singles with "Dance Tonight" and "Don't Mess with My Man", from their self-titled album, which was certified gold a few months after its release in 2000. Following a dispute between Saadiq and Robinson, the latter left the group and was replaced by Joi; however, this new incarnation would only last for the remainder of touring.[17]
In 2001, Q-Tip changed directions and recorded Kamaal the Abstract, an album which saw him in the role of singer and bandleader.[5] Unlike his work with A Tribe Called Quest, or his previous solo work, Kamaal was constructed around live music and abstract song concepts. Arista Records refused to release the album, doubting its commercial potential, resulting in Q-Tip leaving the label.[63] The following year, he recorded the song "What Lies Beneath" for the Soundbombing III compilation, in which he responded to Phife Dawg's comments on "Flawless".
In 2003, Q-Tip and Phife Dawg put aside their differences and A Tribe Called Quest briefly returned to the studio, recording the song "I C U (Doin' It)", featuring Erykah Badu.[17] It was intended to be the first single from the Violator compilation, V3: The Good, The Bad & The Ugly, however, the album was not released.[64] Undeterred by the shelving of Kamaal the Abstract, Q-Tip recorded Open in late 2003, planning to release it the next year.[63][65] It featured contributions from André 3000, Common and D'Angelo.[17] However, his label, DreamWorks Records, got bought out by Universal Music Group, which eventually led to Open also getting shelved.[63]
On August 27, 2004, A Tribe Called Quest headlined the Street Scene music festival in San Diego.[17] Muhammad focused on developing a stable of artists, most of whom were showcased on his debut solo album, Shaheedullah and Stereotypes, released later that year. In 2005, the group received the Founders Award at the Billboard R&B/Hip-Hop Awards in Atlanta.[16]
2006–2013: Reunion and touring
In 2006, the group reunited as a touring band, in part, to help Phife Dawg with his mounting medical expenses.[22] They co-headlined that year's Bumbershoot festival in Seattle and performed several sold-out concerts in the U.S., Canada and Japan. The group also appeared on the 2K Sports Bounce Tour, promoting the NBA 2K7 video game, with a Dan the Automator remix of their song "Lyrics to Go" appearing on the game's soundtrack.[17] According to Phife Dawg at the time, A Tribe Called Quest planned to release an album, as they owed Jive one more in their six-album contract.[22] Speaking about the possibility of a new album showing up that year, Phife Dawg said:
Man, we was only 18–19 when we first got started. [When] we broke up we were still like 28. Now we are 35–36. It'd be real different being in the studio. It would be real interesting to see where Q-Tip is. It would all be on a much higher level. But we are all into such different stuff from way back then. We'd need at least a solid month to work on something. Trying to get all of us together for that much time ... I don't see that happening.[53]
The group co-headlined the 2010 Rock the Bells tour. Phife Dawg planned to release his follow-up album, Songs in the Key of Phife: Volume 1 (Cheryl's Big Son), that year; however, his health issues delayed the release of the album.[69][22] The group was the subject of the 2011 documentary, Beats, Rhymes & Life: The Travels of A Tribe Called Quest, directed by Michael Rapaport.[70] In 2012, Q-Tip signed to Kanye West's GOOD Music label and prepared the release of his new album, The Last Zulu, which later became heavily delayed.[5][71] At the 2012 BET Hip Hop Awards, the group took part in a tribute performance for former manager Chris Lighty, who had recently died.[72]
In 2013, the group performed at a handful of select festivals throughout the summer, including Yahoo! Wireless in London,[73]Splash! in Germany,[74] OpenAir Frauenfeld in Switzerland,[75] and H2O Music Festival in Los Angeles.[76] In November 2013, two of the four New York shows for West's Yeezus Tour featured A Tribe Called Quest as supporting acts.[77] According to statements made by Q-Tip at the time, these were intended to be A Tribe Called Quest's final performances.[78]
2015–2017: We Got It from Here, death of Phife Dawg, and final tour
Members of A Tribe Called Quest performing on their final tour in 2017
On November 13, 2015, A Tribe Called Quest reunited to perform on The Tonight Show Starring Jimmy Fallon.[14] That day, the group reissued People's Instinctive Travels and the Paths of Rhythm, in commemoration of its 25th anniversary.[14] The reissue included remixes by Pharrell Williams, J. Cole and CeeLo Green.[79] In addition, they participated in an AMA on Reddit, where users asked the group questions.[80] On the night of their Tonight Show appearance, the same night of the terrorist attacks in Paris, the group felt "charged" and put aside their differences, deciding to record a new album, We Got It from Here... Thank You 4 Your Service, in secrecy.[12] Muhammad was unable to attend recording sessions for the album, as he was producing the Luke Cage soundtrack with Adrian Younge at the time.[81]
Phife Dawg died on March 22, 2016, due to complications relating to diabetes.[82][83] The album was incomplete when Phife Dawg died, but the surviving members continued to work on it following his death.[12] That August, Epic Records CEO L.A. Reid revealed that the label would be releasing a new A Tribe Called Quest album in the near future.[84]We Got It from Here... Thank You 4 Your Service was subsequently announced in October, with a release date of November 11, 2016; it became the group's second album to debut at #1 on the Billboard 200.[85][86] The day after its release, the group appeared on Saturday Night Live and performed in front of a mural of Phife Dawg.[87]
We Got It from Here featured guest appearances by André 3000, Kendrick Lamar, Jack White, Elton John, Kanye West, Anderson .Paak, Talib Kweli, Consequence and Busta Rhymes.[88] Promoted by the hit single "We the People....", which opposed Donald Trump's presidential campaign, the album received widespread acclaim from critics.[89] Lyrically, Rolling Stone believed that the group "maintain the attitude of the Bohemian everydude funkonauts" that inspired many prominent hip hop artists.[90]AllMusic praised the album's "visionary and pleasingly weird production", which drew from several different genres and sample sources.[81] Speaking with Billboard, Q-Tip revealed plans for the group to do a final world tour, to promote the album and honor Phife Dawg, before permanently disbanding.[91] It was also announced that a new Phife Dawg solo album, Forever, mostly completed before his death, would be released in the near future; the album was released in 2022.[92][93]
On February 12, 2017, A Tribe Called Quest performed alongside Anderson .Paak, Busta Rhymes and Consequence at the 59th Annual Grammy Awards.[92] Later that month, the group won the award for best International Group at the 2017 Brit Awards.[94] On May 22, 2017, We Got It from Here achieved gold certification, making all six of the group's albums RIAA-certified.[13] The group performed at a number of festivals throughout the summer; they performed their final concert on September 9, 2017, at Bestival in Dorset, England.[95] After disbanding, a short film for the album's opening track, "The Space Program", was released on March 29, 2018, and billed as the group's final video.[96]
Legacy
A Tribe Called Quest logo
AllMusic critic John Bush called A Tribe Called Quest "without question the most intelligent, artistic rap group during the 1990s", further stating that the group "jump-started and perfected the hip-hop alternative to hardcore and gangsta rap."[14] At a time when James Browndrum breaks and P-Funk basslines dominated hip hop production,[9] the group successfully bridged the gap between jazz and hip hop, incorporating bebop and hard bop samples and recording with double bassist Ron Carter.[32][97] The group's production influenced their contemporaries, thus changing the sound of hip hop; Dr. Dre produced his highly regarded debut The Chronic after being inspired by The Low End Theory,[98] and Pete Rock stated, "There were times when I would walk into a record store and see Tip sitting on the floor with his glasses on, going through albums, looking for beats ... I was like, 'This guy is serious.' Being around [the group] made me step up and become even more serious than I was."[9]Elton John regarded them as "the seminal hip-hop band of all-time".[99]
Lyrically, A Tribe Called Quest has been regarded for addressing many social issues through Q-Tip's philosophical viewpoints and Phife Dawg's everyman perspectives.[14][9]People's Instinctive Travels and the Paths of Rhythm influenced several notable hip hop artists; Scarface asserted that it "really made me want to rap", and Pharrell Williams expressed that it was "the turning point [which] made me see that music was art."[100][101]Kierna Mayo, former editor-in-chief of Ebony, said that The Low End Theory and Midnight Marauders "gave birth to neo-everything.... That entire class of D'Angelo, Erykah Badu, Maxwell, and Lauryn Hill—and moving on to André 3000, Kanye West, and Talib Kweli—everything that is left of everything begins with Tribe."[9] The group has also been credited for helping launch the solo careers of Busta Rhymes, J Dilla and Consequence.[102][52]The Roots drummer Ahmir Thompson's stage name "Questlove" was inspired by A Tribe Called Quest, whom he cited as his favorite group, stating, "They're my Beatles."[103][104] The group's name serves as the inspiration for the name of electronic music group A Tribe Called Red, now known as The Halluci Nation.[105]
In celebration of People's Instinctive Travels' 25th anniversary in 2015, Stüssy worked with A Tribe Called Quest to create a line featuring hats, sweaters and t-shirts of classic photos, lyrics and their iconic logo.[114]
Teaming up with longtime collaborator Pharrell Williams, the group partnered with Billionaire Boys Club to make "The Space Program" capsule in 2018.[115]
Paying tribute to the rap group, Vans made a line of footwear in 2018, in honor of their album artwork and lyrics.[116]
In 2022, Peloton announced a collaboration with A Tribe Called Quest, which included a line of apparel.[117]
Related Research Articles
The Low End Theory is the second studio album by American hip hop group A Tribe Called Quest, released on September 24, 1991, by Jive Records. Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991. The album was primarily produced by group member Q-Tip, with a minimalist sound that combines bass, drum breaks, and jazz samples, in a departure from the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990). Lyrically, the album features social commentary, word play, humor, and interplay between Q-Tip and fellow member Phife Dawg.
Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City. Its production was mainly handled by Q-Tip, with contributions from Skeff Anselm, Large Professor and the group's DJ, Ali Shaheed Muhammad. A culmination of the group's two previous albums, People's Instinctive Travels and the Paths of Rhythm and The Low End Theory, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positively-minded, and humorous lyrics.
People's Instinctive Travels and the Paths of Rhythm is the debut studio album by American hip hop group A Tribe Called Quest, released on April 10, 1990, on Jive Records. After forming the Native Tongues collective and collaborating on several projects, A Tribe Called Quest began recording sessions for People's Instinctive Travels in late 1989 at Calliope Studios with completion reached in early 1990. The album's laid back production encompassed a diverse range of samples which functioned as a template for the group's unorthodox lyrics.
Kamaal Ibn John Fareed, better known by his stage name Q-Tip, is an American rapper, record producer, singer, and DJ. Nicknamed the Abstract, he is noted for his innovative jazz-influenced style of hip hop production and his philosophical, esoteric and introspective lyrical themes. He embarked on his music career in the late 1980s, as an MC and main producer of the influential alternative hip hop group A Tribe Called Quest. In the mid-1990s, he co-founded the production team The Ummah, followed by the release of his gold-certified solo debut Amplified in 1999. In the following decade, he released the Grammy Award-nominated album The Renaissance (2008) and the experimental album Kamaal the Abstract (2009).
Beats, Rhymes and Life is the fourth studio album by American hip hop group A Tribe Called Quest. Released on July 30, 1996, by Jive Records, it followed three years after the highly regarded and successful Midnight Marauders. Produced by The Ummah, the album is a departure from the joyful, positive vibe of the group's earlier albums and is regarded as their darkest album in content. It debuted at number one on the Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA) on October 27, 1998.
Malik Izaak Taylor, known professionally as Phife Dawg, was an American rapper and a member of the group A Tribe Called Quest with Q-Tip and Ali Shaheed Muhammad. He was also known as the "Five-Foot Assassin" and the "Five-Footer," because he stood at just 5 feet 3 inches (1.60 m).
The Love Movement is the fifth studio album by American hip hop group A Tribe Called Quest, and their last album released during group member Phife Dawg's lifetime. Released on September 29, 1998, by Jive Records, it is a concept album, exploring the lyrical theme of love. Musically, it is a continuation of the group's previous album, Beats, Rhymes and Life, featuring minimalist R&B and jazz-oriented production by The Ummah. The lead single, "Find a Way", charted on the Billboard Hot 100 and was followed by a second single, "Like It Like That". The album debuted at number three on the Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA) on November 1, 1998. The group announced its disbandment a month before the album's release.
"One Love" is a song by American rapper Nas, released October 25, 1994 on Columbia Records. It was issued as the fifth and final radio single in promotion of his debut studio album Illmatic (1994). The song was produced by Q-Tip of A Tribe Called Quest, who also contributed vocals for the chorus line. According to Nas, the title of the song originates from Jamaican singer-songwriter and musician Bob Marley's song of the same name.
"Electric Relaxation" is the second single from American hip hop group A Tribe Called Quest's third album, Midnight Marauders (1993). It contains a sample of the song "Mystic Brew" by jazz organist Ronnie Foster.
"Hot Sex" is a single by hip hop group A Tribe Called Quest. It was released in 1992 on the soundtrack for the film Boomerang and was later featured on European editions of the group's third studio album Midnight Marauders one year later in 1993. The track was also featured as a bonus track on the group's fifth album The Love Movement in 1998, and on the 1999 compilation album The Anthology.
"Award Tour" is a song by American hip hop group A Tribe Called Quest, released in October 1993 by Jive Records as the first single from their third album, Midnight Marauders (1993). The song features rapper Trugoy on the chorus, from the fellow Native Tongues group De La Soul. It contains a sample of "We Gettin' Down" by Weldon Irvine, from his 1975 album Spirit Man. The B-side of the single is the original version of the Midnight Marauders track "The Chase, Pt. 2", which notably features the first known verse by future Tribe collaborator Consequence. "Award Tour" remains Tribe's highest charting single to date on the US Billboard Hot 100, peaking at number 47. It also peaked at number 54 on the Cash Box Top 100 as well as topping the Billboard Dance Singles chart.
Jarobi White is an American hip hop artist, chef, and a founding member of alternative hip hop group A Tribe Called Quest, alongside members Q-Tip, Phife Dawg, and Ali Shaheed Muhammad. He left the group after the release of their debut album, People's Instinctive Travels and the Paths of Rhythm in order to pursue culinary arts, before returning for their last album, 2016's We Got It from Here... Thank You 4 Your Service. In the early 2010s, Jarobi formed evitaN with Dres, formerly of Black Sheep. Their first album, Speed of Life, was released in October 2012.
"Check the Rhime" is the first single from A Tribe Called Quest's second album The Low End Theory. The song was written by group members Phife Dawg, Q-Tip, and Ali Shaheed Muhammad. It was recorded at the legendary Greene St. Recording studio in New York City. The song peaked at number 59 on Billboard on November 16, 1991. Rolling Stone listed "Check the Rhime" as one of the group's 20 essential songs, noting that Phife Dawg "quickly proves himself Q-Tip's lyrical equal."
"Scenario" is the third single from A Tribe Called Quest's second album The Low End Theory. The song features the rap group Leaders of the New School. Matt Cibula of PopMatters called the track hip-hop's greatest posse cut. The song is commonly considered a breakout moment for Leaders of the New School member Busta Rhymes, who was 19 when this song was released. Time included the song on its list of its All-TIME 100 Songs in 2017.
"Oh My God" is the third single from A Tribe Called Quest's third album Midnight Marauders. The song contains a sample of "Who's Gonna Take the Weight" by Kool & the Gang. It also features Busta Rhymes on the chorus. Rolling Stone magazine included "Oh My God" on their list of 20 essential A Tribe Called Quest songs, noting "It's not easy to listen to Phife boast 'When's the last time you heard a funky diabetic?' now that the disease has taken his life. But that line also sounds fiercer and more defiant than ever."
A Tribe Called Quest was an American hip hop group, formed in 1985. They released six studio albums, five compilations, sixteen singles and two extended plays. The group was made up of rapper/main producer Q-Tip, the late rapper Phife Dawg and DJ/co-producer Ali Shaheed Muhammad. Phife Dawg was only persuaded to join when a fourth member, rapper Jarobi White, joined the group. In 1989 they signed a demo deal with Geffen Records, but not given a full-fledged recording contract. After receiving many offers, they opted for the Jive Records label, an independent rap label. In under a year, they managed to produce People's Instinctive Travels and the Paths of Rhythm to critical acclaim, but lukewarm sales, reaching #91 on the Billboard 200, though it did eventually achieve gold certification by the Recording Industry Association of America (RIAA).
We Got It from Here... Thank You 4 Your Service is the sixth and final studio album by American hip hop group A Tribe Called Quest. It was released on November 11, 2016, by Epic Records.
"We the People...." is a song by American hip hop group A Tribe Called Quest, and the first single from their sixth and final album, We Got It from Here... Thank You 4 Your Service. Produced by Q-Tip and co-produced by Blair Wells, the song contains a sample of the drum break of "Behind the Wall of Sleep" by Black Sabbath. The name of the track refers to the first three words of the Preamble to the United States Constitution. The chorus of the politically-charged song parodies Donald Trump's presidential campaign. "We the People...." was critically acclaimed and included on several year-end lists by publications.
"The Space Program" is a song by American hip hop group A Tribe Called Quest, from their sixth and final album, We Got It from Here... Thank You 4 Your Service. Produced by Q-Tip and co-produced by Blair Wells, it is the opening track on the album, and includes posthumous vocals by group member Phife Dawg, who recorded the song with the group before his death in March 2016. Praised as the "triumphant return of the Tribe", it is a political hip hop song that addresses gentrification and racism in the United States.
Forever is the posthumous second and final studio album by American rapper Phife Dawg. It was released on March 22, 2022, the sixth anniversary of his death, by Smokin' Needles Records and AWAL. It features guest appearances by his bandmate Q-Tip, Busta Rhymes, Maseo and Posdnuos of De La Soul, Dwele, Angela Winbush, Redman, Illa J, and Little Brother, among others. The album was mostly complete at the time of Phife Dawg's death, and was later completed by his business partner and collaborator, DJ Rasta Root.
References
↑ Tate, Greg (2004). "Diatribe". In Cepeda, Raquel (ed.). And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years. Farrar, Straus and Giroux. p.155. ISBN9781466810464.
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