The Love Movement | ||||
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Studio album by | ||||
Released | September 29, 1998 | |||
Recorded | 1997−1998 | |||
Studio | Sony Music Studios, The Hit Factory, Battery Studios and River Sound in New York City | |||
Genre | ||||
Length | 48:10 73:44 (with bonus tracks) | |||
Label | Jive | |||
Producer |
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A Tribe Called Quest chronology | ||||
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Singles from The Love Movement | ||||
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The Love Movement is the fifth studio album by American hip hop group A Tribe Called Quest, and their last album released during group member Phife Dawg's lifetime. Released on September 29, 1998, by Jive Records, it is a concept album, exploring the lyrical theme of love. Musically, it is a continuation of the group's previous album, Beats, Rhymes and Life , featuring minimalist R&B and jazz-oriented production by The Ummah. The lead single, "Find a Way", charted on the Billboard Hot 100 and was followed by a second single, "Like It Like That". The album debuted at number three on the Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA) on November 1, 1998. The group announced its disbandment a month before the album's release.
The roots of The Love Movement trace back to 1997, when Q-Tip produced a beat intended for The Notorious B.I.G.'s album Life After Death . [1] The Notorious B.I.G. enjoyed the beat when it was played for him, however, Life After Death had already been completed and the beat was not used before his death later that year. [1] Eventually, the beat was used for the song "The Love" on The Love Movement. [1]
The album was originally slated for release in May 1998. [2] However, on February 7, 1998, a fire at Q-Tip's home recording studio destroyed his entire record collection and a computer containing many unreleased songs by the group, including collaborations with producer Jay Dee, delaying the album until September of that year. [3] [4] [5] A month before the album's release, the group announced that it was disbanding. [3]
The Love Movement is a continuation of the stripped-down R&B and jazz-infused sound that The Ummah created on Beats, Rhymes and Life . [6] The album contains an instrumental track, "4 Moms", which features a guitar solo by jazz guitarist Chalmers "Spanky" Alford. Lyrically, love is the album's predominant theme, while Q-Tip and Phife Dawg were noted for their "mature", "subtle" and "laid-back" rhymes. [6] [7] The featured rappers were given praise for making the album sound "livelier", as it was criticized for being "a little monotonous" overall. [6] [7] Thomas Golianopoulos of Spin hailed the single "Find a Way" as the group's "final glorious moment" before breaking up. [8]
Review scores | |
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Source | Rating |
AllMusic | [6] |
Encyclopedia of Popular Music | [9] |
Entertainment Weekly | B+ [10] |
NME | 7/10 [11] |
Rolling Stone | [7] |
The Source | [12] |
Spin | 4/10 [13] |
Tom Hull – on the Web | B+ ( ) [14] |
The Village Voice | [15] |
The Love Movement debuted at number three on the Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA), on November 1, 1998, with shipments of 500,000 copies in the United States.
The album received mostly positive reviews from music critics. Josef Woodard of Entertainment Weekly described it as "a slamming, seductively textured, and tough display of virtuosic rhyming and tale spinning." [10] Dele Fadele of NME praised it for demonstrating "the continued survival of hip-hop as an artform", calling the album's songs "drug-free psychedelic experiences in which subsonic bass and weird-sounding beats play a large part." [11] Rolling Stone 's Rob Sheffield believed that the "mature, accomplished niceness" of the album "proves that the Tribe still have the skills — they're just short on thrills." [7] In a negative review, Tim Haslett of Spin wrote that the spontaneity that made The Low End Theory "so much fun" had been "replaced by a shiny patina and a flabby George Benson-esque seriousness, so that the record feels like it was conceived and executed around a major-label conference table." [13]
In a review for AllMusic, critic Stephen Thomas Erlewine noted that "there are plenty of pleasures to be had from careful listening" of the album, and despite its love concept, he felt that "the overall effect is quite similar" to Beats, Rhymes and Life. [6] Nathan Rabin of The A.V. Club stated, "While not as immediately accessible as Tribe's first three albums, it's still consistently solid enough to stand up to repeat listens." [16]
The Love Movement was nominated for a Grammy Award for Best Rap Album, presented at the 41st Grammy Awards in 1999. [17]
No. | Title | Writer(s) | Length |
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1. | "Start It Up" | Kamaal Fareed, Ali Shaheed Muhammad, Malik Taylor, James Yancey, Ben Bernie, Kenneth Casey, Maceo Pinkard | 3:18 |
2. | "Find a Way" | Fareed, Muhammad, Taylor, Yancey, Bebel Gilberto, Towa Tei | 3:23 |
3. | "Da Booty" | Fareed, Muhammad, Taylor, Yancey | 3:20 |
4. | "Steppin' It Up" (featuring Busta Rhymes & Redman) | Fareed, Muhammad, Taylor, Yancey, Trevor Smith Jr., Reggie Noble | 3:21 |
5. | "Like It Like That" | Fareed, Muhammad, Taylor | 2:46 |
6. | "Common Ground (Get It Goin' On)" | Fareed, Muhammad, Taylor | 2:49 |
7. | "4 Moms" (featuring Spanky) | Fareed, Muhammad, Taylor, Yancey | 1:49 |
8. | "His Name Is Mutty Ranks" | Fareed, Muhammad, Taylor, Yancey | 1:56 |
9. | "Give Me" (featuring Noreaga) | Fareed, Muhammad, Taylor, Victor Santiago Jr., Dallas Austin, Michael Bivins, Shawn Stockman, Nathan Morris, Sam Jones | 3:52 |
10. | "Pad & Pen" (featuring D-Life) | Fareed, Muhammad, Taylor, Ronnie Wilson, Oliver Scott | 3:23 |
11. | "Busta's Lament" | Fareed, Muhammad, Taylor, Yancey | 2:38 |
12. | "Hot 4 U" | Fareed, Muhammad, Taylor, Leon Sylvers III, Joseph Sylvers | 3:15 |
13. | "Against the World" | Fareed, Muhammad, Taylor, Yancey, James Smith, Dwayne Simon, Brian Latture | 3:58 |
14. | "The Love" | Fareed, Muhammad, Taylor, Douglas Davis, Richard Walters | 4:02 |
15. | "Rock Rock Y'all" (featuring Punchline, Jane Doe, Wordsworth & Mos Def) | Fareed, Muhammad, Taylor, Rashaan Truell, Latania Morris, Vinson Johnson, Dante Smith, Charles Wright, James Gadson | 4:17 |
Total length: | 48:10 |
No. | Title | Writer(s) | Length |
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16. | "Scenario (Remix)" (featuring Kid Hood & Leaders of the New School) | Fareed, Muhammad, Taylor, Troy Hall, Bryan Higgins, James Jackson, Sheldon Scott, Smith Jr. | 5:17 |
17. | "Money Maker" | Fareed, Muhammad, Taylor | 4:22 |
18. | "Hot Sex" | Fareed, Muhammad, Taylor | 2:45 |
19. | "Oh My God (Remix)" | Fareed, Muhammad, Taylor | 4:01 |
20. | "Jazz (We've Got) (Re-Recording Radio)" | Fareed, Muhammad, Taylor | 4:18 |
21. | "One Two Shit" (featuring Busta Rhymes) | Fareed, Muhammad, Taylor, Smith Jr. | 4:31 |
Total length: | 73:44 |
Notes
Start It Up Find a Way
Steppin' It Up
Give Me
Pad & Pen
| Busta's Lament
Hot 4 U
Against the World
The Love
Rock Rock Y'all
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Credits are adapted from AllMusic. [19]
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Weekly charts
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Certifications
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A Tribe Called Quest was an American hip hop group formed in Queens, New York City, in 1985, originally composed of rapper and main producer Q-Tip, rapper Phife Dawg, DJ and co-producer Ali Shaheed Muhammad, and rapper Jarobi White. The group is regarded as a pioneer of alternative hip hop and merging jazz with hip hop, influencing numerous hip hop and R&B musicians.
The Low End Theory is the second studio album by American hip-hop group A Tribe Called Quest, released on September 24, 1991, by Jive Records. Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991. The album was primarily produced by group member Q-Tip, with a minimalist sound that combines bass, drum breaks, and jazz samples, in a departure from the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990). Lyrically, the album features social commentary, word play, humor, and interplay between Q-Tip and fellow member Phife Dawg.
Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. Recording sessions for the album occurred at Battery Studios, Platinum Island Studios and Scorcerer Sound in New York City. Its production was mainly handled by Q-Tip, with contributions from Skeff Anselm, Large Professor and the group's DJ, Ali Shaheed Muhammad. A culmination of the group's two previous albums, People's Instinctive Travels and the Paths of Rhythm and The Low End Theory, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positively-minded, and humorous lyrics.
People's Instinctive Travels and the Paths of Rhythm is the debut studio album by American hip hop group A Tribe Called Quest, released on April 10, 1990, on Jive Records. After forming the Native Tongues collective and collaborating on several projects, A Tribe Called Quest began recording sessions for People's Instinctive Travels in late 1989 at Calliope Studios with completion reached in early 1990. The album's laid back production encompassed a diverse range of samples which functioned as a template for the group's unorthodox lyrics.
Kamaal Ibn John Fareed, better known by his stage name Q-Tip, is an American rapper, record producer, singer, and DJ. Nicknamed the Abstract, he is noted for his innovative jazz-influenced style of hip hop production and his philosophical, esoteric and introspective lyrical themes. He embarked on his music career in the late 1980s, as an MC and main producer of the influential alternative hip hop group A Tribe Called Quest. In the mid-1990s, he co-founded the production team The Ummah, followed by the release of his gold-certified solo debut Amplified in 1999. In the following decade, he released the Grammy Award-nominated album The Renaissance (2008) and the experimental album Kamaal the Abstract (2009).
Beats, Rhymes and Life is the fourth studio album by American hip hop group A Tribe Called Quest. Released on July 30, 1996, by Jive Records, it followed three years after the highly regarded and successful Midnight Marauders. Produced by The Ummah, the album is a departure from the joyful, positive vibe of the group's earlier albums and is regarded as their darkest album in content. It debuted at number one on the Billboard 200 and was certified platinum by the Recording Industry Association of America (RIAA) on October 27, 1998.
Ali Shaheed Muhammad is an American hip hop DJ, record producer, rapper and bass guitarist, best known as a member of A Tribe Called Quest. With Q-Tip and Phife Dawg, the group released five studio albums from 1990 to 1998 before disbanding; their final album was released in 2016. He was also a member of the R&B group Lucy Pearl, and is known in recent years for his jazz collaborations with producer Adrian Younge.
Malik Izaak Taylor, known professionally as Phife Dawg, was an American rapper and a member of the group A Tribe Called Quest with Q-Tip and Ali Shaheed Muhammad. He was also known as the "Five-Foot Assassin" and the "Five-Footer," because he stood at just 5 feet 3 inches (1.60 m).
Dexter Raymond Mills Jr., better known by his stage name Consequence, is an American rapper from New York City. He is best known for his collaborative work with A Tribe Called Quest and Kanye West.
Amplified is the debut studio album of American rapper Q-Tip, released November 30, 1999, on Arista Records. It became his first solo release after the disbandment of his former group A Tribe Called Quest in 1998. The production was primarily handled by Q-Tip and Jay Dee of the Ummah. The album spawned the Billboard Hot 100 hits "Vivrant Thing" and "Breathe and Stop".
The Ummah was a music production collective, composed of members Q-Tip and Ali Shaheed Muhammad of A Tribe Called Quest, and the late Jay Dee of the Detroit-based group Slum Village. Occasional members included Raphael Saadiq, and D'Angelo. In addition to producing nearly the entirety of A Tribe Called Quest's fourth and fifth albums, the Ummah provided backing tracks and remixes for a notable array of hip hop and contemporary R&B artists, including Busta Rhymes, Whitney Houston, Keith Murray, the Brand New Heavies, Michael Jackson, Janet Jackson, and Jon B. The group was so named because two of its members are devout Muslims. The word "ummah" is Arabic for "community", "nation", or "brotherhood". Generally, the term refers to the global Muslim population.
"Hot Sex" is a single by hip hop group A Tribe Called Quest. It was released in 1992 on the soundtrack for the film Boomerang and was later featured on European editions of the group's third studio album Midnight Marauders one year later in 1993. The track was also featured as a bonus track on the group's fifth album The Love Movement in 1998, and on the 1999 compilation album The Anthology.
"Jazz (We've Got)" is the second single from A Tribe Called Quest's second album The Low End Theory. The original material sampled in the song was provided by Pete Rock, and was then recreated in a similar way by Q-Tip. Although Pete Rock is not officially credited, Q-Tip credits him in the outro of the track, rapping "Pete Rock for the beat, ya don't stop."
"Find a Way" is a song by A Tribe Called Quest, the first single from their fifth album The Love Movement. The New York Times' Ben Ratliff wrote that "Find a Way" "innocently wonders about the point at which friendship spills over into sex."
"Stressed Out" is the second single from A Tribe Called Quest's fourth album Beats, Rhymes and Life. The song was produced by The Ummah and features Faith Evans on the chorus.
"Scenario" is the third single from A Tribe Called Quest's second album The Low End Theory. The song features the rap group Leaders of the New School. Matt Cibula of PopMatters called the track hip-hop's greatest posse cut. The song is commonly considered a breakout moment for Leaders of the New School member Busta Rhymes, who was 19 when this song was released. Time included the song on its list of its All-TIME 100 Songs in 2017.
"Oh My God" is the third single from A Tribe Called Quest's third album Midnight Marauders. The song contains a sample of "Who's Gonna Take the Weight" by Kool & the Gang. It also features Busta Rhymes on the chorus. Rolling Stone magazine included "Oh My God" on their list of 20 essential A Tribe Called Quest songs, noting "It's not easy to listen to Phife boast 'When's the last time you heard a funky diabetic?' now that the disease has taken his life. But that line also sounds fiercer and more defiant than ever."
A Tribe Called Quest was an American hip hop group, formed in 1985. They released six studio albums, five compilations, sixteen singles and two extended plays. The group was made up of rapper/main producer Q-Tip, the late rapper Phife Dawg and DJ/co-producer Ali Shaheed Muhammad. Phife Dawg was only persuaded to join when a fourth member, rapper Jarobi White, joined the group. In 1989 they signed a demo deal with Geffen Records, but not given a full-fledged recording contract. After receiving many offers, they opted for the Jive Records label, an independent rap label. In under a year, they managed to produce People's Instinctive Travels and the Paths of Rhythm to critical acclaim, but lukewarm sales, reaching #91 on the Billboard 200, though it did eventually achieve gold certification by the Recording Industry Association of America (RIAA).
We Got It from Here... Thank You 4 Your Service is the sixth and final studio album by American hip hop group A Tribe Called Quest. It was released on November 11, 2016, by Epic Records.
"We the People...." is a song by American hip hop group A Tribe Called Quest, and the first single from their sixth and final album, We Got It from Here... Thank You 4 Your Service. Produced by Q-Tip and co-produced by Blair Wells, the song contains a sample of the drum break of "Behind the Wall of Sleep" by Black Sabbath. The name of the track refers to the first three words of the Preamble to the United States Constitution. The chorus of the politically-charged song parodies Donald Trump's presidential campaign. "We the People...." was critically acclaimed and included on several year-end lists by publications.