Boy! What a Girl! | |
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Directed by | Arthur H. Leonard |
Written by | Vincent Valentini |
Produced by | Jack Goldberg Arthur H. Leonard |
Starring | Tim Moore The Brown Dots Slam Stewart Sid Catlett Gene Krupa. |
Cinematography | George Webber |
Edited by | Jack Kemp |
Production company | Herald Pictures |
Distributed by | Screen Guild Productions |
Release date |
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Running time | 70 minutes |
Country | United States |
Language | English |
Boy! What a Girl! is a 1947 American race film directed by Arthur H. Leonard and starring Tim Moore, with guest appearances by the Brown Dots, Slam Stewart, Sid Catlett and Gene Krupa.
Would-be theatrical producer Jim Walton (Elwood Smith) is planning a new show that will feature bandleader Slam Stewart and the comic female impersonator Bumpsie (Tim Moore). [1] Mr. Cummings, the wealthy father of Jim’s girlfriend Cristola, has agreed to finance half of the show if the famous Parisian impresario Madame Deborah will provide the second half of the funding. When word arrives that Madame Deborah’s arrival from France has been delayed, Bumpsie is brought in to keep Mr. Cummings occupied. Mr. Cummings, however, is unaware that Bumpsie is a man in drag and he falls in love with him.
The real Madame Deborah unexpectedly arrives early and passes herself off as Mrs. Martin. Two other would-be suitors, impressed with Madame Deborah’s wealth, begin to pursue Bumpsie.
A fundraising party for the show is held, where several musical acts arrive to perform. A pair of thugs attempt to kidnap Bumpsie, believing he is Madame Deborah, but he manages to escape. The real Madame Deborah identifies herself and agrees to finance Jim’s show, enabling him to achieve his professional goals and to marry Cristola. [2] [3] [4]
Boy! What a Girl! was planned to be the first in a series of all-black race films produced by the independent company Herald Pictures. The film’s press kit acknowledged the segregated distribution patterns of the race film by proclaiming Boy! What a Girl! would be “an all-Negro motion picture can be produced to play in any theater in the country and not merely confined to the some 600 odd playhouses that cater strictly to an all-Negro audience.” [5]
The film was shot at the Fox Movietone Studio in New York City. Gene Krupa, the only white member of the cast, was not originally signed to appear in the film; director Arthur H. Leonard invited Krupa to be on camera when the famous drummer stopped by to visit cast member Sid Catlett on the set. [5]
Boy! What a Girl! was the only starring film role for Tim Moore, an African American vaudeville comedy star who later became famous as the Kingfish in the television series Amos 'n Andy . [6]
A pre-production news item identified Marva Lewis, the ex-wife of boxing champion Joe Louis, as being a part of the cast, but she is not present in the finished film, as she was forced to withdraw due to illness. She was replaced by the Brown Dots. [5] [7]
There has been a revival of interest in the film in recent years due to the prominence of its black cast. [8] [9]
Donald Bogle wrote that the race films of the late 1940s succeeded as "fundamental celebrations of cultural roots and communal spirits and also as pure, undiluted celebrations of black style. Such movies as Broken Strings , Boy! What a Girl! (1946), Sepia Cinderella (1947), The Bronze Buckaroo , and scores of others introduced a new rhythm to American cinema. Vocal inflections and intonations set the ears abuzz. The manners, gestures, postures, surprising double takes, swift interplay and communication between the characters is a world unto itself, capturing, despite whatever other distortions or failings, a segment of black American life and culture." [10]
Dorothy Malone was an American actress. Her film career began in 1943, and in her early years, she played small roles, mainly in B-movies, with the exception of a supporting role in The Big Sleep (1946). After a decade, she changed her image, particularly after her role in Written on the Wind (1956), for which she won the Oscar for Best Supporting Actress.
Charles Clarence Robert Orville Cummings was an American film and television actor who appeared in roles in comedy films such as The Devil and Miss Jones (1941) and Princess O'Rourke (1943), and in dramatic films, especially two of Alfred Hitchcock's thrillers, Saboteur (1942) and Dial M for Murder (1954). He received five Primetime Emmy Award nominations, and won the Primetime Emmy Award for Best Actor in a Single Performance in 1955. On February 8, 1960, he received two stars on the Hollywood Walk of Fame for his contributions to the motion picture and television industries, at 6816 Hollywood Boulevard and 1718 Vine Street. He used the stage name Robert Cummings from mid-1935 until the end of 1954 and was credited as Bob Cummings from 1955 until his death.
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The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African-Americans.
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David Torrence was a Scottish film actor. He appeared in more than 100 films from 1913 to 1939. He has a star on the Hollywood Walk of Fame. He was the brother of actor Ernest Torrence. He was born in Edinburgh, Scotland and died in Los Angeles.
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Events in 1956 in animation.