Founded | 1950 |
---|---|
Founders | John Oliver Killens, Rosa Guy, John Henrik Clarke, Willard Moore and Walter Christmas |
Location | |
Website | theharlemwritersguild |
Formerly called | Harlem Writers Club |
Harlem Writers Guild (HWG) is the oldest organization of African-American writers, originally established as the Harlem Writers Club in 1950 by John Oliver Killens, Rosa Guy, John Henrik Clarke, Willard Moore and Walter Christmas. The Harlem Writers Guild seeks to give African-American writers a platform to present their art in its entirety without censoring their experience of being Black in the United States of America. In addition to publishing works, the Harlem Writers Guild also acts as an organization to promote social change and an entity that hosts events to celebrate and promote their members.
The Harlem Writers Guild (formerly known as the Harlem Writers Club) was set up in 1950 [1] as a forum where African-American writers could develop their craft. After funding for an organization active in the late 1940s called "The Committee for the Negro in the Arts" ended, these writers felt excluded from the mainstream literary culture of New York City. [2] [3] The HWG was also part of the Black Arts Movement of the 1960s, and its rationale continues to be to develop and aid in the publication of works by writers of the African diaspora. [4] Other writers who have been associated with the HWG include Lonne Elder III, Douglas Turner Ward, Ossie Davis, Paule Marshall, Audre Lorde, Maya Angelou and Sarah E. Wright. [5]
In the 1950s, John Oliver Killens had invited several aspiring African-American writers to meet at a shop in Harlem to hear and review one another's literature. The Harlem Writers Guild thus began expanding, with new authors writing and publishing work emphasizing topics such as racism, oppression, and welfare. The Harlem Writers Guild was a tool that was used by African-American authors of its presence to uniquely divide their literary work against mainstream literature that neglected African-American literature.
Emphasizing on expanding their literary works as well as creating a space for advantageous advertisement of their work, the Harlem Writers Guild used their social circles and their academic voices towards social change. During the 1960s, the group supported Malcolm X, conflicts of independent rights in Angola and Mozambique and organized to dismantle racist policies established in South Africa. The group used their connections to communicate about marches, Freedom Rides, and other progressive organizations. [1]
In 1977, the HWG was honored by the United Nations Society of Writers. [2] In 1986, John O. Killens estimated that members of the Harlem Writers Guild had produced more than 300 published works of fiction, non-fiction, poetry, plays, and screenplays. Several have received literary acclaim.
In 2000, the HWG announced a partnership with the digital publisher iUniverse to create its own imprint, Harlem Writers Guild Press. The anthology Beloved Harlem: A Literary Tribute to Black America's Most Famous Neighborhood (Random House, 2005), edited by William H. Banks Jr., former executive director of HWG, featured work by HWG members including Dr. John Henrik Clarke, Grace F. Edwards, Rosa Guy, Rachel DeAragon, John Oliver Killens, Walter Dean Myers, Louise Meriwether, Funmi Osoba, Diane Richards, Karen Robinson, Dr. Olubansile Abbas Mimiko and Sarah E. Wright.
During the 1920s and 1930s, many southern African Americans traveled to Northern urban cities for greater opportunities. The Harlem Renaissance cultivated a boom of literary, music, art expressions as a channel for writers, musicians, and artists cumulatively in Harlem, New York. [6] This boom was so prevalent it was regarded as the rebirth of African-American arts. The prevalence in the Harlem neighborhoods began as a root within African diaspora, somewhere many African Americans traveled to and combined feelings of culture and community. The growing prevalence of African-American art forms paved the way for a new era of African-American literature to enroll. [7]
Past and present members include:
Among writers more recently added to the HWG roster are:
John Henrik Clarke is just one of the influential co-founders who helped develop the Harlem Writers Guild as a space specifically for African-American literary creatives to preserve their experiences. He was an autodidact, never fully completing his education, rather learning from his mentor Arturo Alfonso Schomburg. [8] Clarke had a strong emphasis on understanding the African-American experience through the use of cultural relativism and not through the Eurocentric distortion seen in history books. His emphasis contributed to the idea that African-American lives have worth and value, thus further preserving the black experience.
John Oliver Killens was the first guild member to have their work published. [1] Killens is known for his politically charged stories, which aim to invoke social change. He is most notable for his debut novel Youngblood, which was first published in 1954. [9] This novel in particular is considered a landmark protest novel of the American Civil Rights Movement and revolves around the lives of an African-American family living in Georgia under Jim Crow laws. [10]
On March 12, 1972, the Harlem Writers Guild hosted a party in celebration of Chester Himes' autobiography The Quality of Hurt (1971) at the Carnegie Endowment for International Peace in New York, when those appearing on the program with Himes included Ossie Davis, Ruby Dee, and John A. Williams. [11]
In March 2021, the spirits brand Rémy Martin teamed up with the Harlem Writers Guild to honor artists from Harlem in the "Voices of Harlem" campaign. This partnership was able to give younger generations the tools and confidence to appreciate and engage in their African-American literary legacies. [12]
Members of the Harlem Writers Guild and the Black nationalist literary organization, On Guard for Freedom, are credited for the demonstration of protest in front of the United Nations following the assassination of the Congolese Prime Minister Patrice Lumumba in 1961. [13]
Audre Lorde was an American writer, professor, philosopher, intersectional feminist, poet and civil rights activist. She was a self-described "Black, lesbian, feminist, socialist, mother, warrior, poet" who dedicated her life and talents to confronting different forms of injustice, as she believed there could be "no hierarchy of oppressions" among "those who share the goals of liberation and a workable future for our children."
Raiford Chatman "Ossie" Davis was an American actor, director, writer, and activist. He was married to Ruby Dee, with whom he frequently performed, until his death. He received numerous accolades including an Emmy, a Grammy and a Writers Guild of America Award as well as nominations for four additional Emmy Awards, a Golden Globe Award, and Tony Award. Davis was inducted into the American Theater Hall of Fame in 1994 and received the National Medal of Arts in 1995, Kennedy Center Honors in 2004.
The Black Arts Movement (BAM) was an African-American-led art movement that was active during the 1960s and 1970s. Through activism and art, BAM created new cultural institutions and conveyed a message of black pride. The movement expanded from the accomplishments of artists of the Harlem Renaissance.
John Henrik Clarke was an African-American historian, professor, prominent Afrocentrist, and pioneer in the creation of Pan-African and Africana studies and professional institutions in academia starting in the late 1960s.
Gwendolyn B. Bennett was an American artist, writer, and journalist who contributed to Opportunity: A Journal of Negro Life, which chronicled cultural advancements during the Harlem Renaissance. Though often overlooked, she herself made considerable accomplishments in art, poetry, and prose. She is perhaps best known for her short story "Wedding Day", which was published in the magazine Fire!! and explores how gender, race, and class dynamics shape an interracial relationship. Bennett was a dedicated and self-preserving woman, respectfully known for being a strong influencer of African-American women rights during the Harlem Renaissance. Throughout her dedication and perseverance, Bennett raised the bar when it came to women's literature and education. One of her contributions to the Harlem Renaissance was her literary acclaimed short novel Poets Evening; it helped the understanding within the African-American communities, resulting in many African Americans coming to terms with identifying and accepting themselves.
The Schomburg Center for Research in Black Culture is a research library of the New York Public Library (NYPL) and an archive repository for information on people of African descent worldwide. Located at 515 Malcolm X Boulevard between West 135th and 136th Streets in the Harlem neighborhood of Manhattan, New York City, it has, almost from its inception, been an integral part of the Harlem community. It is named for Afro-Puerto Rican scholar Arturo Alfonso Schomburg.
The Langston Hughes Medal is awarded to highly distinguished writers from throughout the African diaspora for their impressive works of poetry, fiction, drama, autobiography and critical essays that help to celebrate the memory and tradition of Langston Hughes. Each year, the Langston Hughes Festival's Advisory Committee and board reviews the work of major black writers from Africa and the African diaspora whose work is assessed as likely having a lasting impact on world literature."
The Amsterdam News is a weekly Black-owned newspaper serving New York City. It is one of the oldest newspapers geared toward African Americans in the United States and has published columns by such figures as W. E. B. Du Bois, Roy Wilkins, and Adam Clayton Powell Jr., and was the first to recognize and publish Malcolm X. It operated from the New York Amsterdam News Building on Seventh Avenue in Harlem from 1916-1938. The building is a National Landmark.
Lonne Elder III was an American actor, playwright and screenwriter. Elder was one of the leading African-American figures who informed the New York theater world with social and political consciousness. He also wrote scripts for television and film. His best known play, Ceremonies in Dark Old Men, won him a Drama Desk Award for Most Promising Playwright and was nominated for the Pulitzer Prize. The play, which was about a Harlem barber and his family, was produced by the Negro Ensemble Company in 1969.
Rosa Cuthbert Guy was a Trinidad-born American writer who grew up in the New York metropolitan area. Her family had immigrated and she was orphaned when young. Raised in foster homes, she later was acclaimed for her books of fiction for adults and young people that stressed supportive relationships.
John Oliver Killens was an American fiction writer from Georgia. His novels featured elements of African-American life. In his debut novel, Youngblood (1954), Killens coined the phrase "kicking ass and taking names". He also wrote plays, short stories and essays, and published articles in a range of outlets.
Keith Gilyard is a writer and American professor of English and African American Studies. He has passionately embraced African American expressive culture over the course of his career as a poet, scholar, and educator. Beyond his own literary output, he has pursued – and in some instances merged - two main lines of humanistic inquiry: literary studies, with its concern for beauty and significant form, and rhetorical studies, with its emphasis on the effect of trope and argument in culture. Moreover, his interests branch out into popular culture, civic discourse, and educational praxis. A critical perspective concerning these areas is, in his view, integral to the development of discerning and productive publics both on and beyond campuses and therefore crucial to the optimal practice of democracy.
The National Black Writers Conference (NBWC) is presented by the Center for Black Literature (CBL) at Medgar Evers College of The City University of New York. Founded by Dr. Brenda M. Greene, the Center for Black Literature was officially approved by the College Council of Medgar Evers College and by the board of trustees in October 2002. Its mission is to expand, broaden, and enrich the public's knowledge and aesthetic appreciation of literature produced by people of the African diaspora. It accomplishes its mission through a variety of programs and partnerships and by serving as a forum for the discussion, reading, research, study, and critical analysis of Black literature. It is the only center devoted to this mission in the country.
John Glover Jackson was an American Pan-Africanist historian, lecturer, teacher and writer. He promoted ideas of Afrocentrism, atheism, and Jesus Christ in comparative mythology.
Julian Hudson Mayfield was an American actor, director, writer, lecturer and civil rights activist.
Freedomways was the leading African-American theoretical, political and cultural journal of the 1960s–1980s. It began publishing in 1961 and ceased in 1985.
Louise Meriwether was an American novelist, essayist, journalist and activist, as well as a writer of biographies of historically important African Americans for children. She is best known for her first novel, Daddy Was a Number Runner (1970), which draws on autobiographical elements about growing up in Harlem, New York City, during the Depression and in the era after the Harlem Renaissance.
Freedom was a monthly newspaper focused on African-American issues published from 1950 to 1955. The publication was associated primarily with the internationally renowned singer, actor and then officially disfavored activist Paul Robeson, whose column, with his photograph, ran on most of its front pages. Freedom's motto was: "Where one is enslaved, all are in chains!" The newspaper has been described as "the most visible African American Left cultural institution during the early 1950s." In another characterization, "Freedom paper was basically an attempt by a small group of black activists, most of them Communists, to provide Robeson with a base in Harlem and a means of reaching his public... The paper offered more coverage of the labor movement than nearly any other publication, particularly of the left-led unions that were expelled from the CIO in the late 1940s... [It] encouraged its African American readership to identify its struggles with anti-colonial movements in Africa, Asia, and the Caribbean. Freedom gave extensive publicity to... the struggle against apartheid."
Arthur R. Flowers, Jr. is an American novelist, memoirist, and performance poet. His work is known for its focus on the African-American experience, particularly folklore, blues music, and hoodoo spiritualism.