Smooth jazz

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Smooth jazz is a term used to describe commercially oriented crossover jazz music. Although often described as a "genre", it is a debatable and highly controversial subject in jazz music circles. As a radio format, however, it is clear that smooth jazz became the successor to easy listening music on radio station programming in the mid-1970s to the early 1990s.

Contents

History

Smooth jazz may be thought of as commercially-oriented, crossover jazz which came to prominence in the 1980s, displacing the more venturesome jazz fusion from which it emerged. It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2]

During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]

The term itself seems to have been birthed directly out of radio marketing efforts. In an industry focus group in the late 1980s, one participant coined the phrase "smooth jazz" - and it stuck. [4]

The popularity of smooth jazz as a radio format gradually declined in the early 2000s. [5]

Notable artists

The mid- to late-1970s included songs "Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition "Feels So Good" by flugelhorn player Chuck Mangione, in 1978, "What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion group Spyro Gyra's instrumental "Morning Dance", released in 1979 [3] and in 1981, a collaboration between Grover Washington Jr. and Bill Withers was released as one of the most popular smooth jazz songs "Just the Two of Us". Beginning with Taking Off by alto saxophonist David Sanborn, Warner Bros. Records became a viable and popular record label for smooth jazz.[ citation needed ]

Smooth jazz grew in popularity in the 1980s as Anita Baker, Sade, Al Jarreau, Grover Washington Jr. and Kenny G released multiple hit songs. [6]

Critical and public reception

The smooth jazz genre experienced a backlash exemplified by critical complaints about the "bland" sound of top-selling saxophonist Kenny G, whose popularity peaked with his 1992 album Breathless . [3]

Music reviewer George Graham argues that the "so-called 'smooth jazz' sound of people like Kenny G has none of the fire and creativity [7] that marked the best of the fusion scene during its heyday in the 1970s". [8]

Digby Fairweather, before the start of UK jazz station theJazz, denounced the change to a smooth jazz format on defunct radio station 102.2 Jazz FM; he stated that the owners GMG Radio were responsible for the "attempted rape and (fortunately abortive) re-definition of the music — is one that no true jazz lover within the boundaries of the M25 will ever find it possible to forget or forgive." [9]

See also

Related Research Articles

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<span class="mw-page-title-main">Hard bop</span> Subgenre of jazz music

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<span class="mw-page-title-main">Jazz fusion</span> Music genre combining jazz methods with rock music, funk, and rhythm and blues

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<span class="mw-page-title-main">Soul jazz</span> Music genre

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Quiet storm is a radio format and genre of R&B, performed in a smooth, romantic, jazz-influenced style. It was named after the title song on Smokey Robinson's 1975 album A Quiet Storm.

Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul.

<span class="mw-page-title-main">David Sanborn</span> American saxophonist

David William Sanborn is an American alto saxophonist. Though Sanborn has worked in many genres, his solo recordings typically blend jazz with instrumental pop and R&B. He released his first solo album Taking Off in 1975, but has been playing the saxophone since before he was in high school and has been a session musician long before its release. He remains popular as a session musician, playing in several albums of various artists.

<span class="mw-page-title-main">Kenny G</span> American jazz saxophonist and composer (born 1956)

Kenneth Bruce Gorelick, known professionally as Kenny G, is an American smooth jazz saxophonist, composer, and producer. His 1986 album Duotones brought him commercial success. Kenny G is one of the best-selling artists of all time, with global sales totaling more than 75 million records.

Middle of the road is a commercial radio format and popular music genre. Music associated with this term is strongly melodic and uses techniques of vocal harmony and light orchestral arrangements. The format was eventually rebranded as soft adult contemporary.

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<span class="mw-page-title-main">Grover Washington Jr.</span> American jazz saxophonist (1943–1999)

Grover Washington Jr. was an American jazz-funk and soul-jazz saxophonist and Grammy Award winner. Along with Wes Montgomery and George Benson, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.

Album-oriented rock is an FM radio format created in the United States in the late 1960s that focuses on the full repertoire of rock albums and is currently associated with classic rock.

Classic hits is a radio format which generally includes songs from the top 40 music charts from the late 1960s to the early 2000s, with music from the 1980s serving as the core of the format. Music that was popularized by MTV in the early 1980s and the nostalgia behind it is a major driver to the format. It is considered the successor to the oldies format, a collection of top 40 songs from the late 1950s through the late 1970s that was once extremely popular in the United States and Canada. The term is sometimes incorrectly used as a synonym for the adult hits format, which uses a slightly newer music library stretching from all decades to the present with a major focus on 1990s and 2000s pop, rock and alternative songs. In addition, adult hits stations tend to have larger playlists, playing a given song only a few times per week, compared to the tighter libraries on classic hits stations. For example, KRTH, a classic hits station in Los Angeles, and KSPF, a classic hits station in Dallas, both play power songs up to 30 times a week or more, which is another differentiator compared to other formats that share songs with classic hits libraries.

KTWV is a commercial radio station licensed to Los Angeles, California, and broadcasting to the Greater Los Angeles area. The station is owned by Audacy, Inc., and airs an urban adult contemporary radio format. KTWV has studios on Wilshire Boulevard in the Miracle Mile district of Los Angeles. As "94.7 The Wave," the station was known for pioneering the smooth jazz radio format in the late 1980s.

<span class="mw-page-title-main">Straight-ahead jazz</span> Genre of jazz

Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.

Yacht rock is a broad music style and aesthetic commonly associated with soft rock, one of the most commercially successful genres from the mid-1970s to the mid-1980s. Drawing on sources such as smooth soul, smooth jazz, R&B, and disco, common stylistic traits include high-quality production, clean vocals, and a focus on light, catchy melodies. The term yacht rock was coined in 2005 by the makers of the online video series Yacht Rock, who connected the music with the popular Southern Californian leisure activity of boating. It is considered a pejorative term. Prominent artists that have been labeled "yacht rock" include Christopher Cross, the Doobie Brothers, Fleetwood Mac, Steely Dan, Rupert Holmes, Michael McDonald, Kenny Loggins, Toto, and Supertramp.

Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music.

Smooth soul is a fusion genre of soul music that developed in the early 1970s from soul, funk, and pop music in the United States. The fusion genre experienced mainstream success from the time of its development to the late 1970s, before its succession by disco and quiet storm.

Tropical rock is a genre of popular music that incorporates elements and influences of rock, reggae, country, folk, calypso, zydeco, and pop music, with themes and musical compositions inspired by an island style.

Smooth jazz was a popular radio format that included songs by artists such as George Benson, Pat Metheny, Kenny G, Luther Vandross, Sade, Robin Thicke, Anita Baker, Basia, Dave Koz and Chuck Mangione. It began in the 1980s as "adult alternative" or NAC, a well-defined radio format, with jazz, new-age music and adult contemporary music. In the 1990s, the format became much more jazz-oriented, with very little new-age, and emphasizing young artists.

References

  1. "Fusion". AllMusic. Retrieved October 7, 2019.
  2. "Jazz » Fusion » Smooth Jazz". AllMusic . Retrieved October 7, 2019.
  3. 1 2 3 Gioia, Ted (May 9, 2011). The History of Jazz . Oxford University Press. p.  337. ISBN   9780195399707.
  4. Marshall, Colin (July 6, 2023). "The Rise and Fall of Smooth Jazz". The New Yorker .
  5. Jazz of the 00s - Jumping The Great Divide - Popmatters "the market for jazz was starting to get less rigid too. “Smooth jazz” was by far the dominant market force in jazz at the end of the century, and it sidetracked the artistic lives of some musicians who might have made more interesting music but for the draw of big paydays. But the radio stations playing sax-and-synth dominated lite funk faded in the first decade of the 21st century. 2008 marked the death of the smooth jazz stations in both New York and Washington, DC"
  6. Larson, Thomas (2002). History and Tradition of Jazz. Kendall Hunt. p. 188. ISBN   9780787275747.
  7. How smooth jazz took over the '90s-Vox on YouTube
  8. Graham, George, review.
  9. Fairweather, Digby (2006-11-18). "New Jazz Station - Goodbye to the Smooth, Hello to the Classics". Fly Global Music Culture. Archived from the original on 2008-03-04. Retrieved 2008-02-16.