Ted Gioia | |
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Born | Hawthorne, California, U.S. | October 21, 1957
Occupation | Music historian, writer |
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Notable works |
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Relatives | Dana Gioia (brother) |
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Ted Gioia (born October 21, 1957) is an American jazz critic and music historian. He is author of eleven books, including Music: A Subversive History, The Jazz Standards: A Guide to the Repertoire , The History of Jazz and Delta Blues. He is also a jazz musician and one of the founders of Stanford University's jazz studies program. [1] [2] [3] [4] [5]
Gioia grew up in an Italian-Mexican household in Hawthorne, California, and later earned degrees from Stanford University and the University of Oxford, as well as a Master of Business Administration (MBA) from the Stanford Graduate School of Business. [6]
After graduating, Gioia served for a period[ clarification needed ] as an adviser to Fortune 500 companies while with the Boston Consulting Group and McKinsey & Company. When Gioia worked amidst Silicon Valley's venture capital community on Sand Hill Road, he was known as the "guy with the piano in his office." [7] Gioia is also owner of one of the largest collections of research materials on jazz and ethnic music in the Western United States.
Gioia is the author of several books on music, including Music: A Subversive History (2019), West Coast Jazz (1992), The Jazz Standards: A Guide to the Repertoire (2012), and The Birth (and Death) of the Cool (2009). A second updated and expanded edition of The History of Jazz was published by Oxford University Press in 2011, and a third revised edition was issued in 2021. [8] Love Songs: The Hidden History, published by Oxford University Press in 2015, is a survey of the music of courtship, romance, and sexuality; [9] it completes a trilogy of books on the social history of music that includes Work Songs (2006) and Healing Songs (2006). All three books have been honored with ASCAP's Deems Taylor Award. [10] [11] In his study of love songs, Gioia contends that innovations in the history of this music came from Africa and the Middle East. [12]
In 2006, Gioia was the first to expose, in an article in the Los Angeles Times , the FBI files on folk and roots music icon Alan Lomax. [13] He founded the website jazz.com in December 2007 and served as president and editor until 2010. [14]
Gioia is also a jazz pianist and composer. He has produced recordings featuring Bobby Hutcherson, John Handy, and Buddy Montgomery.
Lifetime Achievement Award in Jazz Journalism, Jazz Journalists Association, 2017. [31]
The Dallas Morning News has called Ted Gioia "one of the outstanding music historians in America." His concept of "post-cool" described in his book The Birth (and Death) of the Cool, was selected as one of the Big Ideas of 2012 by Adbusters magazine. [32]
ASCAP Deems Taylor Award: The Imperfect Art (1989), Work Songs (2006), Healing Songs (2006), Love Songs: The Hidden History (2015). [32]
Gioia is the brother of poet Dana Gioia. [33] [34]
The American Society of Composers, Authors, and Publishers (ASCAP) is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services.
Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that of contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."
Birth of the Cool is a compilation album by the American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.
Ashley Kahn is an American music historian, journalist, and producer. He was born in the Bronx, New York, and was raised in Cincinnati. Kahn graduated from Columbia University in 1983. While attending Columbia, he hosted a jazz and blues radio show on WKCR, and was known on the air as "The Cincinnati Kid."
Hugues Panassié was a French critic, record producer, and impresario of traditional jazz.
"Autumn Leaves" is a popular song based on a French song "Les Feuilles mortes" composed by Joseph Kosma in 1945. The original lyrics were written by Jacques Prévert in French, and the English lyrics were by Johnny Mercer. An instrumental version by pianist Roger Williams was a number one best-seller in the US Billboard charts of 1955.
"Skylark" is an American popular song with lyrics by Johnny Mercer and music by Hoagy Carmichael, published in 1941.
"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy Lady, Be Good, the song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit Rosalie.
"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.
"Lover Man " is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989.
Will Friedwald is an American author and music critic. He has written for newspapers that include the Wall Street Journal, New York Times, Village Voice, Newsday, New York Observer, and New York Sun – and for magazines that include Entertainment Weekly, Oxford American, New York, Mojo, BBC Music Magazine, Stereo Review, Fi, and American Heritage.
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills.
"Softly, as in a Morning Sunrise" is a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission (baritone).
"Alice in Wonderland" is the theme song composed by Sammy Fain for the Walt Disney 1951 animated film Alice in Wonderland. It was performed by The Jud Conlon Chorus and The Mellomen. The lyrics were written by Bob Hilliard and were arranged by Harry Simeone for treble voices.
"Our Delight" is a 1946 jazz standard, composed by Tadd Dameron. It is considered one of his best compositions along with "Good Bait", "Hot House", "If You Could See Me Now", and "Lady Bird". It has an AABA construction. A moderately fast bebop song, it featured the trumpeter Fats Navarro, who is said to "exhibit mastery of the difficult chord progression". One author said, "'Our Delight' is a genuine song, a bubbly, jaggedly ascending theme that sticks in one's mind, enriched by harmonic interplay between a flaming trumpet section led by Dizzy, creamy moaning reeds and crooning trombones. The written accompaniments to the solos-in particular the leader's two statements-are full of inventiveness, creating call-and-response patterns and counter-melodies. What is boppish here is the off-center, syncopated melody, as well as the shifting, internal voicings of the chords, especially at the very end. These voicings, along with a love of tuneful melodies that one walks out of a jazz club humming, were Tadd's main legacy to such composers and arrangers as Benny Golson, Gigi Gryce, and Jimmy Heath." Rolling Stone describes it as a "bop gem". The first publication is by Dizzy Gillespie in August 1946. In total there are more than 120 covers of Our Delight. Bill Evans recorded his version of it for his debut album New Jazz Conceptions in 1956.
David Schiff is an American composer, writer and conductor whose music draws on elements of jazz, rock, and klezmer styles, showing the influence of composers as diverse as Stravinsky, Mahler, Charles Mingus, Eric Dolphy and Terry Riley. His music has been performed by major orchestras and festivals around the United States and by soloists David Shifrin, Regina Carter, David Taylor, Marty Ehrlich, David Krakauer, Nadine Asin and Peter Kogan. He is the author of books on the music of Elliott Carter, George Gershwin and Duke Ellington. His work has been honored by the League-ISCM National Composers Competition award and the ASCAP-Deems Taylor award for his book on Elliott Carter.
Count 'Em 88 is an album by American jazz pianist Ahmad Jamal. It contains performances recorded in 1956 and released on the Argo label.
"Once I Loved" is a bossa nova and jazz standard song composed in 1960 by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Words in English were later added by Ray Gilbert. In a few early cases, the song was also known as, a translation into English of the original Portuguese title.
Geoffrey Himes is an American music critic who has written weekly for the Washington Post since 1977. He also wrote for No Depression as a contributing editor in its first print era in the late 1990s to the early 2000s and has written for Paste since 2004. He has written lyrics for songs that have been recorded by multiple artists, including Billy Kemp & the Paradise Rockers and Mojo Filter. He has won the Deems Taylor Award from the American Society of Composers, Authors and Publishers four times.