Ted Gioia

Last updated

Ted Gioia
A photo of Ted Gioia at Stanford University 1991.png
Ted Gioia in 1991 in the main quad of Stanford University
Born (1957-10-21) October 21, 1957 (age 66)
Hawthorne, California, U.S.
OccupationMusic historian, writer
Alma mater
Notable works
  • The Birth (and Death) of the Cool (2009)
  • Work Songs (2006)
  • Healing Songs (2006)
  • Love Songs: The Hidden History (2015)
Relatives Dana Gioia (brother)
Website
www.tedgioia.com OOjs UI icon edit-ltr-progressive.svg

Ted Gioia (born October 21, 1957) is an American jazz critic and music historian. He is author of eleven books, including Music: A Subversive History, The Jazz Standards: A Guide to the Repertoire , The History of Jazz and Delta Blues. He is also a jazz musician and one of the founders of Stanford University's jazz studies program. [1] [2] [3] [4] [5]

Contents

Early life and education

Gioia grew up in an Italian-Mexican household in Hawthorne, California, and later earned degrees from Stanford University and the University of Oxford, as well as a Master of Business Administration (MBA) from the Stanford Graduate School of Business. [6]

Career

After graduating, Gioia served for a period[ clarification needed ] as an adviser to Fortune 500 companies while with the Boston Consulting Group and McKinsey & Company. When Gioia worked amidst Silicon Valley's venture capital community on Sand Hill Road, he was known as the "guy with the piano in his office." [7] Gioia is also owner of one of the largest collections of research materials on jazz and ethnic music in the Western United States.

Gioia is the author of several books on music, including Music: A Subversive History (2019), West Coast Jazz (1992), The Jazz Standards: A Guide to the Repertoire (2012), and The Birth (and Death) of the Cool (2009). A second updated and expanded edition of The History of Jazz was published by Oxford University Press in 2011, and a third revised edition was issued in 2021. [8] Love Songs: The Hidden History, published by Oxford University Press in 2015, is a survey of the music of courtship, romance, and sexuality; [9] it completes a trilogy of books on the social history of music that includes Work Songs (2006) and Healing Songs (2006). All three books have been honored with ASCAP's Deems Taylor Award. [10] [11] In his study of love songs, Gioia contends that innovations in the history of this music came from Africa and the Middle East. [12]

In 2006, Gioia was the first to expose, in an article in the Los Angeles Times , the FBI files on folk and roots music icon Alan Lomax. [13] He founded the website jazz.com in December 2007 and served as president and editor until 2010. [14]

Gioia is also a jazz pianist and composer. He has produced recordings featuring Bobby Hutcherson, John Handy, and Buddy Montgomery.

Books

Selected discography

Recorded June 9–11, 1986, and October 19, 1987, Menlo Park, California
Recorded March 31, 1989, and April 7, 1990, San Francisco

Awards and honors

Lifetime Achievement Award in Jazz Journalism, Jazz Journalists Association, 2017. [31]

The Dallas Morning News has called Ted Gioia "one of the outstanding music historians in America." His concept of "post-cool" described in his book The Birth (and Death) of the Cool, was selected as one of the Big Ideas of 2012 by Adbusters magazine. [32]

ASCAP Deems Taylor Award: The Imperfect Art (1989), Work Songs (2006), Healing Songs (2006), Love Songs: The Hidden History (2015). [32]

Personal life

Gioia is the brother of poet Dana Gioia. [33] [34]


Related Research Articles

<span class="mw-page-title-main">American Society of Composers, Authors and Publishers</span> Non-profit performance-rights organization

The American Society of Composers, Authors, and Publishers (ASCAP) is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services.

<span class="mw-page-title-main">Cool jazz</span> Sub-genre of jazz associated with the U.S. West Coast

Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that of contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."

<i>Birth of the Cool</i> Miles Davis album

Birth of the Cool is a compilation album by the American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950.

Ashley Kahn is an American music historian, journalist, and producer. He was born in the Bronx, New York, and was raised in Cincinnati. Kahn graduated from Columbia University in 1983. While attending Columbia, he hosted a jazz and blues radio show on WKCR, and was known on the air as "The Cincinnati Kid."

<span class="mw-page-title-main">Hugues Panassié</span> French music critic, producer, and impresario

Hugues Panassié was a French critic, record producer, and impresario of traditional jazz.

"Autumn Leaves" is a popular song based on a French song "Les Feuilles mortes" composed by Joseph Kosma in 1945. The original lyrics were written by Jacques Prévert in French, and the English lyrics were by Johnny Mercer. An instrumental version by pianist Roger Williams was a number one best-seller in the US Billboard charts of 1955.

"Skylark" is an American popular song with lyrics by Johnny Mercer and music by Hoagy Carmichael, published in 1941.

<span class="mw-page-title-main">The Man I Love (song)</span> Standard by George and Ira Gershwin

"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira. Part of the 1924 score for the Gershwin musical comedy Lady, Be Good, the song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band, which closed out-of-town. It was considered for, then rejected from, the 1928 Ziegfeld hit Rosalie.

"Embraceable You" is a jazz standard song with music by George Gershwin and lyrics by Ira Gershwin. The song was written in 1928 for an unpublished operetta named East Is West. It was published in 1930 and included in that year's Broadway musical Girl Crazy, performed by Ginger Rogers in a song and dance routine choreographed by Fred Astaire.

"Lover Man " is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989.

Will Friedwald is an American author and music critic. He has written for newspapers that include the Wall Street Journal, New York Times, Village Voice, Newsday, New York Observer, and New York Sun  – and for magazines that include Entertainment Weekly, Oxford American, New York, Mojo, BBC Music Magazine, Stereo Review, Fi, and American Heritage.

"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills.

"Softly, as in a Morning Sunrise" is a song with music by Sigmund Romberg and lyrics by Oscar Hammerstein II from the 1928 operetta The New Moon. One of the best-known numbers from the show, it is a song of bitterness and yearning for a lost love, sung in the show by Philippe (tenor), the best friend of the hero, Robert Mission (baritone).

"Alice in Wonderland" is the theme song composed by Sammy Fain for the Walt Disney 1951 animated film Alice in Wonderland. It was performed by The Jud Conlon Chorus and The Mellomen. The lyrics were written by Bob Hilliard and were arranged by Harry Simeone for treble voices.

"Our Delight" is a 1946 jazz standard, composed by Tadd Dameron. It is considered one of his best compositions along with "Good Bait", "Hot House", "If You Could See Me Now", and "Lady Bird". It has an AABA construction. A moderately fast bebop song, it featured the trumpeter Fats Navarro, who is said to "exhibit mastery of the difficult chord progression". One author said, "'Our Delight' is a genuine song, a bubbly, jaggedly ascending theme that sticks in one's mind, enriched by harmonic interplay between a flaming trumpet section led by Dizzy, creamy moaning reeds and crooning trombones. The written accompaniments to the solos-in particular the leader's two statements-are full of inventiveness, creating call-and-response patterns and counter-melodies. What is boppish here is the off-center, syncopated melody, as well as the shifting, internal voicings of the chords, especially at the very end. These voicings, along with a love of tuneful melodies that one walks out of a jazz club humming, were Tadd's main legacy to such composers and arrangers as Benny Golson, Gigi Gryce, and Jimmy Heath." Rolling Stone describes it as a "bop gem". The first publication is by Dizzy Gillespie in August 1946. In total there are more than 120 covers of Our Delight. Bill Evans recorded his version of it for his debut album New Jazz Conceptions in 1956.

David Schiff is an American composer, writer and conductor whose music draws on elements of jazz, rock, and klezmer styles, showing the influence of composers as diverse as Stravinsky, Mahler, Charles Mingus, Eric Dolphy and Terry Riley. His music has been performed by major orchestras and festivals around the United States and by soloists David Shifrin, Regina Carter, David Taylor, Marty Ehrlich, David Krakauer, Nadine Asin and Peter Kogan. He is the author of books on the music of Elliott Carter, George Gershwin and Duke Ellington. His work has been honored by the League-ISCM National Composers Competition award and the ASCAP-Deems Taylor award for his book on Elliott Carter.

<i>Count Em 88</i> 1956 studio album by Ahmad Jamal

Count 'Em 88 is an album by American jazz pianist Ahmad Jamal. It contains performances recorded in 1956 and released on the Argo label.

"Once I Loved" is a bossa nova and jazz standard song composed in 1960 by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes. Words in English were later added by Ray Gilbert. In a few early cases, the song was also known as, a translation into English of the original Portuguese title.

Geoffrey Himes is an American music critic who has written weekly for the Washington Post since 1977. He also wrote for No Depression as a contributing editor in its first print era in the late 1990s to the early 2000s and has written for Paste since 2004. He has written lyrics for songs that have been recorded by multiple artists, including Billy Kemp & the Paradise Rockers and Mojo Filter. He has won the Deems Taylor Award from the American Society of Composers, Authors and Publishers four times.

References

  1. Contemporary Authors, Gale Group; ISSN   0887-3070
        Vol.  127 (1989); OCLC   35395922
        Vol.  86, new edition (2000); OCLC   43697091
  2. The International Authors and Writers Who's Who (12th edn), Ernest Kay (ed.), International Biographical Centre (1991); OCLC   59895267
  3. The New Grove Dictionary of Jazz (2nd edn) (Gioia is in Vol. 2 of 3), Barry Dean Kernfeld (ed.), Macmillan Publishers (2002); OCLC   46956628.
  4. Who's Who in Entertainment (3rd edn, 1998–1999), Marquis Who's Who (1997); OCLC   54303731
  5. Who's Who in the West, Marquis Who's Who; OCLC   0896-7709
        24th edn, 1994–1995 (1993); OCLC   30525324
        25th edn, 1996–1997 (1995); OCLC   33938880
  6. Perell, David (2024). "Addicted to Distraction with Ted Gioia on the How I Write Podcast". apple.com.
  7. Michael Hoinski, "Come On Feel the Noise", Texas Monthly, September 2016.
  8. Weiner, Natalie, "Re-Revising The History Of Jazz", NPR.org, July 15, 2021 (includes an interview with author Gioia)
  9. Love Songs: The Hidden History, by Ted Gioia, at Penn State University Libraries
  10. "40th Annual ASCAP Deems Taylor Awards Presented", ASCAPFoundation.org, October 15, 2007
  11. "48th Annual ASCAP Foundation Deems Taylor/Virgil Thomson Award Winners", ASCAPFoundation.org, November 8, 2016
  12. Ted Gioia, "Was the Love Song Invented in Africa and the Middle East", The Daily Beast , February 8, 2015.
  13. Gioia, Ted, "The Red Rumor Blues," Los Angeles Times, April 23, 2006
  14. https://wwnorton.com/author/GIOIATED/tedgioia
  15. OCLC   1083153301 [ ISBN missing ]
  16. Oxford University Press (2012); OCLC   820009853 [ ISBN missing ]
  17. "Notable Books of the Year 1998", The New York Times , December 6, 1998.
  18. 1st edn (1997); OCLC   36245922 [ ISBN missing ]
  19. 2nd edn (2011); OCLC   734057336 [ ISBN missing ]
  20. 3rd edn (2021); OCLC   1232214968 [ ISBN missing ]
  21. Basic Books (2016); OCLC   921864226 [ ISBN missing ]
  22. Speck Press (2009); OCLC   318875640 [ ISBN missing ]
  23. Norton (2008); OCLC   212893669 [ ISBN missing ]
  24. "100 Notable Books of 2008", The New York Times , November 26, 2008.
  25. Oxford University Press 1st edn (1992); OCLC   24009620 [ ISBN missing ]
  26. 2nd edn (1998); OCLC   38747512 [ ISBN missing ]
  27. Oxford University Press (1988); OCLC   17327524 [ ISBN missing ]
  28. Oxford University Press (2015); OCLC   880349805 , 906023459 [ ISBN missing ]
  29. Duke University Press (2006); OCLC   61478791 [ ISBN missing ]
  30. Duke University Press (2006); OCLC   63702993 [ ISBN missing ]
  31. "Wadada Leo Smith Among Winners of 2017 JJA Awards". DownBeat Magazine. May 16, 2017. Retrieved September 26, 2018.
  32. 1 2 "Post-Cool," Archived February 4, 2013, at the Wayback Machine by Ted Gioia, Adbusters , December 15, 2011.
  33. Cynthia Haven, "Changing His Tune", Stanford Alumni Association News, 2007.
  34. Barbara Ries, "Poet Provocateur", The Stanford Magazine, July/August 2000; ISSN   0745-3981