Author | Ted Gioia |
---|---|
Country | United States |
Language | English |
Subject | Jazz |
Genre | Non-fiction Encyclopedic Reference |
Publisher | Oxford University Press |
Publication date | 27 September 2012 |
Pages | 544 |
ISBN | 0199937397 |
The Jazz Standards: A Guide to the Repertoire is a 2012 book by Ted Gioia documenting what he considers to be the most important tunes in the jazz repertoire. The book is published by Oxford University Press. [1] The book features a range of jazz standards in alphabetical order, [2] from Broadway show tunes by the likes of George Gershwin and Irving Berlin, to the standards of esteemed jazz musicians such as Duke Ellington, John Coltrane, Miles Davis, Thelonious Monk, Wayne Shorter and Charles Mingus. In the book Gioia has recommendations for definitive covers of each standard to listen to, over 2000 in total. [3] Each jazz standard entry in the book contains descriptive text and selected discography.
Gioia states that he was inspired to write the book due to the difficulties he encountered as an aspiring jazz musician in his youth when he would turn up to jam sessions and feel embarrassed at not knowing the tunes and not having a list or some kind of reference he could use to learn to expected repertoire. He stated that: "I soon realized what countless other jazz musicians have no doubt also learned: in-depth study of the jazz repertoire is hardly a quaint historical sideline, but essential for survival. Not learning these songs puts a jazz player on a quick path to unemployment." Gioia's purpose for writing it was to provide a "type of survey, the kind of overview of the standard repertoire that I wished someone had given me back in the day—a guide that would have helped me as a musician, as a critic, as a historian, and simply as a fan and lover of the jazz idiom". [4]
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz artists", [5] and is described as such on the Toronto Public Library website. [6] Clive Davis writing for The Independent noted that "Apart from his elegant prose style, the first thing you notice about Ted Gioia's approach to his subject is that the music clearly gives him no end of pleasure", and that the book contains numerous "witty" personal anecdotes of Gioia's experience of the tunes. He considers The Jazz Standards: A Guide to the Repertoire a "bold attempt to summarise the core repertoire". [7] The London Review of Bookshops wrote that the book would "appeal to a wide audience, serving as a fascinating introduction for new fans, an invaluable and long-needed handbook for jazz lovers and musicians, and an indispensable reference for students and educators". [3] Dennis Drabelle of The Washington Post remarked that it was "hard to quarrel with Gioia’s seemingly encyclopedic knowledge of what is still hot or not" but was critical of some of his omissions of information, such as failing to mention that "I Can't Give You Anything but Love, Baby" was prominent in the Howard Hawks comedy Bringing Up Baby (1938). [1]
The following standards are listed in the book:
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
Herman "Junior" Parker was an American blues singer and harmonica player. He is best remembered for his voice which has been described as "honeyed" and "velvet-smooth". One music journalist noted, "For years, Junior Parker deserted down home harmonica blues for uptown blues-soul music". In 2001, he was inducted into the Blues Hall of Fame. Parker is also inducted into the Mississippi Musicians Hall of Fame.
The Complete Ella Fitzgerald Song Books were a series of eight studio albums released in irregular intervals between 1956 and 1964, recorded by the American jazz singer Ella Fitzgerald, supported by a variety of orchestras, big bands, and small jazz combos.
James William McCarty is an American blues rock guitarist from Detroit, Michigan. He has performed with Mitch Ryder and The Detroit Wheels, the Buddy Miles Express, Cactus, The Rockets, the Detroit Blues Band, and more recently, Mystery Train. Since about 2014 Jim McCarty has joined forces with Detroit blues guitarist/songwriter Kenny Parker in The Kenny Parker Band along with several other veteran Detroit blues/rock musicians. He also makes guest appearances with other Detroit bands.
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948.
Woodrow Wilson "Buddy" Johnson was an American jump blues pianist and bandleader active from the 1930s through the 1960s. His songs were often performed by his sister Ella Johnson, most notably "Since I Fell for You", which became a jazz standard.
Lady in Autumn: The Best of The Verve Years is a compilation album by the singer Billie Holiday.
"Things Ain't What They Used to Be" is a 1942 jazz standard with music by Mercer Ellington and lyrics by Ted Persons.
The Prestige Recordings is a box set by jazz musician John Coltrane.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
Theron Eugene "Ted" Daffan was an American country musician noted for composing the seminal "Truck Driver's Blues" and two much covered country anthems of unrequited love, "Born to Lose" and "I'm a Fool to Care".
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others. Other influential bandleaders of this period were Benny Goodman and Count Basie.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
"Peace" is a composition by Horace Silver that was first recorded on August 29, 1959. It has become a jazz standard. Silver also wrote lyrics for the tune.
The Genius of Art Tatum is a 1953-54 series of solo albums by jazz pianist Art Tatum originally issued on LP over 11 volumes. First released on the Clef Records label, they were added to the Grammy Hall of Fame in 1978. A 7-CD box-set of these recordings, now under the title of The Complete Pablo Solo Masterpieces, was issued on the Pablo label in July 1991.