See also
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"Just You, Just Me" is a song from the 1929 musical film Marianne , composed by Jesse Greer with lyrics by Raymond Klages. [1] It was introduced by Marion Davies and Lawrence Gray. The song has had many revisions after its first appearance and has become a jazz standard, [2] having been recorded instrumentally by Red Norvo, Stan Tracey, Oscar Peterson and Lester Young, Buddy Rich, Artie Shaw, Les Paul, Benny Carter, Buddy Bregman, Tex Beneke, Coleman Hawkins, Harry James, Erroll Garner, Benny Goodman, Earl Hines, Joe Pass, Buddy Tate and Abdullah Ibrahim, Les Brown, Bill Coleman and Duke Ellington.
Thelonious Monk's 1948 composition, "Evidence", is a contrafact of "Just You, Just Me". [3] Monk's tune was originally called "Justice" (which sounds like "Just Us", a reference to "Just You, Just Me"), then renamed "We Named It Justice", and finally "Evidence". [2] Both songs are included on the CD reissue of Monk's 1964 live album, Live at the It Club .
Cliff Edwards had a hit recording of the song in 1929. [4] Bing Crosby recorded it in 1954 [5] for use on his radio show and it was subsequently included in the box set The Bing Crosby CBS Radio Recordings (1954-56) issued by Mosaic Records (catalog MD7-245) in 2009. [6] The song has also been recorded vocally by, among others, Petula Clark, Doris Day, Ella Fitzgerald, Nat King Cole, Rockapella, Diana Krall, Judy Garland, Jaye P. Morgan and Rosemary Clooney.
In 1999, Lester Young's rendition of "Just You, Just Me" was inducted into the Grammy Hall of Fame. [7]
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"April in Paris" is a popular song composed by Vernon Duke with lyrics by Yip Harburg in 1932 for the Broadway musical Walk a Little Faster. The original 1933 hit was performed by Freddy Martin, and the 1952 remake was by the Sauter-Finegan Orchestra, whose version made the Cashbox Top 50. Composer Alec Wilder writes, "There are no two ways about it: this is a perfect theater song. If that sounds too reverent, then I'll reduce the praise to 'perfectly wonderful,' or else say that if it's not perfect, show me why it isn't."
Shine is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney. It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show. According to Perry Bradford, himself a songster and publisher, the song was written about an actual man named Shine who was with George Walker when they were badly beaten during the New York City race riot of 1900.
"The Way You Look To-night" is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful."
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose.
"I Want to Be Happy" is a song with music by Vincent Youmans and lyrics by Irving Caesar written for the 1925 musical No, No, Nanette.
"My Buddy" is a popular song with music written by Walter Donaldson, and lyrics by Gus Kahn. The song was published in 1922 and early popular versions were by Henry Burr (1922), Ernest Hare (1923) and Ben Bernie.
"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930).
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson.
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters, Guy Lombardo, and Charles Agnew.
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.
"I Don't Stand a Ghost of a Chance With You" is a 1932 song recorded by Bing Crosby with Orchestral Accompaniment. The music was composed by Victor Young, with lyrics written by Ned Washington and Bing Crosby. The song is a jazz and pop standard recorded by many different artists.
"I Surrender Dear" is a song composed by Harry Barris with lyrics by Gordon Clifford, first performed by Gus Arnheim and His Cocoanut Grove Orchestra with Bing Crosby in 1931, which became his first solo hit. This is the song that caught the attention of William Paley, president of CBS, who signed him for $600 a week in the fall of 1931.
"Out of Nowhere" is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. Crosby also sang it in the film Confessions of a Co-Ed (1931) and in his short film I Surrender Dear (1931). He recorded it again in 1954 for his album Bing: A Musical Autobiography.
"How Come You Do Me Like You Do?" is a song written by vaudeville comedy duo Gene Austin and Roy Bergere in 1924. It has later been covered by many artists, and is considered a jazz standard.
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show Rhythmania and is now a widely recorded standard.
"Poinciana" is a song by Nat Simon with lyrics by Buddy Bernier written in 1936.
"Sweet and Lovely" is an American popular song of 1931, composed by Gus Arnheim, Charles N. Daniels, and Harry Tobias.