"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show Kid Boots . [1] The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson. [2]
One singer, Fanny Rose Shore, became so identified with the song that DJ Martin Block called her "Dinah Shore", which then stuck as her stage name for the next 50 years. [3]
"If I Give My Heart to You" is a popular song written by Jimmy Brewster, Jimmie Crane, and Al Jacobs. The most popular versions of the song were recorded by Doris Day and by Denise Lor; both charted in 1954.
"On the Sunny Side of the Street" is a 1930 song composed by Jimmy McHugh with lyrics by Dorothy Fields. Some authors say that Fats Waller was the composer, but he sold the rights to the song. It was introduced in the Broadway musical Lew Leslie's International Revue starring Harry Richman and Gertrude Lawrence.
Shine is a popular song with lyrics by Cecil Mack and Tin Pan Alley songwriter Lew Brown and music by Ford Dabney. It was published in 1910 by the Gotham-Attucks Music Publishing Company and used by Aida Overton Walker in His Honor the Barber, an African-American road show. According to Perry Bradford, himself a songster and publisher, the song was written about an actual man named Shine who was with George Walker when they were badly beaten during the New York City race riot of 1900.
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose.
"My Buddy" is a popular song with music written by Walter Donaldson, and lyrics by Gus Kahn. The song was published in 1922 and early popular versions were by Henry Burr (1922), Ernest Hare (1923) and Ben Bernie.
"Street of Dreams" is a song and foxtrot composed in 1932 by Victor Young, with lyrics by Sam M. Lewis. There were three successful recordings of the song in 1933 by Guy Lombardo, Ben Selvin and Bing Crosby.
"Autumn in New York" is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up! The play opened on December 27, 1934, where the song was performed by singer J. Harold Murray.
"It Isn't Fair" is a popular song written by Richard Himber, Frank Warshauer, and Sylvester Sprigato and published in 1933. Isham Jones and His Orchestra had a hit with it the same year.
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"Everybody Loves My Baby", also known as "Everybody Loves My Baby, but My Baby Don't Love Nobody but Me", is a popular and jazz standard song composed by Spencer Williams in 1924. Lyrics were written by Jack Palmer.
"How Deep Is the Ocean?" is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?".
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman, Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938.
"Out of Nowhere" is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. Crosby also sang it in the film Confessions of a Co-Ed (1931) and in his short film I Surrender Dear (1931). He recorded it again in 1954 for his album Bing: A Musical Autobiography.
Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.
"When the Red, Red Robin " is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth, who performed it often during the height of her musical career from the late 1920s to the late 1930s.
"Coquette" is a 1928 fox trot jazz standard. It was composed by Johnny Green and Carmen Lombardo, with lyrics by Gus Kahn. Guy Lombardo had great success with the song in 1928.
"Then I'll Be Happy" is a jazz standard composed by Cliff Friend, with lyrics by Lew Brown and Sidney Clare. It was first published in 1925. A popular recording in 1926 was by Whispering Jack Smith.
"Sweet Sue, Just You" is an American popular song of 1928, composed by Victor Young with lyrics by Will J. Harris. Popular versions in 1928 were by Earl Burtnett and by Ben Pollack.
"Sweet and Lovely" is an American popular song of 1931, composed by Gus Arnheim, Charles N. Daniels, and Harry Tobias.