The Revelers were an American quintet (four close harmony singers and a pianist) popular in the late 1920s and early 1930s. The Revelers' recordings of "Dinah", "Old Man River", "Valencia", "Baby Face", "Blue Room", "The Birth of the Blues", "When Yuba Plays the Rhumba on the Tuba", and many more, became popular in the United States and then Europe in the late 1920s. They also produced the first known recording of "I've Been Working on the Railroad" in 1923. In August 1929, they appeared in the Netherlands with Richard Tauber at the Kurhaus, Scheveningen and the Concertgebouw, Amsterdam.
All of the members had recorded individually or in various combinations. The quartet, organized in 1917, performed under the name The Shannon Four or The Shannon Quartet before changing their name to The Revelers in 1925. [1] The original Revelers were tenors Franklyn Baur and Lewis James (and occasionally Charles W. Harrison substituting when Baur or James was unavailable), baritone Elliot Shaw, bass Wilfred Glenn (who had popularized "Asleep in the Deep" on phonograph records), and pianist Ed Smalle. Smalle was replaced by Frank Black in 1926.
The Revelers (with Black at the piano) appeared in a pioneer movie musical, The Revelers (1927), filmed in Warner Bros.' sound-on-disc Vitaphone process. This one-reel short film, recently restored by The Vitaphone Project, shows the group performing "Mine," "Dinah," and "No Foolin'." Due to the limitations of the primitive sound production, the group was forced to perform the entire nine-minute set in one continuous, uninterrupted take, with the camera in a fixed position. A second short, filmed the same day with another three songs, awaits restoration.
Franklyn Baur was replaced by Frank Luther and then James Melton (later a Metropolitan Opera tenor).
The Revelers were stars on radio and in vaudeville, as well as in the recording studio. On radio they were regulars on The Palmolive Hour (1927–31).
They had recording contracts with Columbia Records and Victor (later RCA Victor) but made extra money by moonlighting under pseudonyms. Columbia promoted them as The Singing Sophomores and Brunswick Records called them The Merrymakers. The group also adopted the names of their radio sponsors: The Eveready Revelers, The Palmolive Revelers, The Seiberling Singers, The General Motors Brigadiers, and The Raleigh Rovers, among others. Ring Lardner observed, "Under any name, they sound as sweet." Lardner outlined his "perfect radio program" for The New Yorker magazine, and found a place for The Revelers along with Paul Whiteman and Fanny Brice.
Although The Revelers stayed current, making a point of including the latest popular songs and show tunes in their repertoire, their sound seemed increasingly old-fashioned. Their listening audience gravitated toward the top soloists of the early 1930s, like Bing Crosby, Arthur Tracy, and Russ Columbo. James Melton left the group in 1933 to embark on a concert career. After the last Revelers record for Victor was released in January 1934, Lewis James and Elliot Shaw retired from the group. Senior member Wilfred Glenn continued to make live appearances with a male chorus billed as The Revelers. The group returned to the recording studio only once, to record a program of 10 traditional religious songs for Decca, in 1938. Glenn's Revelers remained active into the 1940s, culminating in a nationwide tour of 90 concert appearances in 1948. Lewis James joined radio station WGN in Chicago, and Frank Black became prominent as Dr. Frank Black, music director at NBC and recording-company executive.
James Melton's CBS network radio program, Harvest of Stars, brought back Lewis James, Elliot Shaw, Wilfred Glenn, and Frank Black for a Revelers reunion on April 11, 1948. A scripted sketch re-created the group's search for a new "top tenor," followed by a vocal medley of "Dinah," "In a Little Spanish Town," "Sleep, Kentucky Babe," and "Oh! Miss Hannah." Then back to the script:
GLENN: Say, Jim! What about that other song? That catchy one that came out in 1927.
SHAW: The one we sort of helped make popular?
JAMES: The one we recorded 20 years ago?
BLACK: And the one we rehearsed all afternoon?
(group breaks up laughing)
The final song was "I'm Looking Over a Four-Leaf Clover." The group performed it according to the vintage-1927 arrangement, complete with the vocal interpolations straying from the lyrics. The performance unwittingly underscored how dated the group had become, as the 1948 studio audience laughed at all the jazz-age gimmicks.
The Revelers were inducted into The Vocal Group Hall of Fame in 1999. In 2012, a CD titled "A Little Bit of Heaven" was released with 24 of their earliest electrical recordings as The Shannon Quartet.
The Revelers made a comeback (in name only, without Glenn) in 1956. This new male quartet made its debut at the Palace Theatre in New York. Variety noted the revival, and the group's emphasis on old songs as of yore. The new lineup ran the gamut from show tunes to sea chanteys and drinking songs. [2] The personnel: Feodore Tedick or Robert Simpson (first tenor), Thomas Edwards (second tenor), Laurence Bogue (baritone), and Edward Ansara (bass). This foursome is not to be confused with another Revelers group based in Plainfield, New Jersey; this was a mixed quartet that sang at local affairs.
Australian musicologist Frank Bristow has identified four of The Revelers (Baur, Harrison, Shaw, and Glenn) as part of the sextet The Troubadors [sic] with singers Harold Yates and Cooper Lawley. [3]
The German group The Comedian Harmonists formed in 1927 after hearing some records of The Revelers. According to Douglas Friedman's book The Comedian Harmonists (2010), both groups appeared on the same bill at the Scala in Berlin in August 1929 and became good friends.
In 2014, the Revelers' recording of "When Yuba Plays the Rhumba on the Tuba" played over the end credits of Boardwalk Empire's episode 2 of season 5. [4]
"Stormy Weather" is a 1933 torch song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and recorded it with the Dorsey Brothers' Orchestra under Brunswick Records that year, and in the same year it was sung in London by Elisabeth Welch and recorded by Frances Langford. Also in 1933, for the first time the entire floor revue from Harlem's Cotton Club went on tour, playing theatres in principal cities. The revue was originally called The Cotton Club Parade of 1933 but for the road tour it was changed to Stormy Weather Revue; it contained the song "Stormy Weather", which was sung by Adelaide Hall.
A chord is in close harmony if its notes are arranged within a narrow range, usually with no more than an octave between the top and bottom notes. In contrast, a chord is in open harmony if there is more than an octave between the top and bottom notes. The more general term spacing describes how far apart the notes in a chord are voiced. A triad in close harmony has compact spacing, while one in open harmony has wider spacing.
Ben Pollack was an American drummer and bandleader from the mid-1920s through the swing era. His eye for talent led him to employ musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland, and Harry James. This ability earned him the nickname the "Father of Swing".
The Comedian Harmonists were an internationally famous, all-male German close harmony ensemble that performed between 1928 and 1934 as one of the most successful musical groups in Europe before World War II. The group consisted of Harry Frommermann, Asparuh "Ari" Leschnikoff, Erich A. Collin, Roman Cycowski (baritone), Robert Biberti (bass), and Erwin Bootz (pianist).
Nathaniel Shilkret was an American musician, composer, conductor and musical director.
"I've Been Working on the Railroad" is an American folk song. The first published version appeared as "Levee Song" in Carmina Princetonia, a book of Princeton University songs published in 1894. The earliest known recording is by The Shannon Quartet, released by Victor Records in 1923.
The Imperials are an American Christian music group that has been active for over 55 years. Originating as a southern gospel quartet, the innovative group would become pioneers of contemporary Christian music in the 1960s. There have been many changes for the band in membership and musical styles over the years. They would go on to win four Grammys, 15 Dove Awards and be inducted into the Gospel Music Hall of Fame.
Frank Luther was an American country music singer, dance band vocalist, playwright, songwriter and pianist.
"I Want to Be Happy" is a song with music by Vincent Youmans and lyrics by Irving Caesar written for the 1925 musical No, No, Nanette.
James Melton, a popular singer in the 1920s and early 1930s, later began a career as an operatic singer when tenor voices went out of style in popular music around 1932–35. His singing talent was similar to that of his contemporary Richard Crooks and baritones John Charles Thomas and Nelson Eddy, who sang popular music but also had operatic careers.
Lewis Lyman James was a vocalist and among the most active of recording artists in the United States from 1917 through much of the 1930s. He was a member of The Shannon Four, The Revelers, and The Criterion Trio. He had many Top Ten hits during that time, including "My Baby Boy", "Till We Meet Again", "What'll I Do", "All Alone)" and "Pal of My Cradle Days", among others.
The American Album of Familiar Music is a radio program of popular music broadcast from October 11, 1931, to June 20, 1954, first on NBC, then on ABC and finally on local stations. Directed by James Haupt, the show was produced by Frank and Anne Hummert, better remembered today for creating Ma Perkins and numerous other soap operas.
"A Cottage for Sale" is a popular song. The music was composed by Willard Robison, and the lyrics were written by Larry Conley. The song was first published in 1929, and over 100 performers have recorded versions of "A Cottage for Sale." The first versions of the song were released by The Revelers in January 1930 and Bernie Cummins with the New Yorker Orchestra in March 1930.
The Palmolive Hour was an American radio concert-variety program, sponsored by Palmolive Soap and broadcast on NBC from December 1927, to July 29, 1931. The Palmolive Musical Stock Company offered a mix of jazz, show tunes and opera selections.
Johnny Hamp's Kentucky Serenaders was a US jazz and dance band, active from the late 1910s through the 1920s. The group was known simply as The Serenaders until Johnny Hamp became the band leader. Johnny Hamp was born in Lancaster, Pennsylvania and should not be confused with British television producer Johnnie Hamp. According to some sources, he became the leader by chance when the band was performing at the Hershey Ballroom in Hershey, Pennsylvania. The band leader at the time had an argument with the players and walked out. Hamp, who never played a musical instrument in spite of being a jazz fan and had no experience as a conductor, volunteered to lead them for the rest of the evening and they accepted. After the performance, the band asked him to stay on as leader. The "Kentucky" in the name appears to be related to the band's use of "My Old Kentucky Home" as a theme song, rather than any connection to the U.S. state of Kentucky.
"Stairway to the Stars" is a popular song composed by Matty Malneck and Frank Signorelli, with lyrics by Mitchell Parish. It was based on a theme from Malneck and Signorelli's 1934 instrumental piece, "Park Avenue Fantasy."
Franklyn Baur was a popular tenor vocal recording artist.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
Die Singphoniker is a German male classical vocal ensemble based in Munich, founded in 1980 by six students of the Musikhochschule München, after the model of the Comedian Harmonists. They sing a broad repertory, from Gregorian chant to contemporary music, including Volkslieder, Christmas carols, pop music and other crossover projects. Composers such as Enjott Schneider, Max Beckschäfer and Wilfried Hiller wrote music for them. Their name alludes to "Symphoniker", inserting "sing" into a typical German name for a symphony orchestra.